{"id":37683,"date":"2003-08-15T00:00:00","date_gmt":"2003-08-15T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/finding-nemo\/"},"modified":"2003-08-15T00:00:00","modified_gmt":"2003-08-15T00:00:00","slug":"finding-nemo","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/finding-nemo\/","title":{"rendered":"Finding Nemo"},"content":{"rendered":"<p>I know that readers hate to see this disclaimer on any film<br \/>\nsoundtrack I review, but<br \/>\n<i>Finding Nemo<\/i> is yet another film I haven&#8217;t seen. (Quite<br \/>\npossibly, the only people who hate this disclaimer more are the<br \/>\npublicists who are working these discs.) However, I have been<br \/>\nplanning to see this film ever since I saw the first preview for<br \/>\nit, and by the time you have read this review, chances are good<br \/>\nthat I&#8217;ll have plunked down serious coin to both see it and reserve<br \/>\na copy on DVD.<\/p>\n<p>There are apparently many good reasons why<br \/>\n<i>Nemo<\/i> has overtaken<br \/>\n<i>The Lion King<\/i> as the highest-grossing animated film in<br \/>\nhistory. And while the almost Midas touch of the powers that be<br \/>\nover at Pixar has to be lauded, one cannot discount the beautiful<br \/>\nscore created by Thomas Newman. Capturing both the beauty and the<br \/>\ndanger of undersea life &#8212; quite often at the same time &#8212; Newman<br \/>\npaints a picture of Marlin and Dory&#8217;s search for Nemo without<br \/>\nneeding a single visual cue.<\/p>\n<p>In the liner notes, director Andrew Stanton says he wrote the<br \/>\nscreenplay for<br \/>\n<i>Finding Nemo<\/i> listening only to Newman&#8217;s scores. It is in<br \/>\nthis manner that a symbiosis of audio and visual images combine to<br \/>\ncreate something special. Yet for those few unfortunate souls who<br \/>\nhaven&#8217;t seen this film yet (cough, er, ahem&#8230;), Newman makes you<br \/>\ncomfortable in exploring this world, albeit blindly, for the first<br \/>\ntime.<\/p>\n<p>Newman keeps the Australian theme alive with subtle hints in<br \/>\npieces like &#8220;Wow&#8221; and &#8220;Finding Nemo,&#8221; keeping the spirit of the<br \/>\nfilm alive with every gentle note that pours through the speakers.<br \/>\nYou can&#8217;t help but love the playfulness of tracks like &#8220;The Turtle<br \/>\nLope&#8221; or the almost Aborigine-type feel of &#8220;Mt. Wannahockaloogie,&#8221;<br \/>\na track which sounds so pure that I found myself listening for<br \/>\ninstruments like a didgeridoo.<\/p>\n<p>You almost find yourself even shuddering at the early doom that<br \/>\nawaits Marlin&#8217;s family on &#8220;Barracuda,&#8221; and the struggles of search<br \/>\nand escape on such works as &#8220;Lost,&#8221; &#8220;Filter Attempt&#8221; and &#8220;Fishing<br \/>\nGrounds&#8221;. It&#8217;s a masterful composer who can keep the peaks and<br \/>\nvalleys of the movie alive in the music, and Newman has nailed it<br \/>\nperfectly.<\/p>\n<p>I even have to give credit to Robbie Williams for his<br \/>\non-the-button delivery of the closing track &#8220;Beyond The Sea.&#8221; A<br \/>\nstar across the pond who has never made it to superstar level in<br \/>\nAmerica, Williams proves with this track that he has the goods to<br \/>\nmake it to the next level, taking a classic track and giving it new<br \/>\nlife without ruining the original vibe. Well done, sir, well<br \/>\ndone.<\/p>\n<p>I often hesitate picking up soundtracks because, while they may<br \/>\nprovide immediate joy (especially after seeing the movie), they<br \/>\ntend to end up collecting dust on the shelves through no fault of<br \/>\ntheir own.<br \/>\n<i>Finding Nemo<\/i> is a solid enough effort that Newman&#8217;s music<br \/>\ncan stand on its own without needing the breathtaking animation of<br \/>\nthe film to go along with it. Of all the discs I&#8217;ve had the chance<br \/>\nto listen to this year,<br \/>\n<i>Finding Nemo<\/i> may well be the prize catch of them all.<\/p>\n","protected":false},"author":2,"featured_media":26449,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5729],"rating":[5646],"class_list":["post-37683","review","type-review","status-publish","has-post-thumbnail","artist-soundtrack","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37683"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37683\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26449"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37683"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37683"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}