{"id":37582,"date":"2003-04-16T00:00:00","date_gmt":"2003-04-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/not-of-this-earth\/"},"modified":"2003-04-16T00:00:00","modified_gmt":"2003-04-16T00:00:00","slug":"not-of-this-earth","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/not-of-this-earth\/","title":{"rendered":"Not Of This Earth"},"content":{"rendered":"<p>Like many people, I suppose, I got into Joe Satriani courtesy of<br \/>\nhis ground-breaking album<br \/>\n<i>Surfing With The Alien<\/i>. I&#8217;ve been fortunate enough to see<br \/>\nhim perform in concert, and experience my jaw scraping the floor of<br \/>\nthe arena watching Satriani do things on a guitar that didn&#8217;t seem<br \/>\nhumanly possible. I have every album Satriani has released (not<br \/>\nincluding<br \/>\n<i>G3 Live In Concert<\/i>), and occasionally pull those out of the<br \/>\nPierce Memorial Archives when I need to clear out the mental<br \/>\npipes.<\/p>\n<p>Yet I can&#8217;t help wondering, when I listen to<br \/>\n<i>Not Of This Earth<\/i>, Satriani&#8217;s first full-length disc, why<br \/>\npeople made such a big deal out of this album. For all of the hype<br \/>\nthat has surrounded Satriani (most of which is deserved),<br \/>\n<i>Not Of This Earth<\/i> demonstrates a lot of flash, but not as<br \/>\nmuch substance musically.<\/p>\n<p>Make no mistake, Satriani proves right out of the gate that he<br \/>\nis an outstanding guitar player, as evidenced by the title track.<br \/>\nHe chooses to let a lead\/rhythm line of his guitar do the work of a<br \/>\nvocalist, and the power he unleashes by doing this is unbelievable.<br \/>\nBy the time he gets to the lightning-fast riffing in the solo, the<br \/>\nlistener will be hooked.<\/p>\n<p>One wishes that all of the cuts on<br \/>\n<i>Not Of This Earth<\/i> were of this caliber. Indeed, tracks like<br \/>\n&#8220;The Enigmatic,&#8221; &#8220;Hordes Of Locusts&#8221; and &#8220;New Day&#8221; all capture the<br \/>\nsix-string frenzy and power of Satriani. But the bulk of this disc<br \/>\nfinds Satriani actively searching for his instrumental voice, and<br \/>\nnot always making the correct choices.<\/p>\n<p>Take &#8220;Rubina,&#8221; for example. Admittedly not a bad track, it<br \/>\noccasionally seems to be without purpose, not exactly knowing which<br \/>\ndirection the music should go. That tentativeness is also heard on<br \/>\ntracks like &#8220;Driving At Night,&#8221; &#8220;Memories&#8221; and &#8220;The Snake&#8221; &#8211; tracks<br \/>\nwhich should have been slamming the listener&#8217;s head to the ground<br \/>\nwith their power, but end up bouncing off of the headphones with a<br \/>\nsplat.<\/p>\n<p>One part of the problem seems to be that Satriani is trying to<br \/>\ndo too much on his own. Yes, I know he handled the lion&#8217;s share of<br \/>\nthe duties on<br \/>\n<i>Surfing With The Alien<\/i> as well, but on<br \/>\n<i>Not Of This Earth<\/i>, it sometimes sounds like Satriani became<br \/>\noverwhelmed with trying to be a whiz on guitar, bass and keyboards,<br \/>\nand trying to balance the three to make it sound like an actual<br \/>\nband. The second problem is the drum work of Jeff Campitelli &#8211; no<br \/>\noffense, but I sometimes found it hard to believe that I wasn&#8217;t<br \/>\nlistening to a drum machine, that&#8217;s how robotic these rhythm tracks<br \/>\noften sound. Granted, something could have also been done in the<br \/>\nmix to remove the tinny quality of the percussion sound, but<br \/>\nsometimes you have to work with what you laid down on tape.<\/p>\n<p>Yes, everyone needs to get their start somewhere, and I know<br \/>\nthat without<br \/>\n<i>Not Of This Earth<\/i>, we wouldn&#8217;t have such Satriani<br \/>\nmasterpieces as<br \/>\n<i>Surfing With The Alien<\/i>. But one would be hard-pressed to say<br \/>\nthat<br \/>\n<i>Not Of This Earth<\/i> is of the same caliber. Let&#8217;s call this<br \/>\none a learning experience that&#8217;s for the die-hard fans only.<\/p>\n","protected":false},"author":2,"featured_media":26352,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5762],"rating":[5619],"class_list":["post-37582","review","type-review","status-publish","has-post-thumbnail","artist-joe-satriani","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37582","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37582"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37582\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26352"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37582"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37582"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37582"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}