{"id":37701,"date":"2003-09-09T00:00:00","date_gmt":"2003-09-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hot-and-cool-tony-bennett-sings-ellington\/"},"modified":"2003-09-09T00:00:00","modified_gmt":"2003-09-09T00:00:00","slug":"hot-and-cool-tony-bennett-sings-ellington","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hot-and-cool-tony-bennett-sings-ellington\/","title":{"rendered":"Hot And Cool: Tony Bennett Sings Ellington"},"content":{"rendered":"<p>I can just hear you all. &#8216;Come on, Duke,<br \/>\nTony-freakin&#8217;-BENNETT?&#8217;<\/p>\n<p>Yep. Tony Bennett is, frankly, one of the greatest jazz and<br \/>\nswing vocalists of all time. With astonishingly vocal longevity, he<br \/>\nhas remained fresh and relevant while many of his peers have burned<br \/>\nout, dropped out of sight, or are just no longer with us. Bennett<br \/>\nhas the rare gift of making whatever he sings moving, interesting,<br \/>\nand new. When you combine his vocals with the songs of the peerless<br \/>\nDuke Ellington, you have the major potential for some serious<br \/>\nmagic. Regardless of your preferred musical preference, a bit of<br \/>\nthis should do you good.<\/p>\n<p>But how good, exactly, is it? Let&#8217;s be realistic; it&#8217;s tough to<br \/>\ncover Duke Ellington, because, well, everyone in this genre has as<br \/>\none point or another, and you&#8217;re going to get compared to others.<br \/>\nSo how does Bennett do?<\/p>\n<p>The answer is pretty well, but not perfect. The oddest thing<br \/>\nabout<br \/>\n<i>Hot And Cool<\/i> is that Bennett actually does better on the<br \/>\nlesser-known (lesser-known here is a relative term, y&#8217;all)<br \/>\nEllington pieces. The CD starts off with the swinging &#8220;Do Nothin&#8217;<br \/>\n(Till You Hear From Me)&#8221;, and Bennett nails it perfectly. Same with<br \/>\n&#8220;Azure&#8221;, &#8220;In A Sentimental Mood&#8221;, &#8220;She&#8217;s Got It Bad (And That Ain&#8217;t<br \/>\nGood)&#8221;, and the bass-driven smoky swing of &#8220;In A Mellow Tone&#8221;. A<br \/>\nlittle less impressive is his version of &#8220;Don&#8217;t Get Around Much<br \/>\nAnymore&#8221; &#8212; an Ellington classic, to me Bennett&#8217;s version seems to<br \/>\ndrag a little. Maybe I can&#8217;t help but compare it to Chicago&#8217;s<br \/>\ndynamite cover from their<br \/>\n<i>Night And Day<\/i> CD. I&#8217;m also not crazy about Bennett&#8217;s version<br \/>\nof &#8220;Caravan&#8221;; one of my favorite Ellington works, Bennett sounds<br \/>\nforced and a bit drawn at times. Finally, the constant &#8216;drop-ins&#8217;<br \/>\nof a few bars of &#8220;Take The A Train&#8221; really got on my nerves; by the<br \/>\nend of the CD, I found myself really wishing that Bennett would<br \/>\njust<br \/>\n<b>sing<\/b> the damn thing.<\/p>\n<p>Admittedly, these are minor concerns, and perhaps my personal<br \/>\nbiases are showing. Certainly, Bennett closes<br \/>\n<i>Hot And Cool<\/i> with a bang, nailing &#8220;It Don&#8217;t Mean A Thing (If<br \/>\nIt Ain&#8217;t Got That Swing)&#8221; with a driving, bright, and stylish take<br \/>\non this classic. A good closing number will forgive myriad sins on<br \/>\na jazz CD, and<br \/>\n<i>Hot And Cool<\/i> delivers in style.<\/p>\n<p>\n<i>Hot And Cool<\/i> succeeds as a Tony Bennett album and a Duke<br \/>\nEllington tribute. There may be occasional moments where it slips a<br \/>\nlittle, but on the whole it&#8217;s a good CD and worth looking into for<br \/>\nfans of either artist.<\/p>\n","protected":false},"author":18,"featured_media":26465,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6907],"rating":[5617],"class_list":["post-37701","review","type-review","status-publish","has-post-thumbnail","artist-tony-bennett","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37701"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37701\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26465"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37701"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37701"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}