{"id":37877,"date":"2004-03-09T00:00:00","date_gmt":"2004-03-09T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/breaking-the-chains-2\/"},"modified":"2004-03-09T00:00:00","modified_gmt":"2004-03-09T00:00:00","slug":"breaking-the-chains-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/breaking-the-chains-2\/","title":{"rendered":"Breaking The Chains"},"content":{"rendered":"<p>There are things in our past which we try desperately to put<br \/>\nbehind us. That&#8217;s why it&#8217;s not uncommon to see such things as high<br \/>\nschool yearbooks, old photos and outdated clothes buried deep<br \/>\nwithin our garages &#8212; only to be discovered at an inopportune<br \/>\nmoment by some member of our family. (Fortunately, our garage is<br \/>\nenough of a deathtrap that my 7-year-old daughter doesn&#8217;t dare go<br \/>\nspelunking.)<\/p>\n<p>Also belonging to this pile of hopefully-repressed memories is a<br \/>\nlot of the hair metal that we used to listen to when we were<br \/>\nyounger. Now, I happen to like Dokken, though I admit that they had<br \/>\nto grow on me when I was in my teens. I&#8217;ve seen their live show,<br \/>\nand they have truly impressed me.<\/p>\n<p>But when I go back and listen to an album like<br \/>\n<i>Breaking The Chains<\/i>, Dokken&#8217;s debut effort from 1983, I have<br \/>\nto wonder just what people saw in them at all. Horribly lacking in<br \/>\nany musical muscle and delivered with half-hearted vocals, this<br \/>\ndisc has been forgotten in time &#8212; and rightfully so.<\/p>\n<p>Granted, the title track is worth the effort, even if Don<br \/>\nDokken&#8217;s vocals seem like they could have been amped up a bit more<br \/>\nand delivered with some fire. But once you get past that<br \/>\nthree-minute blast, there really isn&#8217;t much more worth celebrating<br \/>\non this disc.<\/p>\n<p>Tracks such as &#8220;In The Middle,&#8221; &#8220;Felony,&#8221; &#8220;Seven Thunders&#8221; and<br \/>\n&#8220;Nightrider&#8221; all fail to demonstrate why Dokken was deserving of a<br \/>\nchance in the world of heavy metal (though to be fair, Dokken could<br \/>\nwell have been one of those bands who were mis-labeled as metal<br \/>\nwhen they really were more rock). It often sounds like the band was<br \/>\nstill coming together as a group, with some beats coming in<br \/>\nslightly off-tempo on occasion. And while George Lynch is regarded<br \/>\nby some as a guitar hero, he doesn&#8217;t offer the kind of pyrotechnics<br \/>\non the six-stringer that you would expect. Even the opening moments<br \/>\nof &#8220;Paris Is Burning,&#8221; which is supposed to be a showcase for<br \/>\nLynch, fails to spark any real interest.<\/p>\n<p>So what went wrong with<br \/>\n<i>Breaking The Chains<\/i>? In the end, it was a series of small<br \/>\nproblems which, when added up, turned into a big mess. Dokken would<br \/>\neventually find their musical voice and niche, and the overall<br \/>\ngroove would tighten up to the point of implosion (which,<br \/>\nregrettably, Dokken has a history of). While they would go on to<br \/>\nmake some solid music,<br \/>\n<i>Breaking The Chains<\/i> is undoubtedly the weakest link in their<br \/>\ndiscography.<\/p>\n","protected":false},"author":2,"featured_media":26630,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6328],"rating":[5616],"class_list":["post-37877","review","type-review","status-publish","has-post-thumbnail","artist-dokken","rating-rating-d"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37877","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37877"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37877\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26630"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37877"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37877"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37877"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}