{"id":37761,"date":"2003-11-12T00:00:00","date_gmt":"2003-11-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amazing-grace\/"},"modified":"2003-11-12T00:00:00","modified_gmt":"2003-11-12T00:00:00","slug":"amazing-grace","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amazing-grace\/","title":{"rendered":"Amazing Grace"},"content":{"rendered":"<p>In late 2001, I was swarmed and then engulfed by an overwhelming<br \/>\nbuzz that circulated from the underground and critical circles. The<br \/>\n&#8216;buzz&#8217; reflected the hypnotized masses following a listen to<br \/>\nSpiritualized&#8217;s<br \/>\n<i>Let It Come Down<\/i>. Naively walking in from the cold<br \/>\nmainstream outdoors, I wondered what was going on. Fire gnats<br \/>\napproached from all angles and whispered, &#8220;Spiritualized.&#8221; After a<br \/>\nfew weeks of overwhelming praise (even by the most skeptical<br \/>\nsources), I approached the altar. From the first moment I plugged<br \/>\nin<br \/>\n<i>Let It Come Down<\/i>, I was directly mesmerized.<\/p>\n<p>Two years later, the demigods (actually just demigod, Jason<br \/>\nPierce and random pieces\/his visions) decided that the public was<br \/>\nworthy enough to receive another blessing for its collection. Their<br \/>\nsubmitted blessing is referred to as<br \/>\n<i>Amazing Grace<\/i>. For months, I have been pawing for its<br \/>\nrelease. Impatiently willing 09\/09\/03 to come in order to quench a<br \/>\nneed (too necessary to be considered a desire),<br \/>\n<i>Let It Come Down<\/i> returned in its place, which is disc five<br \/>\nin my five-disc CD carousel.<\/p>\n<p>Racing to the store, I knocked over scattered music stands,<br \/>\nelderly women and children; my hands cuffed<br \/>\n<i>Amazing Grace<\/i>. It was all a blur until I reached home. The<br \/>\ninitial track is a reworded and mindnumbing feedback arrangement of<br \/>\nthe public domain treasure, &#8220;This Little Light of Mine.&#8221; Although<br \/>\nshockingly grainy, it was done with the bold enthusiasm of a fresh<br \/>\ntrack.<\/p>\n<p>The next cut went further in that direction and the initial sign<br \/>\nof the haunting intimacy that sparked<br \/>\n<i>Let It Come Down<\/i> finally appeared in &#8220;Hold On.&#8221; It roared in<br \/>\non a track of sonic sludgery that eventually gave way to Pierce&#8217;s<br \/>\nsignature brand of moonlit melancholy. Other tracks worthy of<br \/>\nsuperlatives include the Pink Floyd and Kid A (Radiohead)-inspired<br \/>\ninstrumental &#8220;The Power and the Glory,&#8221; cynical yet<br \/>\nrapture-inducing &#8220;Lord Let It Rain On Me,&#8221; and the burdensome<br \/>\ncloser &#8220;Lay It Down Slow.&#8221;<\/p>\n<p>Honestly, the introductory spin nearly reduced me to tears.<br \/>\n<i>Amazing Grace<\/i> sounded flat, stripped and listless. Save for<br \/>\n&#8220;Never Coming Back,&#8221; none of the four Spiritualized&#8217;s professed<br \/>\nDetroit garage-influenced tracks reflected that genre. Pierce&#8217;s<br \/>\nbamboozle was to mask his theft of early Jesus and Mary Chain.<br \/>\nWithout the support of a 100-piece orchestra (as on the previous<br \/>\nalbum), Jason&#8217;s druggy ballads do not promote an immediate euphoric<br \/>\ntrip.<\/p>\n<p>It took three or four listens to overcome what felt like an<br \/>\nignorant casting away of the former record&#8217;s orchestrated textures,<br \/>\nbold rock leanings and indie-fashioned production. Faith and<br \/>\npatience begat formerly unrealized treasures as a mirrored face of<br \/>\nSpiritualized emerged.<\/p>\n<p>\n<i>Amazing Grace<\/i>&#8216;s deception captivates. Instead of looking<br \/>\ndown, it procures us from below. The &#8220;band&#8217;s&#8221; reality is finally<br \/>\ncaptured as Jason Pierce&#8217;s pleading, guilty and focused lyrics<br \/>\nglimmer through a more suitable and meaningful template. Cast out<br \/>\nthe angelic pose, appeal to your devious instincts and secure &#8230;<br \/>\n<i>Grace<\/i>.<\/p>\n","protected":false},"author":39,"featured_media":26523,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6938],"rating":[5613],"class_list":["post-37761","review","type-review","status-publish","has-post-thumbnail","artist-spiritualized","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/39"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37761"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37761\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26523"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37761"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37761"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}