{"id":37851,"date":"2004-02-13T00:00:00","date_gmt":"2004-02-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/stories-from-the-city-stories-from-the-sea\/"},"modified":"2004-02-13T00:00:00","modified_gmt":"2004-02-13T00:00:00","slug":"stories-from-the-city-stories-from-the-sea","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/stories-from-the-city-stories-from-the-sea\/","title":{"rendered":"Stories From The City, Stories From The Sea"},"content":{"rendered":"<p>It would be unfair to expect artists to convey only one emotion<br \/>\nto their audience. The New Pornographers shouldn&#8217;t have to release<br \/>\nhappy music all the time, just because their first two albums were<br \/>\npop ecstasy. If Trent Reznor falls in love, he should do an album<br \/>\nabout the experience if he thinks it would be a good subject. After<br \/>\nall, love changes an artist &#8212; case in point with PJ Harvey.<\/p>\n<p>In the angst-ridden &#8217;90s, Harvey was the queen of angst;<br \/>\nproducing the back-to-back classics<br \/>\n<i>Rid Of Me<\/i> and<br \/>\n<i>To Bring You My Love<\/i>. Greatness took its toll on Harvey,<br \/>\nhowever. In an interview in<br \/>\n<i>Rolling Stone<\/i>, Harvey said she never wanted to be in the<br \/>\nemotional state that she was in when she recorded<br \/>\n<i>To Bring You My Love<\/i>. So in 2000, Harvey moved overseas to<br \/>\nNew York City. She also fell in love. The two major changes<br \/>\nresulted in<br \/>\n<i>Stories From The City, Stories From The Sea<\/i>.<\/p>\n<p>The album&#8217;s rich elegance draws images of late-night parties on<br \/>\nrooftops, cab rides through Manhattan and falling into &#8220;Good<br \/>\nFortune&#8221; with a new relationship full of possibilities. It&#8217;s easily<br \/>\nHarvey&#8217;s sunniest album. Still, there&#8217;s plenty of dark corridors<br \/>\nawaiting listeners. PJ Harvey at her most cheerful is still darker<br \/>\nthan the most angry Alanis Morissette record.<\/p>\n<p>As a rock album,<br \/>\n<i>Stories From The City, Stories From The Sea<\/i> is amazingly<br \/>\nconsistent. &#8220;Good Fortune&#8221; is great AOL rock material and the<br \/>\nshredding &#8220;Kamikaze&#8221; would have fit in perfect with her earlier<br \/>\nworks. Hell, Fox even played guitar riffs from &#8220;Big Exit&#8221; to hype<br \/>\nthe NFL playoffs in 2001. For any other artist,<br \/>\n<i>Stories From The City, Stories From The Sea<\/i> would have been<br \/>\na crowning achievement. But not every artist is PJ Harvey.<\/p>\n<p>As consistent, enjoyable and flat out rocking as<br \/>\n<i>Stories From The City, Stories From The Sea<\/i> is, it is also<br \/>\nthe first PJ Harvey that is relatively free of danger for the<br \/>\nlistener. Every album she released before<br \/>\n<i>Stories<\/i>, was a major turning point. Dry was the debut that<br \/>\nannounced her talent,<br \/>\n<i>Rid of Me<\/i> was menstruation punk at its creative peak,<br \/>\n<i>To Bring You My Love<\/i> was her masterpiece and Is This Desire<br \/>\nwas just plain weird &#8212; in the best of ways. Each turn you didn&#8217;t<br \/>\nknow what to expect with a PJ Harvey album. And with Stories, it<br \/>\nwas the first of her albums where a seasoned PJ Harvey listener<br \/>\nwasn&#8217;t exactly bowled over by her boldness. Even her duet with Thom<br \/>\nYorke on &#8220;This Mess We&#8217;re In&#8221; seems more like a hipster marriage of<br \/>\ntalent than a truly great song that utilizes both of their<br \/>\ngifts.<\/p>\n<p>Still, Stories is far from treading water. PJ Harvey celebrated<br \/>\nthe joys of uprooting herself and falling in love. She also had her<br \/>\nshare of haunting ballads, namely the ghostly closing track &#8220;We<br \/>\nFloat.&#8221; Stories may be a standard rock album, but Harvey can still<br \/>\nmake even a traditional rock album sound as dangerous as falling<br \/>\nhead over heels in love.<\/p>\n","protected":false},"author":7,"featured_media":26605,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5801],"rating":[5617],"class_list":["post-37851","review","type-review","status-publish","has-post-thumbnail","artist-pj-harvey","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37851","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37851"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37851\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26605"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37851"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37851"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37851"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}