{"id":37861,"date":"2004-02-25T00:00:00","date_gmt":"2004-02-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/josh-groban\/"},"modified":"2004-02-25T00:00:00","modified_gmt":"2004-02-25T00:00:00","slug":"josh-groban","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/josh-groban\/","title":{"rendered":"Josh Groban"},"content":{"rendered":"<p>Time for the reviewer to wear his heart on his sleeve: I&#8217;ve had<br \/>\na pretty crappy couple of days in terms of my personal life. It&#8217;s<br \/>\nat times like these when I turn away from the high-energy,<br \/>\nhigh-decibel rock and roll that I love so much and find myself<br \/>\nlistening to music which, though beautiful, is enough for me to<br \/>\nkeep my depression going. Make no mistake, that&#8217;s where I want to<br \/>\nbe at that moment.<\/p>\n<p>It may be wrong to classify Josh Groban as a depressing<br \/>\nvocalist, and I don&#8217;t mean to slight him in any way. But I&#8217;ve found<br \/>\nmyself listening to his self-titled debut album non-stop in the<br \/>\nlast few days, and it truly is an amazing release. For a young man<br \/>\nall of 20 years old, Groban has a set of pipes on him which rival<br \/>\nthose of Andrea Bocelli, albeit with not as much seasoning. But<br \/>\nthis disc suggests that Groban is most definitely a name to<br \/>\nremember.<\/p>\n<p>Josh Groban is unique in a few ways. First, Groban is not afraid<br \/>\nto mix traditional classical vocals (performed in Italian) with<br \/>\nadult-contemporary songs sung in English. (Groban is a Los Angeles<br \/>\nnative, making his mastery of the foreign-language numbers<br \/>\nastounding.) Second, Groban performs songs which dare to pull at<br \/>\nboth the heart strings and the brain, creating songs which move the<br \/>\nlistener in many different ways. Only the hardest of hearts won&#8217;t<br \/>\nbe melted by songs like &#8220;You&#8217;re Still You,&#8221; &#8220;To Where You Are&#8221; and<br \/>\n&#8220;Home To Stay,&#8221; three of the tracks I&#8217;ve been listening to<br \/>\nincessantly.<\/p>\n<p>Third, Groban dares to take standards from other artists&#8217;<br \/>\ncatalogues and try to make them his own. Admittedly, this is where<br \/>\nGroban stumbles slightly. His rendition of &#8220;Vincent&#8221; is quite nice,<br \/>\neven if I wish he had sung the entire third verse instead of coming<br \/>\nin on the second part. Likewise, he does an admirable job on &#8220;The<br \/>\nPrayer,&#8221; a duet with Charlotte Church, but it fails to live up to<br \/>\nthe version by Bocelli and Celine Dion. Sorry, Josh, but while your<br \/>\neffort is nice, Bocelli is a tough act to follow &#8212; and while I&#8217;m<br \/>\nno fan of Dion, she is superior on this song to Church.<\/p>\n<p>In the end, though,<br \/>\n<i>Josh Groban<\/i> remains a very pleasant, even deep at times,<br \/>\nalbum that dares to bring contemporary classical into the homes of<br \/>\nmodern-day America. Whether it&#8217;s tackling pieces from Cirque du<br \/>\nSoleil (&#8220;Let Me Fall&#8221;) or being part of a masterful rendition of<br \/>\nBach&#8217;s &#8220;Jesu, Joy Of Man&#8217;s Desiring&#8221; featuring violinist Lili<br \/>\nHaydn, Groban creates a disc which is one step short of a<br \/>\nmasterpiece. Whether you like classical, opera, adult-contemporary<br \/>\nor rock, Josh Groban is the kind of disc that will bridge all gaps<br \/>\nbetween music fans and unite them under one umbrella.<\/p>\n","protected":false},"author":2,"featured_media":26614,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6975],"rating":[5613],"class_list":["post-37861","review","type-review","status-publish","has-post-thumbnail","artist-josh-groban","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37861"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37861\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26614"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37861"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37861"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}