{"id":37649,"date":"2003-07-05T00:00:00","date_gmt":"2003-07-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pyramid-2\/"},"modified":"2003-07-05T00:00:00","modified_gmt":"2003-07-05T00:00:00","slug":"pyramid-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/pyramid-2\/","title":{"rendered":"Pyramid"},"content":{"rendered":"<p>As a fellow keyboardist, I have always had an interest in my<br \/>\nfellow rock artists who displays their talents with the black and<br \/>\nwhite keys. Ray Manzarek (The Doors), Elton John, Billy Joel, Rick<br \/>\nWakeman (to name a few) have always perked my interest (most<br \/>\nrecently, Wakeman), and producer\/songwriter Alan Parsons has always<br \/>\nshowed his expertise on his Project albums. More orchestrated,<br \/>\nParsons has always displayed great works with synthesizers and<br \/>\ninstrumentation in their most popular hits ( &#8220;Sirius\/Eye In The<br \/>\nSky&#8221; &#8212; the song used for the Chicago Bulls introducing the<br \/>\nplayers&#8211; is APP&#8217;s most famous hit.) 1978&#8217;s<br \/>\n<i>Pyramid<\/i> was Parsons&#8217; third album, long before<br \/>\n<i>Eye In The Sky<\/i> was released, four years later. It shows<br \/>\nParsons as a gifted producer, arranger, and co-songwriter, where<br \/>\nthe songs on this album could classify as New Age, Rock, and<br \/>\nProgressive Rock.<\/p>\n<p>The first two songs, &#8220;Voyager&#8221; and &#8220;What Goes Up&#8230;&#8221; have a<br \/>\nsomewhat New Age Jazz sound mixed with Rock. Another interesting<br \/>\ntune is the soft ballad &#8220;The Eagle Will Rise Again,&#8221; a song that<br \/>\ncould easily fit most New Age Jazz formats. None of these 3 songs<br \/>\nwill bore the listener; it has a continuing blend of music that<br \/>\nwill keep the listener listening for more. &#8220;One More River&#8221; is<br \/>\ndefinitely a rock sounding tune, and the vocalist has a resemblance<br \/>\nto Elton John, with a much more Rock edge, than Sir Elton had<br \/>\nperformed in his heyday during the 1970s.<\/p>\n<p>&#8220;Can&#8217;t Take It With You&#8221; displays a Rock\/Progressive Rock sound,<br \/>\nlikewise the instrumental &#8220;In The Lap Of The Gods&#8221; showcases a<br \/>\nsense of mystery, and has great orchestration from start to finish.<br \/>\n&#8220;Pyramania&#8221; has a Pop\/New Wave approach (as in the music of XTC),<br \/>\nwhere another instrumental, &#8220;Hyper-Gamma Spaces,&#8221; has an upbeat,<br \/>\nsnappy, almost-Jazz sound, with expert synthesizers.<\/p>\n<p>The last song has superb orchestration and vocals, &#8220;Shadow Of A<br \/>\nLonely Man&#8221; could classify as Progressive Rock, with a touch of<br \/>\nClassical Music. A very impressive tune, this one will want the<br \/>\nlistener go back and listen to it again.<\/p>\n<p>\n<i>Pyramid<\/i> displays the &#8220;high-tech&#8221; keyboard sounds Alan<br \/>\nParsons has always provided in his music. His vocalists included<br \/>\nex-Zombie Colin Blunstone, Dean Ford, David Paton, Lenny Zakatek,<br \/>\nJack Harris, and John Miles. (The CD didn&#8217;t display who sang each<br \/>\nsong, that would have been nice&#8230;) What is interesting, in reading<br \/>\nthe information about this album, is that Parsons did NOT play<br \/>\nkeyboards on this album. He produced and engineered the album, and<br \/>\nplayed acoustic guitar. The keyboards were performed by Parsons&#8217;<br \/>\nlyricist\/manager Eric Woolfson and Duncan Mackay. All of the songs<br \/>\nwere co-written by Parsons and Woolfson. An amazing album &#8212; for<br \/>\nthose who are not familiar with Parsons&#8217; music, after listening to<br \/>\n<i>Pyramid<\/i>, the listener will want to explore other albums by<br \/>\nParsons, especially the ones that did not have any major hits, like<br \/>\nthis album did.<\/p>\n","protected":false},"author":11,"featured_media":24547,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5840],"rating":[5646],"class_list":["post-37649","review","type-review","status-publish","has-post-thumbnail","artist-the-alan-parsons-project","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37649"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37649\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24547"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37649"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37649"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}