{"id":37662,"date":"2003-07-19T00:00:00","date_gmt":"2003-07-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-kindness-of-strangers\/"},"modified":"2003-07-19T00:00:00","modified_gmt":"2003-07-19T00:00:00","slug":"the-kindness-of-strangers","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-kindness-of-strangers\/","title":{"rendered":"The Kindness Of Strangers"},"content":{"rendered":"<p>For being someone who likes progressive rock, I don&#8217;t always<br \/>\nlike progressive rock.<\/p>\n<p>All right, now, put away the funny jacket whose sleeves tie in<br \/>\nthe back and let me explain that one. I like progressive rock&#8217;s<br \/>\ncomplexity, its willingness to take risks and try new things, and<br \/>\nthe use of classical instruments and motifs with rock tempos. What<br \/>\nI don&#8217;t like is the overblown pretentiousness of 24-minute long<br \/>\nsongs with nine parts (usually subdivided with<br \/>\n<b>i.<\/b> those annoying little outline things that<br \/>\n<b>ii.<\/b> no one outside of an English term paper has<br \/>\n<b>iii.<\/b> ever used unless they were<br \/>\n<b>iv.<\/b> just neurotic). Fact is, prog rock rides a thin line<br \/>\nbetween self-indulgence and obfuscation, and most bands don&#8217;t do it<br \/>\nwell. (For example, don&#8217;t get me started on Yes. We could be here<br \/>\nall night.)<\/p>\n<p>Spock&#8217;s Beard, on the other hand, has gotten it right for a good<br \/>\ndeal of their recording career. In fact, in my opinion,<br \/>\n<i>The Kindness Of Strangers<\/i>, their third CD, was the first<br \/>\ntime they did get it exactly right. While it still has some<br \/>\nprogressive rock cliches (long songs with subtitles, enthusiastic<br \/>\nuse of the Hammond organ, and quirky lyrics), it&#8217;s also a tight,<br \/>\nwell-performed, and intelligent piece of music.<\/p>\n<p>As always, the musical performances are without peer. The lineup<br \/>\nof Neal Morse, Alan Morse, Dave Meros, Ryo Okumoto, and Nick<br \/>\nD&#8217;Virgilio are just plain great. The production is tight, the mix<br \/>\nis perfect\u2026so it all really comes down to the songs, doesn&#8217;t<br \/>\nit? On<br \/>\n<i>The Kindness Of Strangers<\/i>, the songs are pretty damn fine.<br \/>\n&#8220;The Good Don&#8217;t Last&#8221; is a nice intro with a couple of funny lines,<br \/>\nbut the real kick in the pants to get the album moving is the<br \/>\nintense groove of &#8220;In The Mouth Of Madness,&#8221; with its blistering<br \/>\nkeyboard solos, jangly guitar, and intense distorted vocals<br \/>\n(somewhat reminiscent of ELP). From there, &#8220;Cakewalk On Easy<br \/>\nStreet,&#8221;&#8221;June&#8221; and &#8220;Strange World&#8221; continue the brilliance. The CD<br \/>\nwraps up with &#8220;Harm&#8217;s Way&#8221; &#8212; kind of the weak sister on this CD,<br \/>\nthough still pretty tasty &#8212; and the brilliant, brilliant &#8220;Flow,&#8221;<br \/>\nwhere Spock&#8217;s Beard proves that yes, they can do a long multi-part<br \/>\nsong and not fall off the tightrope.<\/p>\n<p>This is also, interestingly enough, a pretty hard-rocking CD &#8212;<br \/>\na tendency the Beard continued on further releases &#8220;Day From Night&#8221;<br \/>\nand &#8220;Snow&#8221;. On songs like &#8220;Cakewalk&#8221; and &#8220;Mouth&#8221;, Alan Morse really<br \/>\nkicks out the jams, straying very close to the progressive metal<br \/>\nterritory of bands like Dream Theater and King&#8217;s X.<\/p>\n<p>Out of six studio CDs (I haven&#8217;t heard the new Neal Morse-less<br \/>\n<i>Feel Euphoria<\/i> yet, but to all reports the Beard is a very<br \/>\ndifferent band now), Spock&#8217;s Beard hit the progressive rock nail on<br \/>\nthe head at least three times &#8212; with<br \/>\n<i>Day From Night<\/i>,<br \/>\n<i>Snow<\/i>, and<br \/>\n<i>The Kindness Of Strangers<\/i>.<br \/>\n<i>Kindness<\/i> is definitely worth checking out as one of the<br \/>\nBeard&#8217;s best.<\/p>\n","protected":false},"author":18,"featured_media":26429,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6237],"rating":[5613],"class_list":["post-37662","review","type-review","status-publish","has-post-thumbnail","artist-spocks-beard","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37662"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37662\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26429"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37662"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37662"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37662"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}