{"id":37788,"date":"2003-12-12T00:00:00","date_gmt":"2003-12-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ready-to-die\/"},"modified":"2003-12-12T00:00:00","modified_gmt":"2003-12-12T00:00:00","slug":"ready-to-die","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/ready-to-die\/","title":{"rendered":"Ready To Die"},"content":{"rendered":"<p>Like movies, some of the best albums are defined by a few<br \/>\nunforgettable sequences: the horse scene in the first<br \/>\n<i>Godfather<\/i> movie, the chest-bursting scene in<br \/>\n<i>Alien<\/i> movie. For The Notorious B.I.G.&#8217;s major label debut,<br \/>\n<i>Ready to Die<\/i>, the album is decorated with similar &#8216;moments,&#8217;<br \/>\nsuch as the obscenely funny &#8220;Interlude,&#8221; rapping about living on<br \/>\nfive-cent gum and blowing his ownbrains out at the conclusion of<br \/>\nthe album, after over an hour of taunts, bravado and playa<br \/>\nfantasies.<\/p>\n<p>While 2-Pac usually excelled at making general observations<br \/>\nabout life as a young black man through the eyes of an observer,<br \/>\nBiggie Smalls was able to personalize his experiences: the poverty,<br \/>\ndrug dealing, and later, the excess of fame. &#8220;My momma&#8217;s got cancer<br \/>\nin her breast\/don&#8217;t ask me why I&#8217;m motherf***ing stressed,&#8221; Biggie<br \/>\nrants on &#8220;Things Done Changed.&#8221;<\/p>\n<p>Before Sean &#8220;Puffy&#8221; Combs was more worried about selling clothes<br \/>\nthan making memorable albums, he gave<br \/>\n<i>Ready to Die<\/i> its ambitious, cinematic flow. For every<br \/>\nlaid-back, Cristal-soaked party anthem (&#8220;Juicy&#8221;), a morose,<br \/>\nregretful tune followed. &#8220;I don&#8217;t want to live no more,&#8221; is the<br \/>\nmain chorus of &#8220;Everyday Struggle.&#8221; Even songs that appear to give<br \/>\nreason to why groups like the PMRC still are in existence (&#8220;Me and<br \/>\nMy Bitch&#8221;) contain moments of stark vulnerability on par with<br \/>\nElliot Smith, as Biggie ends the song with one of his best friends<br \/>\ngetting killed.<\/p>\n<p>Biggie Smalls claimed he never liked writing down his lyrics,<br \/>\nopting to rap from the top of his head. With<br \/>\n<i>Ready to Die<\/i>, he captured the dread and helplessness of the<br \/>\nlife of a dealer as well as some of the most over-the-top party<br \/>\nanthems of the &#8217;90s. Even in a world where it&#8217;s becoming<br \/>\nincreasingly harder to shock people, listening to the XXX-rated<br \/>\n&#8220;#!*@ Me (Interlude)&#8221; can still leave me squirming, laughing and<br \/>\ncringing at the same time as the song is a minute-and-a-half<br \/>\nhardcore porn track, featuring Biggie.<\/p>\n<p>The album closes with the harrowing &#8220;Suicidal Thoughts.&#8221; While<br \/>\n<i>Ready to Die<\/i> contained as many boasts as N.W.A.&#8217;s and<br \/>\n2-Pac&#8217;s best works, Biggie Smalls always excelled at following up<br \/>\nevery tale of violence with its stark consequence, on the victim<br \/>\nand the perpetrator of the action. It&#8217;s an incredibly dark album,<br \/>\nmaking it all the more of a difficult listen, knowing Biggie<br \/>\nSmall&#8217;s tragic fate a mere three years after<br \/>\n<i>Ready to Die<\/i>&#8216;s release. Even if you&#8217;re not a rap fan, the<br \/>\nstorytelling Biggie weaves throughout the album remains some of the<br \/>\nmost vivid examples of verbal cinematography on an album. Almost<br \/>\nten years after its release,<br \/>\n<i>Ready to Die<\/i> remains a landmark achievement.<\/p>\n","protected":false},"author":7,"featured_media":26548,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5852],"rating":[5613],"class_list":["post-37788","review","type-review","status-publish","has-post-thumbnail","artist-the-notorious-b-i-g","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37788"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37788\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26548"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37788"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37788"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}