{"id":37593,"date":"2003-04-29T00:00:00","date_gmt":"2003-04-29T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/destination-unknown\/"},"modified":"2003-04-29T00:00:00","modified_gmt":"2003-04-29T00:00:00","slug":"destination-unknown","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/destination-unknown\/","title":{"rendered":"Destination Unknown"},"content":{"rendered":"<p>Whoever said all Christian punk was &#8220;do-gooder trash that needs<br \/>\nto go to hell&#8221; was wrong. Oh wait, that was me. So I was wrong.<\/p>\n<p>I picked up this CD from a band I had never heard of after I saw<br \/>\nMest at a concert sponsored by a local radio station. I was there<br \/>\nto see Good Charlotte, but that was totally before &#8220;Lifestyles Of<br \/>\nThe Rich And Famous.&#8221; So Mest came on, and I found myself doing<br \/>\nthis half mosh, half stoner head-bang to their single&#8221;Cadillac.&#8221;<br \/>\nAfter I listened to the whole CD,<br \/>\n<i>Destination Unknown<\/i>, I was happy to discover a delightfully<br \/>\ncrass, yet completely insightful party album that parents might<br \/>\nactually approve of.<\/p>\n<p>&#8220;Cadillac&#8221; is the album&#8217;s first single. It&#8217;s basically a look<br \/>\ninto one night of drinking and getting stoned, and finding comfort<br \/>\nthrough your belligerence from that one person who always makes you<br \/>\nfeel guarded and not so much like the fuck-up that you are. The<br \/>\nband packs a cornucopia of musical influences into this one song.<br \/>\nIt starts off with a rapid guitar riff, reminiscent of early Green<br \/>\nDay. The chorus is slowed down to a mellower riff with more hip-hop<br \/>\nundertones. It finishes with a more abated reggae feel. Farther in,<br \/>\nthe seventh song on the disc, &#8220;It&#8217;s Over,&#8221; is a friend&#8217;s testimony<br \/>\nof his feelings toward his best friend&#8217;s girlfriend, and her<br \/>\ninterference in their friendship. Sounds sweet, but the lyrics are<br \/>\ndelivered in a frantic conveyance, backed by only a fast guitar<br \/>\ntune that makes you forget the touching inner meaning and turns<br \/>\nthis song into a great mosher. The best song on this CD is the<br \/>\nhidden track, which plays two minutes after the last song, &#8220;Living<br \/>\nDead,&#8221; ends. The track is a mellow, reggae ditty with a blasting<br \/>\nhorn in the background that makes you want to sit back, take a hit<br \/>\nand ponder some of the simpler things in life.<\/p>\n<p>One song that didn&#8217;t go over so well was &#8220;Breakin&#8217; Down.&#8221; After<br \/>\nexperiencing an album such as this one, I feel a certain loyalty to<br \/>\nMest. I won&#8217;t say that this song is completely terrible; it&#8217;s not.<br \/>\nBut it doesn&#8217;t live up to the potential shown in the other thirteen<br \/>\ntracks. Its message is somewhat obscure, and the lyrics are little<br \/>\nmore than brainless. Example: &#8220;Breakin&#8217;, breakin&#8217;, she&#8217;s breakin&#8217;<br \/>\ndown. Breakin&#8217;, breakin&#8217;, she&#8217;s breakin&#8217; down.&#8221; Plus the music<br \/>\nsounds like the same watered-down crap you hear on every pop-punk<br \/>\nalbum these days. Let this one slide, since the rest of the album<br \/>\nis full of pure, unadulterated party favorites. Skip over number<br \/>\nnine, and you&#8217;re golden.<\/p>\n<p>Definitely pick this one up; it&#8217;s a steal at eight dollars, plus<br \/>\nyour Bible-thumping friends will love you for it.<\/p>\n","protected":false},"author":36,"featured_media":26362,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6842],"rating":[5613],"class_list":["post-37593","review","type-review","status-publish","has-post-thumbnail","artist-mest","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37593","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/36"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37593"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37593\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26362"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37593"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37593"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37593"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}