{"id":37668,"date":"2003-07-28T00:00:00","date_gmt":"2003-07-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/weve-come-for-you-all\/"},"modified":"2003-07-28T00:00:00","modified_gmt":"2003-07-28T00:00:00","slug":"weve-come-for-you-all","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/weve-come-for-you-all\/","title":{"rendered":"We&#8217;ve Come For You All"},"content":{"rendered":"<p>To prepare myself for reviewing this CD, the latest effort from<br \/>\none of the thrash metal genre&#8217;s leaders, I spent a lot of time with<br \/>\ntheir greatest hits release<br \/>\n<i>Return Of The Killer A&#8217;s<\/i>, which chronicles the band&#8217;s<br \/>\ncareer. I introduced my children to the song &#8220;Indians&#8221; as well as<br \/>\nthe frantic pace of their cover of the Joe Jackson tune &#8220;Got the<br \/>\nTime.&#8221; I also enjoyed their more recent tracks like &#8220;Only,&#8221;<br \/>\nrealizing that the band has progressed from their early releases<br \/>\nlike<br \/>\n<i>Fistful Of Metal<\/i> and<br \/>\n<i>Armed And Dangerous<\/i>. More recently, the band has found out<br \/>\nthat you don&#8217;t have to play 100 MPH to be a heavy band, a la<br \/>\nMetallica.<\/p>\n<p>Listening to their greatest hits gave me the perspective to<br \/>\nconclude<br \/>\n<i>We&#8217;ve Come For You All<\/i> is a stellar release. Anthrax<br \/>\ncontinues what worked on their last release,<br \/>\n<i>Volume 8 &#8211; The Threat Is Real<\/i>, and throws enough references<br \/>\nto their early thrash roots to satisfy veteran and newbie fans.<\/p>\n<p>It&#8217;s at the 1:41 mark of &#8220;What Doesn&#8217;t Die&#8221; that the band sounds<br \/>\nlike the old days of thrash metal. The crescendo is one that makes<br \/>\nyou imagine the band playing this song live. And that&#8217;s a major<br \/>\nthrust of this release. While there are some overdubs and special<br \/>\neffects, the bulk of this material sounds like four guys that set<br \/>\nup their instruments and started jamming. Vocalist John Bush sounds<br \/>\nexcellent, especially during &#8220;Nobody Knows Anything,&#8221; which is also<br \/>\na stellar track for drummer Charlie Benante, who constructs a<br \/>\nfrantic drumbeat. The single &#8220;Safe Home&#8221; could serve as a suitable<br \/>\nintroduction to the band, who has still, despite Metallica&#8217;s radio<br \/>\nsuccess, never really made a splash on the radio.<\/p>\n<p>The song that I would think would make more of an impact is<br \/>\n&#8220;Think About An End,&#8221; a Charlie Benante-driven mid-tempo stomp.<br \/>\nAfter multiple listens, this is the song I come back to as<br \/>\npersonifying the progress Anthrax has made on this release. It has<br \/>\nthe trademark Benante drumming, which relies more on tom-tom<br \/>\nrhythms than a straight rock beat between hi-hat and snare.<\/p>\n<p>At the 2:20 mark, Benante&#8217;s bass drum stomp helps introduce a<br \/>\nretro &#8217;80s riff, upon which Bush gives his best performance on this<br \/>\nrelease. At the end of the day, Anthrax is continues the theme the<br \/>\ntheme of their song &#8220;I&#8217;m the Man,&#8221; when they declared &#8220;We like to<br \/>\nbe different and not cliche.&#8221;<\/p>\n<p>In 2003, that is true. They are in the midst of a credible tour,<br \/>\nsharing the stage with bands like Lamb of God, Lacuna Coil and<br \/>\nE-Town Concrete. Chances are Anthrax mainstream fans, the ones that<br \/>\nonly introduced the band through &#8220;Safe Home,&#8221; are not familiar with<br \/>\nany of those bands. I must admit I&#8217;ve heard of all these bands, but<br \/>\nI couldn&#8217;t name a single song they recorded without looking up the<br \/>\nband on the internet. My ignorance of these supposedly stellar<br \/>\nbands holds up as an example of why Anthrax continues to be<br \/>\nimportant in the music scene of 2003.<\/p>\n","protected":false},"author":10,"featured_media":26435,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5959],"rating":[5646],"class_list":["post-37668","review","type-review","status-publish","has-post-thumbnail","artist-anthrax","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37668"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37668\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26435"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37668"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37668"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}