{"id":37703,"date":"2003-09-11T00:00:00","date_gmt":"2003-09-11T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/salt-song\/"},"modified":"2003-09-11T00:00:00","modified_gmt":"2003-09-11T00:00:00","slug":"salt-song","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/salt-song\/","title":{"rendered":"Salt Song"},"content":{"rendered":"<p>So. Another jazz review. Another walk in the dark with someone<br \/>\nwho isn&#8217;t a hundred percent sure where he&#8217;s going. But trust me on<br \/>\nthis one: in the galaxy of jazz saxophone players, Stanley<br \/>\nTurrentine is a major constellation.<\/p>\n<p>After early forays that included one stint playing in a jazz<br \/>\ngroup with Ray Charles, and another replacing the great John<br \/>\nColtrane in a combo, Turrentine struck out on his own with a series<br \/>\nof soul-jazz albums for Blue Note. A prolific recording artist who<br \/>\nput out two or three albums a year steadily through the 60s, the<br \/>\nearly 70s saw Turrentine begin experimenting with fusion, bringing<br \/>\nin electric piano and putting greater focus on melody.<\/p>\n<p>Turrentine&#8217;s 1971 album<br \/>\n<i>Salt Song<\/i>, re-released in 1997 with a bonus track added, is<br \/>\namong his best and features an all-star cast of seasoned players.<br \/>\nIt&#8217;s a brilliant combination of traditional hard-bop jazz jams with<br \/>\nheavier, r&#038;b\/funk rhythms, fusion music in the truest sense of<br \/>\nthe word. It&#8217;s funky yet sophisticated, smooth yet full of soul,<br \/>\nand its backbone is Turrentine&#8217;s rich, silvery tone, ever-graceful<br \/>\nyet full of playful personality.<\/p>\n<p>The disc opens with the whirling rhythm of &#8220;Gibraltar,&#8221; its<br \/>\ncircular, bopping-good bass line courtesy of jazz superstar Ron<br \/>\nCarter. This Freddie Hubbard composition is also spiced with an<br \/>\nextended solo from Eric Gale on guitar, whose nimble, expressive<br \/>\nwork is all over this album.<\/p>\n<p>Another highlight is the title track, a Brazilian romp with<br \/>\naggressive percussion runs from Airto Moreira flowing into a<br \/>\nsilky-smooth sax interlude before the two themes merge and<br \/>\naccelerate, an arsenal of Amazonian percussion rattling away<br \/>\ndouble-time down below while Turrentine decorates the upper<br \/>\nregisters with a layer of swing and grace. Bonus track &#8220;Vera Cruz,&#8221;<br \/>\nalso composed by Milton Nascimento, has a similar samba flavor in<br \/>\nthe rhythm track, albeit with virtual scat-soloing from Turrentine<br \/>\nas he attacks the melody line with energy and intensity.<\/p>\n<p>In between, Turrentine slows things down with the gospel-tinged<br \/>\nlament &#8220;I Told Jesus&#8221; (heavy on the organ) and &#8220;I Haven&#8217;t Got<br \/>\nAnything Better To Do&#8221; a sultry nightclub jazz ballad featuring<br \/>\nbrushes, cymbals, upright bass and gentle electric piano. Finishing<br \/>\noff the track, strings add an extra dollop of romance as Turrentine<br \/>\neases through a strong, sweet melody.<\/p>\n<p>The steady-building album-closer and sole Turrentine composition<br \/>\n&#8220;Storm&#8221; spotlights superb drum work by Billy Cobham and another<br \/>\nrippling, elegant Gale solo on the electric guitar, in addition to<br \/>\nmore fine sax work from the author. They just don&#8217;t make music like<br \/>\nthis anymore &#8211; both graceful and exciting, improvisational and<br \/>\nprecise. It&#8217;s sweet, sweet stuff, as well as a very enjoyable next<br \/>\nstep in my own personal jazz appreciation learning process. Highly<br \/>\nrecommended.<\/p>\n","protected":false},"author":12,"featured_media":26467,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6909],"rating":[5613],"class_list":["post-37703","review","type-review","status-publish","has-post-thumbnail","artist-stanley-turrentine","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37703"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37703\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26467"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37703"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37703"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}