{"id":37886,"date":"2004-03-17T00:00:00","date_gmt":"2004-03-17T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fever-to-tell\/"},"modified":"2004-03-17T00:00:00","modified_gmt":"2004-03-17T00:00:00","slug":"fever-to-tell","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fever-to-tell\/","title":{"rendered":"Fever To Tell"},"content":{"rendered":"<p>At first listen,<br \/>\n<i>Fever To Tell<\/i> is no better or worse than any other<br \/>\nbetter-than-average garage band in today&#8217;s music scene. It&#8217;s<br \/>\ncatchy, a bit punk, a bit new wave and a whole lot of pissed-off<br \/>\naggression in its 40 minutes. Much has been said about lead singer<br \/>\nKaren O, and while her voice is distinctive, it doesn&#8217;t have the<br \/>\nimmediate &#8220;knock you on your ass&#8221; punch of more accomplished<br \/>\nvocalists, such as Bjork or PJ Harvey.<\/p>\n<p>The band is a trio from New York, and the press has poured some<br \/>\nheavy praise on them. However, this has happened about once every<br \/>\nthree weeks for the past two years. And for every decent band like<br \/>\nthe White Stripes, we have other bands like The Vines and still<br \/>\nother bands like The Hives, who are in danger of fading into the<br \/>\ndiscount bins as fast as they came onto the music scene.<\/p>\n<p>Still, none of these bands have Karen O at the helm. She can lay<br \/>\non the playful menacing act in &#8220;Rich&#8221; and turn around and deliver a<br \/>\nheartbreaker in the track &#8220;Modern Romance.&#8221; Nick Zinner does an<br \/>\namazing job balancing between new wave and punk, as does drummer<br \/>\nBrian Chase. The more you listen to<br \/>\n<i>Fever To Tell<\/i>, the more you realize that the Yeah Yeah Yeahs<br \/>\nmay be around after bands like The Vines whither.<\/p>\n<p>Even though<br \/>\n<i>Fever To Tell<\/i> has its moments of artiness, it was one of the<br \/>\nbest primal rage albums of 2003. Karen O&#8217;s hyperventilation<br \/>\ndelivery of &#8220;Tick&#8221; is hot enough to fog up the horned rimmed<br \/>\nglasses of any sexually frustrated indie geek or gal. And with<br \/>\n&#8220;Black Tongue&#8221; Karen O lays down 2003&#8217;s most epically-fun dis: &#8220;Boy<br \/>\nyou&#8217;re just a stupid bitch and girl, you&#8217;re just a no-good<br \/>\ndick!&#8221;<\/p>\n<p>Other songs don&#8217;t fare as well. The incestual overtones of &#8220;Cold<br \/>\nNight&#8221; seem to be shock for the sake of shock and &#8220;Y Control&#8221;&#8216;s<br \/>\ntitle is the most creative part of the song. But the band gets<br \/>\n<i>Fever To Tell<\/i> back on the right track with its double-whammy<br \/>\ncloser and hidden track.<\/p>\n<p>The most popular song, &#8220;Maps&#8221; is a morose tune that&#8217;s an odd<br \/>\nselection from a band known for their limitless energy. However, it<br \/>\nworks, especially with Karen O&#8217;s sad delivery of a line like &#8220;they<br \/>\ndon&#8217;t love you like I love you.&#8221; In the same vein, &#8220;No No No&#8221; shows<br \/>\nthat a band doesn&#8217;t have to have its amps cranked to 11 to floor<br \/>\nyou.<\/p>\n<p>\n<i>Fever To Tell<\/i> is the Yeah Yeah Yeahs getting on a roll. It<br \/>\nmay not be their &#8220;defining&#8221; album, but it definitely has its<br \/>\nmoments of greatness. The band is much more than Karen O&#8217;s<br \/>\npresence, but on a song like &#8220;Man,&#8221; she&#8217;s the voice and image that<br \/>\nwill linger in listeners ears.<\/p>\n","protected":false},"author":7,"featured_media":26638,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6990],"rating":[5613],"class_list":["post-37886","review","type-review","status-publish","has-post-thumbnail","artist-yeah-yeah-yeahs","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37886"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37886\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26638"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37886"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37886"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}