{"id":37815,"date":"2004-01-13T00:00:00","date_gmt":"2004-01-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/running-in-the-family\/"},"modified":"2004-01-13T00:00:00","modified_gmt":"2004-01-13T00:00:00","slug":"running-in-the-family","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/running-in-the-family\/","title":{"rendered":"Running In The Family"},"content":{"rendered":"<p>The best of the &#8217;80s synthesizer bands &#8212; Wang Chung, Tears For<br \/>\nFears, and Go West come to mind &#8212; were able to do two things that<br \/>\nmade them rise above the crowd. The first was an ability to lay<br \/>\ndown a white-boy funk or rock backbeat, usually involving bass<br \/>\nguitar (Wang Chung&#8217;s Nick Feldman being an example of a severely<br \/>\nunderrated bass player), and the second was the ability to add<br \/>\nelements from diverse pop music forms in their work &#8212; funk, disco,<br \/>\nrock, soul, R&#038;B, and the nascent forms of what has become<br \/>\ntechno and electronica. Any attempt to evaluate music like this has<br \/>\nto be in context; in other words, don&#8217;t bitch about how Prefab<br \/>\nSprout wasn&#8217;t as exciting and raw as The Clash.<\/p>\n<p>That said, I like &#8217;80s synth-pop. I&#8217;m one of its remaining<br \/>\ndefenders against the hordes of music critic barbarians who have<br \/>\nmoved on to the Next Big Thing (and the next, and the next, and the<br \/>\nnext\u2026) It was some pretty fun stuff, folks, and I&#8217;m not<br \/>\nashamed to say I get out my Wang Chung CDs on a regular basis. A<br \/>\nlot of these bands have achieved a small but fanatical following on<br \/>\nthe Internet, and one of the chief among those are the fans of<br \/>\nBrit-pop band Level 42. While their lineup has changed over the<br \/>\nlast twenty-some years, original bassist Mark King and keyboardist<br \/>\nMike Lindup has hung in there &#8212; but the band&#8217;s central lineup&#8217;s<br \/>\nheyday were their two largest hits, 1985&#8217;s<br \/>\n<i>World Machine<\/i> and today&#8217;s feature, 1987&#8217;s<br \/>\n<i>Running In The Family<\/i>.<\/p>\n<p>I can hear you all now. &#8216;Enough history, Duke, talk about the<br \/>\nmusic.&#8217;<\/p>\n<p>And so I shall, O Ye DV Faithful.<br \/>\n<i>Running With The Family<\/i> is an interesting piece of music on<br \/>\nthe first review; it&#8217;s kind of like reading a manual on How To Do<br \/>\nAn Eighties Synth-Pop CD. To wit:<\/p>\n<p>RULE 1: Get A Catchy Single. (&#8220;Lessons In Love.&#8221; Check.) RULE 2:<br \/>\nDo Something Deep And Philosophical. (&#8220;Children Say.&#8221; Check.) RULE<br \/>\n3: Do Something Soulful, So Maybe You&#8217;ll Get The Next &#8220;Melt With<br \/>\nYou.&#8221; (&#8220;It&#8217;s Over.&#8221; Check.) RULE 4: Be Funky. (&#8220;To Be With You<br \/>\nAgain.&#8221; Check.) RULE 5: Make Fun Of Your Own Club Audience, In A<br \/>\nPiece Of Witty, Self-Referential, And Bitter Parody. (&#8220;Fashion<br \/>\nFever.&#8221; Check.)<\/p>\n<p>I can go on like this for a while, but I&#8217;ll save you the agony<br \/>\nof my weak attempts at humour.<br \/>\n<i>Running In The Family<\/i> is mostly formulaic, with all the<br \/>\ncliches and conventions firmly in place. If you like Swing Out<br \/>\nSister and you guard your Thompson Twins CDs with your life, you&#8217;ll<br \/>\nlike this, and if your most recent CD purchase was Linkin Park, you<br \/>\nprobably won&#8217;t. There are a couple of moments where<br \/>\n<i>Running In The Family<\/i> outstrips its own cliches &#8212; &#8220;The<br \/>\nSleepwalkers&#8221; is a quirky and neat piece of songwriting that defies<br \/>\nthe stereotypes &#8212; but it&#8217;s mostly well-produced, smooth, slick,<br \/>\nand average. If you like the genre, check it out; if you don&#8217;t,<br \/>\nit&#8217;s not going to change your mind.<\/p>\n","protected":false},"author":18,"featured_media":26572,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6956],"rating":[5612],"class_list":["post-37815","review","type-review","status-publish","has-post-thumbnail","artist-level-42","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37815"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37815\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26572"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37815"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37815"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}