{"id":37835,"date":"2004-01-28T00:00:00","date_gmt":"2004-01-28T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hallelujah-rock-n-rollah\/"},"modified":"2004-01-28T00:00:00","modified_gmt":"2004-01-28T00:00:00","slug":"hallelujah-rock-n-rollah","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/hallelujah-rock-n-rollah\/","title":{"rendered":"Hallelujah Rock N&#8217; Rollah"},"content":{"rendered":"<p>We&#8217;ve all seen it before.<\/p>\n<p>A music scene breaks, a couple of bands get hyped to death and<br \/>\nforever etched into the public&#8217;s mind, and a flood of similar but<br \/>\nlargely unheralded bands are left to fight it out amongst<br \/>\nthemselves to stay on the music industry radar. Most of these bands<br \/>\nnaturally wash out of perception after their initial release for<br \/>\nreasons generally no more complex than they were never as good as<br \/>\ntheir labels originally wanted them to be. So when I think of U.S.<br \/>\nFederal Reserve Chairman Alan Greenspan coining the phrase<br \/>\n&#8220;irrational exuberance&#8221; a few years ago, I can&#8217;t help but prop him<br \/>\nfor unintentionally describing this fallout as the &#8220;throw it<br \/>\nagainst the wall and let&#8217;s see what sticks&#8221; mentality that the<br \/>\nmajor labels are known to implore is actually happening once<br \/>\nagain.<\/p>\n<p>The scene I&#8217;m describing is the garage rock revival of 2001 to<br \/>\npresent which has unearthed a bevy of noun bands highlighted by the<br \/>\nHives, the White Stripes, and the Strokes. Another band that should<br \/>\nnot only be on this list, but actually top it, is Finland&#8217;s Flaming<br \/>\nSideburns and I&#8217;m here to tell you why.<\/p>\n<p>It all starts at the top. Mixing a silky smooth Argentinean<br \/>\nvocalist, Eduardo &#8220;Speedo&#8221; Martinez, with an inspiringly matched<br \/>\npercussion and string ensemble led by drummer Jay Burnside and<br \/>\nguitarist Ski Williamson, the Sideburns have created a formula that<br \/>\nis as extremely different as it is similar to the garage rock scene<br \/>\nthey are properly linked to. In fact, there&#8217;s a complimentary<br \/>\nairiness to the way that the Flaming Sideburns tune their<br \/>\ninstruments that make me actually wonder if they don&#8217;t record in a<br \/>\ncarport rather than a typical garage. Sounds like a novel approach,<br \/>\neh? There&#8217;s more.<\/p>\n<p>Martinez&#8217; greatest strength is the fact he does sound undeniably<br \/>\nSouth American with his vocal pitch while combining the swagger of<br \/>\na Mick Jagger and the aura of a Lou Reed. And it&#8217;s not contrived,<br \/>\nfolks; it&#8217;s the real deal. A track like &#8220;Loose My Soul&#8221; exhibits<br \/>\nthe swagger quality beautifully as Martinez initially rallies a<br \/>\nsimulated crowd with a Spanish spoken charge all the while a crowd<br \/>\nroar builds. The result culminates with an upbeat wah-wah drenched<br \/>\nboogie anthem that is filled with such a charismatic vocal touch<br \/>\nthat even the regarded Hives front man Pelle Almqvist would find<br \/>\nhimself spitting and drooling over it.<\/p>\n<p>Moreover, when garage bands attempt ballads, all hell generally<br \/>\nbreaks loose as the concept is a polar opposite to what the genre<br \/>\nstands for. The Flaming Sideburns attempt it with the<br \/>\ntrack&#8221;Stripped Down&#8221; and come up with something that would surely<br \/>\ngenerate an accusation or two that they were plundering the back<br \/>\ncatalogue of the Velvet Underground. I haven&#8217;t seen the talented<br \/>\nWhite Stripes vocalist Jack White pull this off yet.<\/p>\n<p>And for good measure, I&#8217;m sure we all remember the Toyota<br \/>\ntelevision commercial from 2002 with the driver of a Camry stopping<br \/>\non the freeway to do a simulated snow angel on the road in glee.<br \/>\nThe soundtrack to this madness is a seven- or eight-second blurb<br \/>\nfrom the frenetic &#8220;Street Survivor,&#8221; a song that the band obviously<br \/>\nsold Toyota on the concept\/title alone. I&#8217;ll hedge a bet that the<br \/>\noverrated Strokes, with their Casablancas Hollywood connection,<br \/>\nwill never find such profile in one of their tracks now or in the<br \/>\nfuture.<\/p>\n<p>And to think that the Flaming Sideburns are legitimate garage<br \/>\nrockers and they achieve such undeniable diversity to their mix.<br \/>\nThe attention to varying the track order on<br \/>\n<i>Hallelujah Rock n&#8217; Rollah<\/i> only serves to highlight this<br \/>\nobservation and is an activity other bands of the retro-rock ilk<br \/>\nwould be wise to invest more time.<\/p>\n<p>Furthermore, this review wouldn&#8217;t be complete if I didn&#8217;t<br \/>\nrecognize the band copping a great rendition of that undeniable<br \/>\ntwangy, echo drenched sound on &#8220;Lonesome Rain&#8221; which is dead on<br \/>\nsurf revival material. Radio Birdman, the forgotten Australian<br \/>\nforefathers of the &#8217;70s punk movement, are the band I think of that<br \/>\ncould sound as compelling with this genre and to think &#8212; their<br \/>\nsongs were laid to wax 25 years ago!<\/p>\n<p>So while hard-rock &#8220;noun bands&#8221; have become a dime a dozen these<br \/>\ndays, the Flaming Sideburns have figured out a way to create their<br \/>\nown interesting stereotype with their second full-length album<br \/>\n<i>Hallelujah Rock n&#8217; Rollah<\/i>. Always eclectic, never stale, and<br \/>\na band that music listeners wisely should pay attention to.<\/p>\n","protected":false},"author":27,"featured_media":26589,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6964],"rating":[5646],"class_list":["post-37835","review","type-review","status-publish","has-post-thumbnail","artist-the-flaming-sideburns","rating-rating-a"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37835"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37835\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26589"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37835"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37835"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37835"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}