{"id":37755,"date":"2003-11-04T00:00:00","date_gmt":"2003-11-04T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/are-you-passionate\/"},"modified":"2003-11-04T00:00:00","modified_gmt":"2003-11-04T00:00:00","slug":"are-you-passionate","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/are-you-passionate\/","title":{"rendered":"Are You Passionate?"},"content":{"rendered":"<p>Typically, the release of a new Neil Young album gets a warm<br \/>\nresponse from hard-core fans and an indifferent shrug from the<br \/>\nmajority of listeners.<\/p>\n<p>However, in the case of<br \/>\n<i>Are You Passionate?<\/i> it&#8217;s likely that some people coughed up<br \/>\nthe cash just to hear &#8220;Let&#8217;s Roll.&#8221; The song is Young&#8217;s tribute to<br \/>\nthe passengers of Flight 93 who helped bring down the jet, which<br \/>\nwas under terrorist control on Sept. 11, 2001. It was one of the<br \/>\nfirst songs by a major artist to directly address the events of<br \/>\nSeptember 11. Unfortunately, the song begins with the ring of a<br \/>\ncell phone. It&#8217;s supposed to be chilling, but comes off as hokey.<br \/>\nThe rest of the song begins to get bogged down by a riff that<br \/>\nsounds like it was lifted from David Bowie&#8217;s song &#8220;Fame.&#8221;<\/p>\n<p>Other songs smack of familiarity. &#8220;Mr. Disappointment&#8221; sounds<br \/>\nlike discarded Tom Waits. And the guitar riff on &#8220;You&#8217;re My Girl&#8221;<br \/>\nis straight out of a typical Lynyrd Skynyrd song &#8212; which is<br \/>\nstrange because that band&#8217;s hick anthem, &#8220;Sweet Home Alabama,&#8221; was<br \/>\nbasically a swipe at Mr. Young.<\/p>\n<p>Often,<br \/>\n<i>Are You Passionate?<\/i> sounds like you&#8217;re sitting in on a solid<br \/>\nnight at a local blues bar. Percussionist Steve Potts lays down a<br \/>\nbasic drum beat for almost every cut and the guitar work by Young<br \/>\nand Frank Sampedro has a dirty, grimy, bluesy feel. Unfortunately,<br \/>\nmost of the tracks on<br \/>\n<i>Are You Passionate?<\/i> just sound like pedestrian blues: The<br \/>\nartistry is present but the sound is too complacent. Young&#8217;s blues<br \/>\nfix now undoubtedly is fueled by producer Booker T. Jones. The<br \/>\nlegendary guitarist of Booker T. and the MGs also plays organ as<br \/>\nwell as supplying some vocals on &#8220;Are You Passionate?&#8221;<\/p>\n<p>The album is by no means a career-suicide album. Young did not<br \/>\nopt to infuse electronica a la<br \/>\n<i>Trans<\/i>, nor did he pull in as many guests as he could find to<br \/>\nmake the album more marketable a la Santana. For that, he should be<br \/>\napplauded.<\/p>\n<p>From his solo projects, beginning in the 1970s until today, Neil<br \/>\nYoung has dropped some clunkers for each decade he has continued to<br \/>\nplay. The kicker is that for every weak album he releases, there is<br \/>\nalways a possibility that there&#8217;s a great album like<br \/>\n<i>Harvest Moon<\/i> or<br \/>\n<i>Ragged Glory<\/i> right around the corner. That hope of another<br \/>\npotential Young classic should be enough to keep listeners engaged,<br \/>\neven through his artistic missteps. But in the case of this 2002<br \/>\nalbum, there&#8217;s very little for a listener to get passionate<br \/>\nabout.<\/p>\n","protected":false},"author":7,"featured_media":26517,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5692],"rating":[11204],"class_list":["post-37755","review","type-review","status-publish","has-post-thumbnail","artist-neil-young","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37755","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37755"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37755\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26517"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37755"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37755"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}