{"id":37829,"date":"2004-01-22T00:00:00","date_gmt":"2004-01-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/penthouse\/"},"modified":"2004-01-22T00:00:00","modified_gmt":"2004-01-22T00:00:00","slug":"penthouse","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/penthouse\/","title":{"rendered":"Penthouse"},"content":{"rendered":"<p>It&#8217;s hard not to lump Luna into the category of mood music.<br \/>\nTheir musicianship and attention to strong songwriting can hold up<br \/>\nin most any listening environment. Still, it seems the best way to<br \/>\nlisten to Luna&#8217;s music is in a friend&#8217;s apartment, at around 2:30<br \/>\nin the morning, after many vodka tonics, and preferably in a big<br \/>\ncity. It&#8217;s the one band that should have been included in the<br \/>\n<i>Lost in Translation<\/i> soundtrack that wasn&#8217;t.<\/p>\n<p>Luna has unfairly been criticized for aping the Velvet<br \/>\nUnderground by elitist VU fans with nothing else better to do with<br \/>\ntheir lives. The band barely made a ripple in the &#8217;90s, but their<br \/>\nmix of bohemian listlessness and songs about excess (be it in love,<br \/>\nmaterial or pharmaceutical goods) perfectly captures the general<br \/>\nmood of those who came of age in the &#8217;90s without the<br \/>\npretentiousness of grunge. And while it is true, you can&#8217;t judge an<br \/>\nalbum by its cover, the cover of Luna&#8217;s album,<br \/>\n<i>Penthouse<\/i>, sums up the album perfectly: elegant, excessive,<br \/>\nout of focus and the potential of being a flat-out masterpiece.<\/p>\n<p>Dean Wareham&#8217;s spacey vocals have a way of working into your<br \/>\nhead after one or two listens. In the woozy &#8220;23 Minutes in<br \/>\nBrussels,&#8221; Wareham&#8217;s chorus, &#8220;Say a prayer for you and me \/ say a<br \/>\nprayer \/ tell me do you miss me?&#8221; may not have the complexity of a<br \/>\nThom Yorke or an Ani DiFranco, but damned if it doesn&#8217;t linger<br \/>\nafter the track ends. Sean Eden&#8217;s guitar work and Stanley<br \/>\nDemenski&#8217;s drumming stand out, but when they are complementing each<br \/>\nother, as in the unexpected jam breakout in &#8220;Freakin&#8217; and Peakin'&#8221;<br \/>\n&#8211; they&#8217;re absolutely stunning.<\/p>\n<p>Few bands have been able to straddle the line of being playful<br \/>\nand being sinister. Many times, it seems that Wareham and company<br \/>\nare too witty for their own good. Some lyrics are downright silly:<br \/>\n&#8220;Nixon&#8217;s in a coma \/ and I hope it&#8217;s gonna last&#8221; or &#8220;You&#8217;re out all<br \/>\nnight \/ chasing girlies \/ you&#8217;re late for work \/ and you go home<br \/>\nearlies.&#8221; However, their chemistry is just enough there to make<br \/>\neverything gel effortlessly, even in the cheesy cover of Serge<br \/>\nGainsbourg&#8217;s &#8220;Bonnie and Clyde.&#8221;<\/p>\n<p>\n<i>Penthouse<\/i> is arguably Luna&#8217;s finest hour, even though all of<br \/>\ntheir releases are about the same in terms of quality. The only<br \/>\nedge that<br \/>\n<i>Penthouse<\/i> has is its front-to-back cohesiveness. It&#8217;s one of<br \/>\nthose few albums in recent memory that actually justifies the label<br \/>\n&#8220;album.&#8221; Check into<br \/>\n<i>Penthouse<\/i> &#8212; you&#8217;ll find it difficult to check out.<\/p>\n","protected":false},"author":7,"featured_media":26583,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6961],"rating":[5646],"class_list":["post-37829","review","type-review","status-publish","has-post-thumbnail","artist-luna","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37829","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37829"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37829\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26583"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37829"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37829"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37829"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}