{"id":37739,"date":"2003-10-22T00:00:00","date_gmt":"2003-10-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/transverse-city\/"},"modified":"2003-10-22T00:00:00","modified_gmt":"2003-10-22T00:00:00","slug":"transverse-city","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/transverse-city\/","title":{"rendered":"Transverse City"},"content":{"rendered":"<p>When approaching the catalog of the late Warren Zevon, one may<br \/>\nvery well assume some CDs are more approachable than others. At<br \/>\nfirst glance,<br \/>\n<i>Transverse City<\/i> seems like it might be lighter than some of<br \/>\nZevon&#8217;s other work, with its brightly colored cover and<br \/>\nstraightforward photo of a serious-looking and wildly-coifed<br \/>\nZevon.<\/p>\n<p>You think so, do you? Sucker.<\/p>\n<p>\n<i>Transverse City<\/i> is Zevon&#8217;s hard-hitting analysis of where we<br \/>\nwere and where we were going at the end of the 1980s, and it&#8217;s as<br \/>\nunblinking as an autopsy and cold as January. Heavily influenced by<br \/>\ncyberpunk and futurist speculation,<br \/>\n<i>Transverse City<\/i> shares the dispassion of science-fiction<br \/>\nartists like William Gibson and Pat Cadigan. In the future of<br \/>\nZevon&#8217;s musical vision, the world is winding down like a cheap<br \/>\nwatch and we&#8217;ll all watch TV as we drown in our own industrial<br \/>\nwaste. &#8212; where, to quote Cadigan, we are all just change for the<br \/>\nmachines.<\/p>\n<p>Yet, despite the heavy rhetoric, Zevon manages to dance the<br \/>\nrazorwire tightrope over the abyss of maudlin pessimism. Nothing on<br \/>\n(in?)<br \/>\n<i>Transverse City<\/i> is too heavy to listen to, and there are<br \/>\ntimes when it&#8217;s downright perky. The production is light and<br \/>\nuncluttered, the drum sounds particularly sharp and crisp. (I had<br \/>\nthe 24-bit digital remaster version to review, and I heartily<br \/>\nrecommend it.) Zevon&#8217;s usual backing musicians, including Jorge<br \/>\nCalderon and Waddy Wachtel, are excellent, and Zevon&#8217;s guest list<br \/>\nlooks like a Rock of Roll Hall Of Fame pre-admission party &#8212; Jerry<br \/>\nGarcia, Chick Corea, David Gilmour, Neil Young, Jack Casady, Jorma<br \/>\nKaukonen, and J.D. Souther all show up at various moments.<\/p>\n<p>The songs are the real element that makes<br \/>\n<i>Transverse City<\/i> brilliant. From the opening notes of the<br \/>\ntitle track, Zevon paints a picture of post-futuristic despair, his<br \/>\nimages stark, cool, and unflinching. He dabbles in straight-ahead<br \/>\nrock (&#8220;Long Arm Of The Law&#8221;), romantic balladry (&#8220;They Moved The<br \/>\nMoon&#8221;), and pop (&#8220;Splendid Isolation&#8221;) with equal skill.<br \/>\n&#8220;Networking&#8221; is a pun-filled tongue-in-cheek look at computerized<br \/>\nrelationships, &#8220;Gridlock&#8221; is a paean to freeway madness, and &#8220;Down<br \/>\nIn The Mall&#8221; twists a knife in the back of consumerism.<\/p>\n<p>Add to that the two gems of &#8220;Run Straight Down&#8221;, with its<br \/>\nhaunting descant of industrial chemicals like an indictment, and<br \/>\n&#8220;Nobody&#8217;s In Love This Year&#8221;, the final statement of the death of<br \/>\nromanticism, and<br \/>\n<i>Transverse City<\/i> is solid, brilliant, and rueful. Days after<br \/>\nfinishing repeated listens to<br \/>\n<i>Transverse City<\/i>, &#8220;Run Straight Down&#8221; is still caught in my<br \/>\nhead like a dirge &#8212; or a cyberspace loop of endless news, all<br \/>\nbad.<\/p>\n<p>Do yourself a favor, and visit<br \/>\n<i>Transverse City<\/i>. You&#8217;ll be glad you did.<\/p>\n","protected":false},"author":18,"featured_media":26502,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5674],"rating":[5646],"class_list":["post-37739","review","type-review","status-publish","has-post-thumbnail","artist-warren-zevon","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37739"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37739\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26502"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37739"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37739"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}