{"id":37864,"date":"2004-02-26T00:00:00","date_gmt":"2004-02-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/coral-fang\/"},"modified":"2004-02-26T00:00:00","modified_gmt":"2004-02-26T00:00:00","slug":"coral-fang","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/coral-fang\/","title":{"rendered":"Coral Fang"},"content":{"rendered":"<p>What I would want for the Distillers is to show up on a tour<br \/>\nwith them as a supporting act. I think a blistering 30-45 minute<br \/>\nset would make the headliners play balls-out every night. The<br \/>\nDistillers have an air about them that makes you fear that you have<br \/>\nto follow their obnoxious vocalist\/guitarist Brody Dalle and whip<br \/>\nthe crowd into even more excitement in order for the crowd to<br \/>\nappreciate your hard work. It would not be an easy task, not to<br \/>\nmention all the controversey that surrounds the Distillers. The<br \/>\nnaked crucified female on the cover of<br \/>\n<i>Coral Fang<\/i>, the graphic artwork within the CD booklet, the<br \/>\nParental Advisory sticker . . . the screaming vocals of the band&#8217;s<br \/>\nfemale singer\/guitarist, the press kit that stated the band hates<br \/>\neach other . . . wasn&#8217;t this band called &#8220;Hole&#8221; in the 90s?<\/p>\n<p>The comparison may be natural, but I can&#8217;t say it&#8217;s really fair,<br \/>\nnor is it one upon I will base this review. Instead, it&#8217;s important<br \/>\nto realize that guitarist\/vocalist Brody Dalle is the forefront of<br \/>\nthis band. This 11-track release focuses on the type of no-frills<br \/>\nalternative rock\/punk that was prevalent when simpler times allowed<br \/>\nbands to focus on a riff and hammer the crap out of it until a song<br \/>\nwas formed. No guitar solos or individual showcase spots for the<br \/>\nband members to shine or step up and make a single musician the<br \/>\nfocus of the band. This works to the band&#8217;s advantage because it<br \/>\nmakes Dalle&#8217;s aggressive vocal delivery the forefront of the band&#8217;s<br \/>\nattack.<\/p>\n<p>The uptempo songs, when Dalle is not wallowing in despair, but<br \/>\nusing her angst to propel the band work best. &#8220;The Hunger&#8221; and<br \/>\n&#8220;Hall of Mirrors&#8221; stand out as being the band&#8217;s focal points. The<br \/>\nmelody is not overly complex and would translate to a live setting<br \/>\neasily.<\/p>\n<p>The Distillers strike me as the type of band that would thrive<br \/>\non playing 5 out of 7 nights on a tour across the states, playing<br \/>\nto sweaty, drunkards, who just want to dance or bob their heads to<br \/>\nthe beat. The lyrics and music are especially memorable. After<br \/>\nlistening to this release six times, I still can&#8217;t recite the<br \/>\nlyrics without having the CD booklet in front of me, yet with each<br \/>\nlisten, I catch more and more of the intricacy of this band.<\/p>\n<p>Perhaps the most over-stated track about the band&#8217;s music is the<br \/>\n12 minute plus opus and final track &#8220;Death Sex.&#8221; The song starts<br \/>\nout as an aggressive punk track before collapsing into distortion<br \/>\nand screams from Dalle. It sounds like the song was recorded live,<br \/>\nwith all the distortion and miscellaneous drum hits before the band<br \/>\nreturns to the fast beat and then closes the song out to waves of<br \/>\ndistortion and cymbals and drums.<\/p>\n","protected":false},"author":10,"featured_media":26617,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6976],"rating":[5615],"class_list":["post-37864","review","type-review","status-publish","has-post-thumbnail","artist-the-distillers","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37864"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37864\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26617"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37864"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37864"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}