{"id":37857,"date":"2004-02-19T00:00:00","date_gmt":"2004-02-19T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/liquid-tension-experiment-3\/"},"modified":"2004-02-19T00:00:00","modified_gmt":"2004-02-19T00:00:00","slug":"liquid-tension-experiment-3","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/liquid-tension-experiment-3\/","title":{"rendered":"Liquid Tension Experiment"},"content":{"rendered":"<p>The truth be told, I&#8217;ve never really enjoyed John Petrucci&#8217;s<br \/>\nwork that much. I always found Dream Theater rather boring, the way<br \/>\nthey drag out their songs. However, I had heard some good things<br \/>\nabout this band, and when my friend was selling it for $10, I<br \/>\ndecided to take it off his hands and give it a spin. I was somewhat<br \/>\nexpecting another Dream Theater snooze-fest, but as soon as I slid<br \/>\nit into my CD tray and pressed play, I was blown off my feet by<br \/>\nPetrucci&#8217;s blazing tremolo riff in the opening track, &#8220;Paradigm<br \/>\nShift.&#8221; I knew I was in for one wild ride.<\/p>\n<p>Liquid Tension Experiment is really a paragon of a supergroup.<br \/>\nFeaturing Petrucci on guitar, Mike Portnoy on drums, Jordan Rudess<br \/>\non keyboards (all three played in Dream Theater) and Tony Levin (of<br \/>\nKing Crimson fame) on bass. And, much like their other bands, these<br \/>\nboys are very progressive. The listener is taken on a wild,<br \/>\nroller-coaster ride on this all-instrumental album. It takes you<br \/>\nfrom the spacey feel of the track &#8220;Universal Mind,&#8221; to the track<br \/>\nthat seems like it was recorded underwater, &#8220;Osmosis.&#8221;<\/p>\n<p>Some of the greatest guitar material ever is on this album.<br \/>\nAfter the blitzing intro of &#8220;Paradigm Shift,&#8221; and the emotional<br \/>\n&#8220;Osmosis,&#8221; we go to the truly prog track &#8220;Kindred Spirits.&#8221; All of<br \/>\nthese tracks are great, but much like an arc, its zenith is at the<br \/>\ntop. That is the fifth track, &#8220;Freedom of Speech.&#8221; Starting off<br \/>\nwith a beautiful keyboard piece, Petrucci builds upon it, with<br \/>\nmarvellous guitar leads. Portnoy&#8217;s drums are impeccable, and he<br \/>\nreally gets the rhythm section up. Then, as we near the 4:30 mark,<br \/>\nPetrucci and Rudess begin to build up the suspense, and then<br \/>\nunleash it all in one fabulous display of instrumental<br \/>\nflawlessness. Petrucci and Rudess continue to show off their<br \/>\ntalents by having a little duelling match. Such precision and<br \/>\nextreme skill in this &#8220;duelling,&#8221; as it&#8217;s often called, has not<br \/>\nbeen utilized so well since Murray and Smith. By the eight-minute<br \/>\nmark, they wind it down to its placid end, with the intro solo also<br \/>\nfinishing off the song. Of the many songs I have heard in my life,<br \/>\nthis is a head &#8212; nay, a whole body above most others.<\/p>\n<p>After that spectacle, we are given another beautiful track in<br \/>\n&#8220;State of Grace,&#8221; a slow, yet emotional track, and then we&#8217;re hit<br \/>\nwith another lightning intro riff in &#8220;Universal Mind,&#8221; which, to<br \/>\nme, helps summarize all the other tracks on the album.<\/p>\n<p>The only problem with this album is tracks four and six. Both<br \/>\nare short tracks, mostly starring Levin and his bass. Now, I&#8217;m a<br \/>\nbig fan of King Crimson and Levin, but I find these tracks (titled<br \/>\n&#8220;The Stretch&#8221; and &#8220;Chris and Kevin&#8217;s Excellent Adventure,&#8221;<br \/>\nrespectively) to be horribly boring, and a waste of time. It<br \/>\nreminds me of what Yes did on<br \/>\n<i>Fragile<\/i>, except they had reason to, and I don&#8217;t think LTE<br \/>\ndid.<\/p>\n<p>The last track on this album is titled &#8220;Three Minute Warning.&#8221;<br \/>\nFor people who haven&#8217;t ever seen this album or any of the songs on<br \/>\nit, don&#8217;t let the name throw you &#8212; the song actually clocks in at<br \/>\n28:31. The back of the case even comes with its own disclaimer,<br \/>\nwhich reads &#8220;Caution: &#8216;Three Minute Warning&#8217; is not for the<br \/>\nmusically faint-hearted, impatient, or critics of the extreme<br \/>\nself-indulgence. If you fall into any of the above categories,<br \/>\nplease hit the stop button on your CD player after track #8.&#8221; (I<br \/>\nsuggest that Mr. Thelen stay away). Self-indulgent indeed, this<br \/>\ntrack plods along for awhile, with some odd little keyboard notes<br \/>\nover the rhythm section. Petrucci&#8217;s guitar finally kicks in at the<br \/>\nthree-minute mark (coincidence?) and things start getting<br \/>\ninteresting. Rudess&#8217;s keyboards pick up, and the rhythm section of<br \/>\nPortnoy and Levin sound better. For the rest of the song, it kind<br \/>\nof drags on, exciting sometimes, boring others. Portnoy&#8217;s drumming<br \/>\nreally sounds good on here, and Rudess&#8217;s keyboards are top-drawer<br \/>\n(like always). Petrucci sounds good as well. Levin shines for some<br \/>\nmoments, but is the least prominent of all. Overall, this track is<br \/>\npretty good, but definitely not the best on this album.<\/p>\n<p>I often find myself comparing this band to its contemporary,<br \/>\nPlanet X. Liquid Tension Experiment seem to be more\u2026.well,<br \/>\nexperimental, with their flying keyboards and guitars, yet sound<br \/>\nmore down-to-earth production-wise. If you are a fan of Planet X,<br \/>\nor King Crimson, or Dream Theater-hell, any prog rock\/metal group<br \/>\nfor that matter, check out this album (and their second release,<br \/>\ncreatively titled<br \/>\n<i>Liquid Tension Experiment II<\/i>) and be captivated by their<br \/>\nmajesty.<\/p>\n","protected":false},"author":41,"featured_media":24703,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5942],"rating":[5617],"class_list":["post-37857","review","type-review","status-publish","has-post-thumbnail","artist-liquid-tension-experiment","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37857"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37857\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24703"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37857"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37857"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}