{"id":37578,"date":"2003-04-11T00:00:00","date_gmt":"2003-04-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thunder-seven\/"},"modified":"2003-04-11T00:00:00","modified_gmt":"2003-04-11T00:00:00","slug":"thunder-seven","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thunder-seven\/","title":{"rendered":"Thunder Seven"},"content":{"rendered":"<p>I have always had a great deal of admiration and even sympathy<br \/>\nfor rock and roll power trios. For the ones that were able to<br \/>\nsucceed in the AOR world of the late 70&#8217;s and 80&#8217;s, one title was<br \/>\ncommonly thrown their way &#8212; &#8220;thinking man&#8217;s rock.&#8221; This title may<br \/>\nhave been given partly due to the fact that within the chemistry of<br \/>\na three-man unit, there was simply no room for someone to solely<br \/>\nconcentrate on the lead vocal responsibility and ultimately the<br \/>\ncamera. With this being the era of MTV&#8217;s birth where image became<br \/>\neverything in music, &#8220;thinking man&#8217;s rock&#8221; unfairly started<br \/>\nbecoming uncool.<\/p>\n<p>Perhaps one of the best rock trios of this era were the Toronto,<br \/>\nCanada-based band Triumph. If they weren&#8217;t the best, they were<br \/>\nsurely the most underrated. Anchored by lead guitar whiz Rik<br \/>\nEmmett, the lead vocal duties of the band had always been split<br \/>\nbetween himself and drummer Gil Moore. And while we are talking<br \/>\nabout the terms of &#8220;best&#8221; and &#8220;underrated,&#8221; those adjectives also<br \/>\nfit when analyzing<br \/>\n<i>Thunder Seven<\/i>&#8216;s importance amongst the other eight studio<br \/>\nLP&#8217;s in the Triumph catalog.<\/p>\n<p>When comparing<br \/>\n<i>Thunder Seven<\/i> to the band&#8217;s previous work, one thing that<br \/>\nstands out is the heavier tone of the recorded songs. I&#8217;m<br \/>\nrelatively sure that this was the result of the album being<br \/>\nrecorded in the band&#8217;s newly constructed Metalworks studio and<br \/>\nsubjected to a new acoustic dynamic.<\/p>\n<p>This was a good thing as it really suited Gil Moore&#8217;s driving<br \/>\nhard-rock vocal style and also induced Rik Emmett to showcase a<br \/>\nvocal style that muddied his trademark traditional falsetto pitch<br \/>\non the song &#8220;Rock Out, Roll On.&#8221; The end result was an eerie<br \/>\nmessage from Rik warning that the &#8220;ghosts of Woodstock&#8221; were still<br \/>\nhaunting the next of kin and holding back the future of rock n&#8217;<br \/>\nroll. The message within the framework of this song is convincing<br \/>\nenough and a credit to the band&#8217;s experimentation with the dark,<br \/>\nplodding production strategy they employed. During the song &#8220;Cool<br \/>\nDown,&#8221; Emmett&#8217;s vocals mirror Robert Plant during Led Zeppelin&#8217;s<br \/>\nheavier days, again deviating from the soaring vocal sound commonly<br \/>\nassociated with him in the past.<\/p>\n<p>\n<i>Thunder Seven<\/i> also featured two of the most prominent<br \/>\ncharting songs for the band &#8211; both with Moore handling the vocals<br \/>\n&#8212; &#8220;Spellbound&#8221; (Billboard Mainstream Rock, #10) and &#8220;Follow Your<br \/>\nHeart&#8221; (Billboard Mainstream Rock, #13). I remember as a kid first<br \/>\nhearing &#8220;Spellbound&#8221; how drawn in I was by the opening synthesizer<br \/>\nwork. Almost twenty years later, I can now tell you how dated those<br \/>\nsame synthesizers make the song sound. &#8220;Follow Your Heart&#8221; is the<br \/>\nlooser-flowing and more pop-sounding of the two songs. The title of<br \/>\nthe song is a great clich\u00e9, even by today&#8217;s standards, to<br \/>\nbuild a song around.<\/p>\n<p>Interestingly, the best song Triumph ever wrote that never saw<br \/>\nthe light of day was this album&#8217;s &#8220;Time Goes By.&#8221; Talk about a<br \/>\nsoaring introduction and a great bass line by Mike Levine that<br \/>\ncascades into a dark and beautiful melody. While the song brings<br \/>\nback Rik Emmett&#8217;s high pitched falsetto, it also highlights his<br \/>\nsongwriting ability to the fullest and fits in the inspirational<br \/>\nline, &#8220;We all bear witness as history unfolds; Let&#8217;s hope tomorrow<br \/>\ncan deliver on the promise that she holds.&#8221; When I claimed Triumph<br \/>\nfit into the category of &#8220;thinking man&#8217;s rock,&#8221; it&#8217;s words like<br \/>\nthis that define my claim.<\/p>\n<p>&#8220;Midsummer&#8217;s Daydream&#8221; is a brilliant acoustic piece by Emmett<br \/>\nwith an almost classical sound. The fretwork exhibited here<br \/>\nshowcases Rik Emmett as a guitarist for the ages and one that<br \/>\ndidn&#8217;t have to rely on the chemistry of a band to be a success.<\/p>\n<p>The diversity of the songs on<br \/>\n<i>Thunder Seven<\/i> should be cemented by the power of Moore and<br \/>\nEmmett dueting their way through the song &#8220;Killing Time.&#8221; With<br \/>\nEmmett&#8217;s high pitch and Moore&#8217;s heavier voice, the chemistry of<br \/>\nthis song comes across amazingly, the vocals as fluid as the<br \/>\ntightest big brother\/little brother bond ever seen. It was the<br \/>\nfirst time the two had ever collaborated in such a way on a<br \/>\nsong.<\/p>\n<p>Looking back on<br \/>\n<i>Thunder Seven<\/i> in this day and age, it&#8217;s apparent that MCA<br \/>\nmissed the boat promoting this album. Thunder Seven had so much to<br \/>\noffer to such a great number of people without alienating any<br \/>\nparticular musical taste. MTV was a marketing vehicle moving at<br \/>\nfull steam and hard rock bands were commonly filling arenas while<br \/>\non tour. Looking back on it all, something obviously misfired<br \/>\ncausing<br \/>\n<i>Thunder Seven<\/i> to become one of the forgotten gems of the<br \/>\n80&#8217;s.<\/p>\n","protected":false},"author":27,"featured_media":26348,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6012],"rating":[5646],"class_list":["post-37578","review","type-review","status-publish","has-post-thumbnail","artist-triumph","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37578"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37578\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26348"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37578"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37578"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}