{"id":37716,"date":"2003-09-26T00:00:00","date_gmt":"2003-09-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/swing\/"},"modified":"2003-09-26T00:00:00","modified_gmt":"2003-09-26T00:00:00","slug":"swing","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/swing\/","title":{"rendered":"Swing"},"content":{"rendered":"<p>Country radio has a long history of having disposable stars;<br \/>\nthat is, they get two or three good CDs out of an artist then toss<br \/>\nthem for the next cleft chin with a cowboy hat or cute cleavage.<br \/>\nDespite most music pundits&#8217; opinion, this isn&#8217;t a new trend; a<br \/>\ngreat deal of talented folks who owned chunks of the country<br \/>\nairwaves in the late eighties and early nineties have gone the way<br \/>\nof the dodo (anyone remember Lionel Cartwright?) Combine this with<br \/>\ncountry radio&#8217;s utter refusal to play older artists, and you have a<br \/>\nblasted wasteland that makes top 40 radio look intelligent.<\/p>\n<p>Enter one Suzy Bogguss, who charted a total of eleven top forty<br \/>\ncountry singles between 1989 and 1994 &#8212; but because she took a<br \/>\ncouple of years off to have a kid and a life, has only threatened<br \/>\nthe charts once since then (and that was a number thirty-three<br \/>\nsingle in 1998). This, O Ye DV Faithful, is what is known as a damn<br \/>\nshame; Bogguss has an elegant, smoky, easy voice that goes down<br \/>\nlike twelve-year-old single malt. Her latest effort,<br \/>\n<i>Swing<\/i>, is a lovely, rollicking, and toe-tapping piece of<br \/>\ncountry swing &#8212; and since no one will bother to play anything off<br \/>\nit unless hell freezes over, you should check it out.<\/p>\n<p>\n<i>Swing<\/i> is in many ways a collaboration between Bogguss and<br \/>\nthe lead guitarist of swing stars Asleep At The Wheel, Ray Benson.<br \/>\nBenson and Asleep At The Wheel provide a sonic background for<br \/>\nBogguss&#8217; heated-honey vocals. Add in five songs from Nashville<br \/>\nsongwriter April Barrows, and you have a CD of sheer swing talent.<br \/>\nI&#8217;m sitting here right now, tapping my toes as I listen to it; it&#8217;s<br \/>\ninfectious music, impossible to ignore. If I didn&#8217;t dance like such<br \/>\na white boy, I might even be dancin&#8217;.<\/p>\n<p>Bogguss also takes on a few classics: &#8220;Comes Love&#8221; (originally a<br \/>\nBillie Holliday number), Duke Ellington&#8217;s &#8220;Do Nothing &#8216;Till You<br \/>\nHear From Me,&#8221; and Nat King Cole&#8217;s &#8220;Straighten Up And Fly Right.&#8221;<br \/>\nShe handles them all with elegance and aplomb, especially &#8220;Comes<br \/>\nLove&#8221; &#8212; it&#8217;s a brilliant take on a classic. Bogguss also writes<br \/>\nher own music, penning one of the best things on the CD, the<br \/>\nshimmying &#8220;It&#8217;s Always New To Me&#8221; (with a great throbbing bass part<br \/>\nfrom Spencer Starnes).<\/p>\n<p>All in all,<br \/>\n<i>Swing<\/i> is a wonderful CD. In a perfect world, it would be<br \/>\ngetting airplay in every market on every country station; as it is,<br \/>\nthose of us in the know can smile wisely and enjoy Bogguss&#8217; talent<br \/>\nourselves.<\/p>\n","protected":false},"author":18,"featured_media":26480,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6916],"rating":[5646],"class_list":["post-37716","review","type-review","status-publish","has-post-thumbnail","artist-suzy-bogguss","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37716","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37716"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37716\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26480"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37716"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37716"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}