{"id":37602,"date":"2003-05-12T00:00:00","date_gmt":"2003-05-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tragic-epilogue\/"},"modified":"2003-05-12T00:00:00","modified_gmt":"2003-05-12T00:00:00","slug":"tragic-epilogue","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/tragic-epilogue\/","title":{"rendered":"Tragic Epilogue"},"content":{"rendered":"<p>Hip-hop is a funny thing. Just when you&#8217;re about to throw up<br \/>\nyour hands and swear that you&#8217;ve heard it all, that there isn&#8217;t<br \/>\nanything new that can be done with it, along comes something<br \/>\nelse.<\/p>\n<p>I&#8217;ve been into hip-hop since the first grade &#8212; roughly when it<br \/>\nfirst emerged as a type of music. The Bee Gees and disco music in<br \/>\ngeneral were acting out the public&#8217;s need for a 1970s phenomena &#8212;<br \/>\nlike grunge, poodle-haired 80s metal, the boy-band crisis,<br \/>\nrap-metal, McPunk, or diet rock, that were all significant parts of<br \/>\nthe tiny eras they were\/are inhabiting. Hip-hop&#8217;s timing, at the<br \/>\npeak of Travolta and disco fevuh, only made the many naysayers seem<br \/>\nlike they were correct. When disco expired, though, and hip-hop<br \/>\nproved through Grandmaster Flash, UTFO, and LL Cool J (among<br \/>\nothers) that it was only beginning, it confused a bunch of<br \/>\nprog-rockers and\/or closet racists who only wanted to enjoy white<br \/>\nmusic made by white people. To them, James Brown is just that funny<br \/>\nblack dude who pops up in movies like<br \/>\n<i>Rocky 34<\/i> all the time, and sweats profusely, even at night.<br \/>\nTheir music collection is probably so sanitary and perfect, so<br \/>\nlily-white, that even the thought of having Run DMC&#8217;s &#8220;Walk This<br \/>\nWay&#8221; on the television when their friends popped over unannounced<br \/>\nwas a major source of embarrassment. A blow to their sense<br \/>\nof\u2026sense.<\/p>\n<p>The Anti Pop Consortium don&#8217;t make a lot of&#8230;sense. First off,<br \/>\ntheir name: They don&#8217;t have a bitch-killah moniker that lets people<br \/>\nknow that toying with them will put somebody&#8217;s momma in a black<br \/>\ndress in a few days. Plus they don&#8217;t loudly exhale pot-smoke on<br \/>\nSkit #3002 of their quadruple cd (each disc having over a half hour<br \/>\nof &#8220;intros&#8221;), and 89% of their album isn&#8217;t one big, long boring<br \/>\ndiatribe about A) how they are just preposterously endowed, and<br \/>\nmake mules self-conscious, B) the mind-boggling quantities of pussy<br \/>\nthat gets thrown at them daily, C) their names and faces being on<br \/>\nevery police blotter in the world, even in places they&#8217;ve never<br \/>\nbeen, or D) they&#8217;ll kill you two times for daring to make direct<br \/>\neye contact with them. Then they&#8217;ll give your momma anal sexual<br \/>\nhealing. On your coffin.<\/p>\n<p>If I was an A&#038;R man that&#8217;s the kind of lyrics I&#8217;d expect to<br \/>\nget from either High Priest, Beans, Sayyid, or Earl Blaize. Instead<br \/>\nof that, I hear &#8220;Shark infested water, message in a bottle, no man<br \/>\nis an island. Individual visual MC. Me? I love life.&#8221;<\/p>\n<p>I&#8217;ve always had a list of what I thought were the best hip-hop<br \/>\nalbums of all time (in no order they are, thus far):<br \/>\n<i>It Takes a Nation of Millions to Hold us Back<\/i> (by Public<br \/>\nEnemy),<br \/>\n<i>36 Chambers<\/i> (The Wu-Tang Clan),<br \/>\n<i>Endtroducing<\/i> (DJ Shadow),<br \/>\n<i>Tical<\/i> (Method Man),<br \/>\n<i>3030<\/i> (Deltron),<br \/>\n<i>Hard to Earn<\/i> (Gang Starr), and<br \/>\n<i>ATLiens<\/i> (Outkast).<br \/>\n<i>Dr. Octagonecolgyst<\/i> (Dr. Octagon) has, since it came out in<br \/>\n1996, to me, been the ultimate, the<br \/>\n<i>Pet Sounds<\/i> of hip-hop. Having said that, I consider<br \/>\n<i>Tragic Epilogue<\/i> the rap<br \/>\n<i>Revolver<\/i>.<\/p>\n","protected":false},"author":35,"featured_media":26371,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6847],"rating":[5646],"class_list":["post-37602","review","type-review","status-publish","has-post-thumbnail","artist-anti-pop-consortium","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37602"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37602\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26371"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37602"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37602"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}