{"id":37746,"date":"2003-10-27T00:00:00","date_gmt":"2003-10-27T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thirteenth-step\/"},"modified":"2003-10-27T00:00:00","modified_gmt":"2003-10-27T00:00:00","slug":"thirteenth-step","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/thirteenth-step\/","title":{"rendered":"Thirteenth Step"},"content":{"rendered":"<p>You can almost hear Maynard James Keenan&#8217;s creative tank edge<br \/>\ntoward &#8216;E&#8217; on A Perfect Circle&#8217;s latest album. The guy has either<br \/>\nbeen in the studio with A Perfect Circle or with Tool and touring<br \/>\nto support each band since 1999. The results have so far been<br \/>\nfantastic with<br \/>\n<i>Mer de Noms<\/i> and<br \/>\n<i>Lateralus<\/i> rescuing and moving hard rock and heavy metal into<br \/>\nthe new century.<\/p>\n<p>Though APC has usually been more Billy Howerdel&#8217;s project, it&#8217;s<br \/>\nhard not to bring Keenan to the forefront of the band, especially<br \/>\nsince he&#8217;s the lead singer and especially since he has one of the<br \/>\nmost distinctive voices in rock. The band has always been a more<br \/>\nmelodic alternative to the abrasive and sometimes industrial<br \/>\ntendencies of Tool. With<br \/>\n<i>Mer de Noms<\/i>, the band was able to balance their obvious love<br \/>\nfor progressive rock with some truly tight songwriting and musical<br \/>\nstructure.<\/p>\n<p>Unfortunately,<br \/>\n<i>Thirteenth Step<\/i> is a step back for A Perfect Circle. The<br \/>\nalbum limps out of the gate with three basic standard rockers. With<br \/>\n&#8220;The Noose,&#8221; APC takes another strike at religious hypocrisy, with<br \/>\nKeenan singing, &#8220;Your halo slipping down.&#8221; I&#8217;m all for exposing the<br \/>\nflaws in any religion, but A Perfect Circle has done this already<br \/>\nwith the beautiful &#8220;Judith&#8221; and Tool has addressed it in almost all<br \/>\nof their albums.<\/p>\n<p>The band succumbs to the trappings of the worst tendencies of<br \/>\nprogressive art rock in songs like &#8220;The Nurse Who Loved Me,&#8221;<br \/>\n&#8220;Crimes&#8221; and &#8220;A Stranger.&#8221; These songs plod along with sludgy<br \/>\nguitar licks and pretentious lyrics. To add to the progressive rock<br \/>\nclich\u00e9s, Keenan keeps mentioning &#8220;my precious&#8221; in at least<br \/>\ntwo songs on<br \/>\n<i>Thirteenth Step<\/i>, forcing the listener to envision scenes<br \/>\nfrom<br \/>\n<i>Lord of the Rings<\/i> &#8211; another favorite topic for progressive<br \/>\nrock and heavy metal bands.<\/p>\n<p>The new additions to the lineup for<br \/>\n<i>Thirteenth Step<\/i> include ex-Marilyn Manson member Jeordie<br \/>\nOrsborne White (Twiggy Ramirez) and ex-Smashing Pumpkins member<br \/>\nJames Iha. On paper, it looks like a great addition, but throughout<\/p>\n<p><i>Thirteenth Step<\/i>, it sounds like the band never quite gels.<br \/>\nOnly on &#8220;The Outsider&#8221; and &#8220;Lullaby&#8221; does APC sound like a cohesive<br \/>\nunit.<\/p>\n<p>Only on &#8220;Vanishing,&#8221; The Outsider&#8221; and &#8220;Gravity&#8221; does<br \/>\n<i>Thirteenth Step<\/i> sound the slightest bit fresh. The album<br \/>\ndoes have some potential to grow on you if given a few spins.<br \/>\nHowever, most of it remains a fairly humorless and droning affair.<br \/>\nIt&#8217;s not a failure. It&#8217;s not an album that will likely inspire<br \/>\noutrage from fans because of a radical creative departure ala Liz<br \/>\nPhair. It&#8217;s almost worse; an album that leaves you feeling nothing<br \/>\nat the end.<\/p>\n","protected":false},"author":7,"featured_media":26509,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6931],"rating":[11204],"class_list":["post-37746","review","type-review","status-publish","has-post-thumbnail","artist-a-perfect-circle","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37746"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37746\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26509"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37746"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37746"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}