{"id":37684,"date":"2003-08-18T00:00:00","date_gmt":"2003-08-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/halloween-2\/"},"modified":"2003-08-18T00:00:00","modified_gmt":"2003-08-18T00:00:00","slug":"halloween-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/halloween-2\/","title":{"rendered":"Halloween"},"content":{"rendered":"<p>In 1978, Frank Zappa played five nights in a row in New York<br \/>\nleading up to Halloween, some elements of which have been released<br \/>\nbefore. Each of these concerts was recorded to 24-track analog<br \/>\ntape, and is thus in a perfect position to be mixed into stunningly<br \/>\ncrisp, high quality sound. This disc is the first release of<br \/>\nDVD-Audio by the Zappa Family Trust, it&#8217;s a music-lovers selection<br \/>\nfrom a series of concerts, and it&#8217;s been painstakingly remixed to<br \/>\ntake full advantage of a 5.1 system.<\/p>\n<p>This is a live recording, and as such it is mixed differently<br \/>\nfrom the re-releases of studio material. In particular, the<br \/>\nlistener is made to feel as if he is actually *at* the concert,<br \/>\nfacing the stage, with the audience behind and surrounding. With<br \/>\nclosed eyes, I felt as though I could point at each member of the<br \/>\nband in turn! It&#8217;s so clear, in fact, that the rear channels even<br \/>\ngive off a feeling of being in an arena, with echoes and ambient<br \/>\nnoise. The two-channel downmixes feel very much like a standard<br \/>\nZappa live album.<\/p>\n<p>The disc starts out with some crowd noise, and then moves right<br \/>\ninto a blistering, amazingly crisp guitar solo. The tone is<br \/>\nexcellent, and the composition is spot on. By the third track we<br \/>\nare expecting nothing but the best; but regrettably, &#8220;Dancing Fool&#8221;<br \/>\ndoesn&#8217;t live up to the expectation. It&#8217;s a solid cut, but it<br \/>\ndoesn&#8217;t fit with the quality preceding it. &#8220;Easy Meat&#8221; brings us<br \/>\nanother soaring, crystal solo, and then slides into a masterfully<br \/>\nedited together montage of two separate nights&#8217; worth of &#8220;Magic<br \/>\nFingers.&#8221;<\/p>\n<p>Some of the compositions, as others have pointed out, feel as<br \/>\nthough they have not aged well. Perhaps the plethora of Zappa<br \/>\nreleases has worn out their welcome a bit, but &#8220;Stink-Foot&#8221; and<br \/>\n&#8220;Dinah-Moe Humm&#8221; are not particularly engaging &#8212; while they<br \/>\ncertainly transplant the listener to the concert, they are not in<br \/>\nand of themselves worthy additions to the disc.<\/p>\n<p>However, &#8220;Camarillo Brillo&#8221; and &#8220;Conehead&#8221; feel remarkably<br \/>\nfresh, the latter presumably from Frank&#8217;s recent (and included, in<br \/>\nthe extras) appearance on<br \/>\n<i>Saturday Night Live<\/i>.<\/p>\n<p>A few words should be made of the track &#8220;Zeets,&#8221; which is quite<br \/>\nan achievement. It is a drum solo with some rather interesting<br \/>\nmixes that I won&#8217;t spoil for you here; however, upon listening, I<br \/>\nbegan to ask myself &#8212; is this an engaging drum solo? I confess I<br \/>\nfound that it was not. The innovative mixing in 5.1 is neat, but I<br \/>\ncan&#8217;t say the music kept my interest. The concluding track of the<br \/>\nalbum is the impressively lengthy &#8220;Black Napkins (The Deathless<br \/>\nHorsie)&#8221; which is, speaking quite frankly, an beautiful<br \/>\nperformance. This piece of music is alone worth the purchase price<br \/>\n&#8212; the brilliant vamping underneath an astounding solo, the solo<br \/>\nitself, and the sound quality all conspire to produce a fitting<br \/>\nalbum closer.<\/p>\n<p>This album is an experience. It is, as the liner notes suggest,<br \/>\na transporting experience, 1.21 Jigawatts in a plastic jewel case.<br \/>\nThe mixing is extraordinary, and it even sounds good in just<br \/>\ntwo-channel stereo, and is thus accessible to anyone with a<br \/>\ncomputer or set-top DVD player. A few missteps in the choices are,<br \/>\nit seems, a necessary evil &#8212; picking concerts favorites is rather<br \/>\na foregone conclusion when trying to represent the concert<br \/>\nexperience. Despite this, the album overcomes and becomes quite<br \/>\npossibly the most satisfying posthumously compiled release to come<br \/>\nfrom the Zappa Family Trust.<\/p>\n<p>Before I close, a few points should be made about the DVD-Audio<br \/>\nformat, and the nature of this particular mix. DVD-Audio is one of<br \/>\ntwo competing standards for next-generation music storage, and<br \/>\ntypically the discs are composed of at least two audio layers &#8212;<br \/>\nthe DVD-Audio layer, which is only playable on certain, enabled<br \/>\nplayers, and a normal DVD mix, typically in DTS 5.1, which is of<br \/>\nslightly (very slightly) lower quality, and in a different encoding<br \/>\nstyle. This particular disc includes a DVD-A track, a DTS 5.1 track<br \/>\nand a 2-channel stereo. It is playable on any DVD player, but<br \/>\nobviously you will hear the best sound if your player is capable of<br \/>\ndecoding either DVD-A or DTS, and if you have a five-channel setup<br \/>\n(front, left front, right front, left rear, right rear, and<br \/>\nsubwoofer.)<\/p>\n","protected":false},"author":28,"featured_media":26450,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5625],"rating":[5617],"class_list":["post-37684","review","type-review","status-publish","has-post-thumbnail","artist-frank-zappa","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37684","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37684"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37684\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26450"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37684"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37684"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37684"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}