{"id":37686,"date":"2003-08-20T00:00:00","date_gmt":"2003-08-20T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blonde-on-blonde\/"},"modified":"2003-08-20T00:00:00","modified_gmt":"2003-08-20T00:00:00","slug":"blonde-on-blonde","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/blonde-on-blonde\/","title":{"rendered":"Blonde On Blonde"},"content":{"rendered":"<p>On March 14, 1966, John Lennon told a London newspaper that the<br \/>\nBeatles were &#8220;bigger than Jesus.&#8221; After his joint persecution at<br \/>\nhands of the press and conservative groups, public awareness was<br \/>\nheightened of popular music&#8217;s content, specifically lyrics. So<br \/>\nwhere does Bob Dylan fit in?<\/p>\n<p class=\"c1\">&#8220;Well, they&#8217;ll stone ya when you&#8217;re trying to be so<br \/>\ngood, They&#8217;ll stone ya just a-like they said they would. They&#8217;ll<br \/>\nstone ya when you&#8217;re tryin&#8217; to go home. Then they&#8217;ll stone ya when<br \/>\nyou&#8217;re there all alone. But I would not feel so all alone,<br \/>\nEverybody must get stoned&#8230;&#8221;<\/p>\n<p>In April 1966, Dylan intentionally dropped &#8220;Rainy Day Women #12<br \/>\n&#038; 35&#8221; on the unsuspecting public&#8217;s lap when he released this<br \/>\nclassic as the introductory single to<br \/>\n<i>Blonde On Blonde<\/i>. The track&#8217;s environment was jolly; it<br \/>\nopened with muffled and bleeding horns, a marching-style drum track<br \/>\nand sounds of a cackling mob responding to Dylan&#8217;s giggled lyrics.<br \/>\nShockingly, relatively no public backlash occurred. &#8220;Rainy Day<br \/>\nWomen #12 &#038; 35&#8221; loaded and launched the perfect offensive. In<br \/>\nfact, this single was so commercially accepted that it reached #2<br \/>\non Billboard&#8217;s Singles Chart.<\/p>\n<p>Other songs including the breezy harmonica-laden &#8220;I Want You&#8221;<br \/>\nand the evil &#8220;Just Like A Woman&#8221; were also released on AM radio to<br \/>\nmodest success. However, the power of<br \/>\n<i>Blonde On Blonde<\/i> isn&#8217;t that it carries a collection of<br \/>\nsingles, but that it perfectly sequences moods and tracks to<br \/>\npromote inspired and repeated listens.<\/p>\n<p>If you happen to be a fan of simple-minded, cliched lyrics with<br \/>\na blatant radio-friendly production, then you will dislike and\/or<br \/>\nfail to understand this album. As the songs roll on, eclecticism<br \/>\nreigns. Teetering between rock, blues, folk, witty comedy and the<br \/>\nprovocatively wistful, each song carries you a purposeful<br \/>\njourney.<\/p>\n<p>Placed firmly as a fixture in the collections of many critics,<br \/>\n<i>Blonde On Blonde<\/i> consistently reaches the upper regions of<br \/>\nall-time album charts. Recently, it was prominently positioned at<br \/>\n#9 on VH1&#8217;s<br \/>\n<i>All-Time 100 Greatest Albums of Rock-N-Roll<\/i> (2001). Don&#8217;t be<br \/>\nafraid; place this in your stereo system. Sure it&#8217;s been around<br \/>\nlonger than most readers have likely existed, but trust me&#8230;it&#8217;s<br \/>\nhip.<br \/>\n<i>Blonde On Blonde<\/i>&#8216;s timelessness, seamless sequence, tone and<br \/>\nsurreal aural candy remain as fresh-frozen today as it did 37 years<br \/>\nago.<\/p>\n","protected":false},"author":39,"featured_media":26452,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5866],"rating":[5646],"class_list":["post-37686","review","type-review","status-publish","has-post-thumbnail","artist-bob-dylan","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37686"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37686\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26452"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37686"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37686"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37686"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}