{"id":37766,"date":"2003-11-18T00:00:00","date_gmt":"2003-11-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/respect-the-rock-america\/"},"modified":"2026-07-25T07:31:32","modified_gmt":"2026-07-25T07:31:32","slug":"respect-the-rock-america","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/respect-the-rock-america\/","title":{"rendered":"Respect The Rock America"},"content":{"rendered":"<p>Believing that one good turn deserved another, U.S. music label,<br \/>\nMan&#8217;s Ruin Records obviously had visions of grandeur when signing<br \/>\nthe Scandinavian action rock tandem the Hellacopters (Sweden) and<br \/>\nGluecifer (Norway) to a one-time project titled<br \/>\n<i>Respect the Rock America<\/i>. But, on the other hand, the<br \/>\nuninitiated action rock lover might have been easily put off by two<br \/>\nno-name Nordic bands challenging the American audience with such a<br \/>\npompous mission statement, resulting in a cynicism that could<br \/>\neasily assume chipped shoulders on two boys named David entering a<br \/>\ncountry pegged as Goliath.<\/p>\n<p>In all fairness to the two groups, both were riding high from<br \/>\nthe positive effects that the 1997 White Jazz Records release<br \/>\n<i><br \/>\n<a href=\"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/respect-the-rock\/\">Respect the Rock<\/a><br \/>\n<\/i> had on exposing the bands in their native homelands in Europe.<br \/>\nBrisk sales resulted with the subsequent releases of the<br \/>\nHellacopters breakthrough album<br \/>\n<i>Payin&#8217; the Dues<\/i> and Gluecifer&#8217;s first full-length album,<br \/>\npatriotically referencing their hometown of Oslo, Norway with the<br \/>\ntitle<br \/>\n<i>Ridin&#8217; the Tiger<\/i>.<\/p>\n<p>And as the story goes, it took an indie label like Man&#8217;s Ruin to<br \/>\ntake the plunge on bringing these two acts to U.S. soil. What<br \/>\nresulted should easily illustrate examples of what a label can do<br \/>\nright and what a label can do wrong in trying to payoff on such a<br \/>\ngamble.<\/p>\n<p>First, I&#8217;ll applaud Man&#8217;s Ruin for actually trying to take a<br \/>\ngreat idea from White Jazz Records and attempting to make it<br \/>\nbetter. Seriously, rock n&#8217; roll and pompous mission statement<br \/>\nassociations are cool even if it&#8217;s to augment a marketing strategy.<br \/>\nAnd yes, as an avid student of European action rock, I&#8217;m going to<br \/>\npraise the label for choosing the two most talented and interesting<br \/>\nbands coming out of the Northern European scene at the time.<br \/>\nSomething tells me that if this had been a major label enterprise,<br \/>\nwe&#8217;d be talking about Ace of Base and the Cardigans, but I<br \/>\napologetically digress\u2026<\/p>\n<p>Sadly though, when describing the tracks on the album, I have to<br \/>\ngive a failing grade to Man&#8217;s Ruin for allowing the Hellacopters to<br \/>\nrecord four crappy cover songs to supplement their one original<br \/>\ntune on the album. Covering Wilson Pickett&#8217;s &#8220;A Man and a Half&#8221; and<br \/>\nBob Seger&#8217;s &#8220;Her Strut&#8221; are as much bad ideas today as they were<br \/>\neven worse ideas when the original artists first recorded them.<br \/>\nSure, the title of the album tells us to respect the rock, but give<br \/>\nme Ted Nugent or Allman Brothers songs to revere. Hell, I&#8217;d even<br \/>\ntake a cover of Aretha Franklin&#8217;s &#8220;R-E-S-P-E-C-T&#8221; over those two<br \/>\nsongs.<\/p>\n<p>Listen to the Hellacopters perform their lone original &#8220;Doggone<br \/>\nYour Bad Luck Soul&#8221; and you&#8217;ll find yourself wondering why Man&#8217;s<br \/>\nRuin let the Hellacopters record the covers in the first place.<br \/>\nSplit tempos set to equal parts of blues and wah-wah are far more<br \/>\ninteresting than the likely boring first impressions that the<br \/>\nHellacopters granted first-time U.S. listeners with the other<br \/>\ntracks performed on the album.<\/p>\n<p>But alas, this is a split effort for which we should all be<br \/>\nextremely thankful.<\/p>\n<p>If music industry wisdom is to put the best songs at the top of<br \/>\nthe track listing then Man&#8217;s Ruin failed again and that&#8217;s a shame.<br \/>\nGluecifer wins the battle of the two bands on this album hands<br \/>\ndown.<\/p>\n<p>Gluecifer rocks and Gluecifer roars much like that tiger I was<br \/>\ndescribing earlier with their tracks &#8220;Gary O&#8217; Kane&#8221; and &#8220;Shitty<br \/>\nCity.&#8221; Listening to &#8220;Gary O&#8217;Kane,&#8221; I get a certain impression that<br \/>\nBiff Malibu is singing about the days when he used to put &#8220;a boot<br \/>\nin the ass&#8221; of a guy he describes as the &#8220;king of lame &#8211; a no-good<br \/>\ndoofus with an idiot name.&#8221; Likewise, &#8220;Shitty City&#8221; is a song that<br \/>\nwould seemingly describe Gluecifer&#8217;s distaste for their hometown of<br \/>\nOslo. Even if they are not being serious with their chants of<br \/>\nwanting to see the city burn, the big guitars, wailing vocals, and<br \/>\nvicious backbeats that are kicked out during this jam impressively<br \/>\nhide any sentiment one would normally sympathize with such a<br \/>\nhappening.<\/p>\n<p>Anger management classes can wait as Gluecifer figure out how to<br \/>\nconvincingly pen a song with the title &#8220;My Card Says Typhoon<br \/>\nKiller.&#8221; It doesn&#8217;t take much imagination to realize this isn&#8217;t a<br \/>\nballad we&#8217;re talking about here. The last two tracks, &#8220;No Goddamn<br \/>\nPhones&#8221; and the cover of the Backstreet Girls (yes, that&#8217;s right)<br \/>\n&#8220;Going Down&#8221; pack the finishing wallops of the Gluecifer set; a<br \/>\nquintet of tracks that may end up going down in history as some of<br \/>\nthe best-arranged songs the band has ever put out to date on one<br \/>\nrelease.<\/p>\n<p>Looking back, Man&#8217;s Ruin definitely had the right idea for<br \/>\nputting out this release in an attempt to jump start the<br \/>\nScandinavian scene on North American soil. What they lacked was the<br \/>\nability to balance the output of both bands efforts as much as they<br \/>\nfeatured the wrong band at the top of this billing. With a title<br \/>\nlike<br \/>\n<i>Respect the Rock America<\/i>, it&#8217;s understandable how the<br \/>\npreviously uninitiated will remain uninitiated to what should have<br \/>\nbeen.<\/p>\n<p class=\"c4\">Gluecifer Grade: A The Hellacopters Grade: D+ Man&#8217;s<br \/>\nRuin Grade: D (for as much stupidity as anything else)<\/p>\n","protected":false},"author":27,"featured_media":26527,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6940],"rating":[5614],"class_list":["post-37766","review","type-review","status-publish","has-post-thumbnail","artist-the-hellacopters-gluecifer","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37766"}],"version-history":[{"count":1,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37766\/revisions"}],"predecessor-version":[{"id":52136,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37766\/revisions\/52136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26527"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37766"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37766"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37766"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}