{"id":37751,"date":"2003-10-30T00:00:00","date_gmt":"2003-10-30T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/kaizoku-ban\/"},"modified":"2003-10-30T00:00:00","modified_gmt":"2003-10-30T00:00:00","slug":"kaizoku-ban","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/kaizoku-ban\/","title":{"rendered":"Kaizoku-ban"},"content":{"rendered":"<p>Back in 1985, it seemed like the right thing to do. German<br \/>\nmetallers Accept were riding the tallest wave of their popularity<br \/>\nthanks to albums like<br \/>\n<i>Balls To The Wall<\/i> and<br \/>\n<i>Metal Heart<\/i>, so why not capitalize on that popularity by<br \/>\nreleasing a live EP?<\/p>\n<p>Why, indeed.<br \/>\n<i>Kaizoku-Ban<\/i>, the first live effort from Udo Dirkschneider<br \/>\nand company (and their seventh release overall) does seem like the<br \/>\nlogical place for a group to put out a live disc. But the EP<br \/>\nconcept turns out to be the downfall for Accept, as it captures<br \/>\nvery little of the intensity of the music and cuts out a good<br \/>\nportion of the catalog. In effect, Accept shoots themselves in the<br \/>\nfoot.<\/p>\n<p>Granted, this was Accept&#8217;s first time in Japan, as Dirkschneider<br \/>\npoints out on stage. (Would it be safe to guess, then, that Accept<br \/>\nwas probably opening for someone else at the time? I can&#8217;t find<br \/>\nanything on the Web which backs this up.) But despite their<br \/>\ndedication of this album to &#8220;the wildest fans in the world,&#8221; often<br \/>\nit doesn&#8217;t sound like the Japanese crowd quite knows what they<br \/>\nshould be doing in terns of cheers. Part of this is most likely due<br \/>\nto the language barrier &#8211; exacerbated by Dirkschneider&#8217;s heavy<br \/>\nTeutonic accent.<\/p>\n<p>Musically,<br \/>\n<i>Kaizoku-Ban<\/i> has a few strong moments, but in the end<br \/>\ndisappoints the listener. Knowing they had a nice sized catalog to<br \/>\ndraw songs from, one has to wonder why only these six songs were<br \/>\nselected. Sure, it starts out strong with &#8220;Metal Heart&#8221; and<br \/>\n&#8220;Screaming For A Love Bite,&#8221; but that represents the best material<br \/>\non this one. &#8220;Up To The Limit&#8221; and &#8220;Living For Tonite&#8221; just fall<br \/>\nflat, not really carrying much energy or passion with them, while<br \/>\n&#8220;Love Child&#8221; fails to live up to hit-single expectations. (For that<br \/>\nmatter, &#8220;Love Child&#8221; hasn&#8217;t really aged that well, while other<br \/>\nsongs still sound fresh.) Don&#8217;t even get me started on the one-note<br \/>\nbass solo which kicks off &#8220;Head Over Heels&#8221;.<\/p>\n<p>So, one has to wonder, what could have made<br \/>\n<i>Kaizoku-Ban<\/i> better? Let&#8217;s make the assumption that this<br \/>\ndoesn&#8217;t represent their complete set that night. Why not substitute<br \/>\n&#8220;Balls To The Wall&#8221; for &#8220;Up To The Limit&#8221;? &#8220;Fast As A Shark&#8221; for<br \/>\n&#8220;Love Child&#8221;? &#8220;Midnight Mover&#8221; for &#8220;Living For Tonite&#8221;? Better yet,<br \/>\nwhy not include all of these songs and turn this into a full<br \/>\nalbum?<\/p>\n<p>\n<i>Kaizoku-Ban<\/i> is short on time, but unfortunately for Accept,<br \/>\nit&#8217;s also short on passion, and remains one that&#8217;s strictly for the<br \/>\nfans.<\/p>\n","protected":false},"author":2,"featured_media":26514,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5941],"rating":[5619],"class_list":["post-37751","review","type-review","status-publish","has-post-thumbnail","artist-accept","rating-rating-c"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37751"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37751\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26514"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37751"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37751"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37751"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}