{"id":37679,"date":"2003-08-11T00:00:00","date_gmt":"2003-08-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/symphony-alive-iv\/"},"modified":"2003-08-11T00:00:00","modified_gmt":"2003-08-11T00:00:00","slug":"symphony-alive-iv","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/symphony-alive-iv\/","title":{"rendered":"Symphony (Alive IV)"},"content":{"rendered":"<p>Tell me again why KISS didn&#8217;t call this<br \/>\n<i>Destroyer and Symphony 2003<\/i>? They should have.<\/p>\n<p>KISS pulls 7 of the 9 songs on their 1976 release in a fit of<br \/>\nnostalgia that is a dream come true for KISS fans. Destroyer has<br \/>\nstood the test of time as being a pinnacle of the band&#8217;s career, a<br \/>\ntreasure that some question . And that&#8217;s not all. Recorded in<br \/>\nMelbourne, Australia, on February 28, 2003, KISS, the ultimate<br \/>\nparty band, is playing alongside a symphony. KISS ramps up to<br \/>\nplaying with their additional band members by playing 6 songs as a<br \/>\nquartet to start out the evening. They then introduce a wind<br \/>\nensemble and play 5 songs. Finally, they play 11 songs with the<br \/>\nMelbourne Symphony Ensemble.<\/p>\n<p>If you discovered KISS in the 80s, you&#8217;re basically out of luck.<br \/>\nThe band wants you to forget the hype they created when they<br \/>\nunmasked in 1983 and took off their makeup, much in the same way<br \/>\nthey wanted you to forget that they used to wear makeup after they<br \/>\nno longer wore makeup. It&#8217;s one thing to discount an entire CD when<br \/>\nit is a truly awful CD, but to neglect the years that now-deceased<br \/>\ndrummer Eric Carr and guitarist Bruce Kulick contributed to the<br \/>\nband <not to mention drummer Eric Singer and guitarists Vinnie\nVincent and Mark St. John> is a crime. Missing from this release<br \/>\nare stellar tracks like &#8220;Rise to It&#8221; from<br \/>\n<i>Hot in the Shade<\/i>, &#8220;No No No&#8221; and &#8220;Bang Bang You&#8221; from<br \/>\n<i>Crazy Nights<\/i>, or &#8220;God Gave Rock and Roll to You,&#8221; &#8220;Take it<br \/>\nOff,&#8221; &#8220;Domino,&#8221; or &#8220;Spit&#8221; from<br \/>\n<i>Revenge<\/i>. Hell, even &#8220;Burn Bitch Burn&#8221; from<br \/>\n<i>Animalize<\/i> is missing.<\/p>\n<p>But none of those songs from the 80s have maintained their<br \/>\npopularity like the tracks they have included. KISS is smart to<br \/>\nrecognize that their 70s success has made them rich and that fans<br \/>\nat a KISS show, as demonstrated by demanding outrageous prices<br \/>\nduring their not-so-farewell farewell tour. People want to hear<br \/>\n&#8220;Strutter&#8221; again. They salivate at the idea of hearing &#8220;Deuce.&#8221;<br \/>\nKISS could have easily excluded &#8220;Psycho Circus&#8221; from this release,<br \/>\nsubstituting it with another gem from the 70s like &#8220;Hotter than<br \/>\nHell&#8221; or &#8220;Firehouse&#8221; during the band&#8217;s &#8216;solo&#8217; opening set.<\/p>\n<p>The second set, where the Melbourne Symphony Ensemble joins the<br \/>\nband on stage is the strongest set of the evening. &#8220;Beth&#8221; kicks off<br \/>\nthis set and finally, the song gets performed as it was recorded,<br \/>\nstrings and piano contrasting the rest of the band&#8217;s material.<br \/>\nLaunching immediately into<br \/>\n<i>Hot in the Shade&#8217;<\/i>s &#8220;Forever,&#8221; the band is smoking.<br \/>\nSubstitute lead guitarist Tommy Thayer nails the solo on this song<br \/>\nthat would make original soloist on this song, Bruce Kulick, smile.<br \/>\nPulling from the<br \/>\n<i>Hotter than Hell<\/i> release, &#8220;Goin&#8217; Blind&#8221; On the other hand,<br \/>\nthe inclusion of &#8220;Shandi&#8221; from<br \/>\n<i>Unmasked<\/i> is well-deserved. The song is a mid-tempo ballad<br \/>\nand the symphonic arrangement goes along with the riff of the song.<br \/>\nThe trumpets during the song&#8217;s introduction are a nice touch. The<br \/>\nfunk bass intro of Dynasty&#8217;s &#8220;Sure Know Something&#8221; spotlights the<br \/>\nSimmons\/Criss rhythm section.<\/p>\n<p>The final set, rich in<br \/>\n<i>Destroyer<\/i>-era material, is a long haul. &#8220;Detroit Rock City&#8221;<br \/>\nfollowed by its usual follow-up &#8220;King of the Night Time World&#8221;<br \/>\nlaunch the band into its final hurrah on this release. The steady<br \/>\nbackbeat of drummer Peter Criss introduces &#8220;Do You Love Me.&#8221;<br \/>\nPerhaps the most satisfying orchestral arrangement, this version<br \/>\nfeatures interesting string arrangements that compliment the<br \/>\nperformance, offering additional melody lines during the verse. It<br \/>\nis not just KISS and a symphony on the same stage &#8211; this song is<br \/>\nthe two elements playing together. Pity the song barely cracks four<br \/>\nminutes.<\/p>\n<p>As you may expect, this release ends with two of KISS&#8217; biggest<br \/>\ncommercial successes: &#8220;I was Made for Loving You&#8221; and &#8220;Rock and<br \/>\nRoll All Nite.&#8221; For a song that the band once distanced themselves<br \/>\nfrom because of the disco beat, this song sounds like it should<br \/>\nhave always had an orchestra. &#8220;Rock and Roll All Nite,&#8221; the<br \/>\nunmistakable anthem of all parties, features an extended crowd<br \/>\nparticipation section during which the crowd is encouraged by<br \/>\nguitarist\/vocalist Paul Stanley to spit back the title of the song<br \/>\nuntil it&#8217;s coming out of your ears. This is not a great release,<br \/>\nbut it is a great KISS release &#8211; meaning that if you are a fan of<br \/>\nthe band, you will be able to latch onto these versions of your<br \/>\nfavorites. Gems like &#8220;Love Gun&#8221; and &#8220;Shout it Out Loud&#8221; in addition<br \/>\nto the entire set with the Symphony Ensemble make this a worthy<br \/>\nrelease. If you are looking for an example of great symphonic<br \/>\nmusic, remember who you are dealing with. KISS is a party band &#8211;<br \/>\nmake no mistake that partying and having fun is the focus of this<br \/>\nrelease.<\/p>\n","protected":false},"author":10,"featured_media":26445,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5731],"rating":[5615],"class_list":["post-37679","review","type-review","status-publish","has-post-thumbnail","artist-kiss","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37679"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37679\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26445"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37679"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37679"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37679"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}