{"id":37651,"date":"2003-07-08T00:00:00","date_gmt":"2003-07-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/untitled-5\/"},"modified":"2003-07-08T00:00:00","modified_gmt":"2003-07-08T00:00:00","slug":"untitled-5","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/untitled-5\/","title":{"rendered":"Untitled"},"content":{"rendered":"<p>London&#8217;s bleak, dripping landscape is providing an excellent<br \/>\nbackdrop for a new hungry breed of artists: Hip Hop ones. A style<br \/>\nwhich used to be all about American Emotions from American<br \/>\nplaces-Brooklyn, Hollis (Queens, NY), Staten Island, parts of the<br \/>\nDeep South, The 5th Ward (Houston, TX), Compton, and Inglewood,<br \/>\nthen things simmered down a bit, and some intelligent flows<br \/>\nemanated out of the Bay Area (Del, Cali Agents, etc.). Then it was<br \/>\nSwollen Members from up in Canada. What about the remainder of<br \/>\nPlanet Earth? The<br \/>\n<i>Best of International Hip-Hop<\/i> (Hip-O Records) compilation<br \/>\nproved that it&#8217;s thriving in places like Argentina, Switzerland,<br \/>\nAlgeria, Israel, Austria, Japan, Greece, France, Greenland,<br \/>\nPortugal, Romania,\u2026and even South Africa. A short death is<br \/>\nall it would seem to be able to get there.<\/p>\n<p>Great Britain wasn&#8217;t represented on that disc, and that could be<br \/>\nbecause the scene in England is doing quite well on it&#8217;s own, thank<br \/>\nyou very much. People like Ty, The Creators, Unsung Heroes, Cappo,<br \/>\nThe Nextmen, Beyond There, Black Twang, and Braintax are fueling<br \/>\nwhat is rapidly becoming an out of control blaze, and maybe hip-hop<br \/>\nin Britain can soon enough take some of the morbid attention away<br \/>\nfrom the road-side accident scene that is Britpop. Oasis are<br \/>\napparently bust, and my other favorites threw the towel in years<br \/>\nprior. Maybe\u2026hopefully people are ready for something<br \/>\nnew.<\/p>\n<p>Gamma are a solid quartet, mixing the verbal skills of three<br \/>\nMC&#8217;s and two DJ&#8217;s\/producers. They arrived in London via Birmingham<br \/>\n(UK) and Dallas. No sleep-inducing stereotypical &#8216;isms&#8217; here<br \/>\nlyrically. On the track &#8220;Factory&#8221; it&#8217;s: &#8220;a bitch is a female mutt.&#8221;<br \/>\nPeriod. Not some Jenny Jones &#8220;Barefoot and Pregnant&#8221; episode.<br \/>\nLyrics about wilding out and killing people gets you a warning<br \/>\nsticker in America, but it&#8217;s apparently alright to look down on<br \/>\nwomen in your songs apparently. Gamma obviously has the brains to<br \/>\npick more interesting things to write about.<\/p>\n<p>\n<i>Permanament<\/i> is thick in sound, busy at times, and book-ended<br \/>\nby a pair of instrumental songs that would even make Liam Howlett<br \/>\n(The Prodigy) pause. The vocals are all delivered with thick &#8216;we<br \/>\nain&#8217;t from Bed-Stuy&#8217; accents that at times resemble Rasta patois.<br \/>\nThere are so many songs here that keep the Repeat button working<br \/>\nover-time: Don&#8217;t Send A Boy, Godly Food, Black Atlantian, Filter<br \/>\n731, and Supreme Confidence for starters.<\/p>\n<p>Big Dada is a sub imprint of the Ninja Tune label, who&#8217;s<br \/>\nresponsible for albums by Kid Koala, DJ Food, Herbaliser, Amon<br \/>\nTobin, etc. Just seeing Ninja Tune anywhere on a record or a cd<br \/>\nshould make you jump. As Britpop withers the next sunrise will<br \/>\nsignal the dawn of Gamma, and UK Hip-Hop in general.<\/p>\n","protected":false},"author":35,"featured_media":26418,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[],"rating":[5613],"class_list":["post-37651","review","type-review","status-publish","has-post-thumbnail","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37651"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37651\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26418"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37651"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37651"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}