{"id":37891,"date":"2004-03-22T00:00:00","date_gmt":"2004-03-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/classics-live\/"},"modified":"2004-03-22T00:00:00","modified_gmt":"2004-03-22T00:00:00","slug":"classics-live","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/classics-live\/","title":{"rendered":"Classics Live!"},"content":{"rendered":"<p>Trying to review a live album of Aerosmith&#8217;s such as<br \/>\n<i>Classics Live!<\/i>, the 1986 release from their then-former<br \/>\nlabel, is a double-edged sword. On one side, Steven Tyler and<br \/>\ncompany have yet &#8212; in my mind, at least &#8212; to release a live album<br \/>\nwhich successfully captures the true power and magic of the band on<br \/>\nstage.<\/p>\n<p>And yet, this particular disc is one which has been maligned by<br \/>\npress and fans alike. Released almost as a &#8220;sour grapes&#8221; disc while<br \/>\nAerosmith was trying to rebuild their reputation and lives on<br \/>\nGeffen (and compiled with no input from the band), this particular<br \/>\nalbum is not the abysmal mess that some would like you to believe.<br \/>\nMake no mistake, it isn&#8217;t gold, but it also isn&#8217;t complete<br \/>\nshit.<\/p>\n<p>Courtesy of my friends at All Music Guide &#8212; unquestionably the<br \/>\nresource for rock music &#8212; we learn that the bulk of this album is<br \/>\ncomprised of songs taken from a 1984 gig, recorded during the time<br \/>\nwhen Joe Perry and Brad Whitford were no longer in the band. So, we<br \/>\nhave a band which was at the lowest point of their career, missing<br \/>\ntwo key members &#8212; and yet the music on this disc doesn&#8217;t sound<br \/>\nthat bad. Tracks like &#8220;Kings And Queens&#8221; &#8212; admittedly, not one of<br \/>\nmy favorites to begin with &#8212; and the two-fer of &#8220;Three Mile Smile<br \/>\n\/ Reefer Head Woman&#8221; just ooze power.<\/p>\n<p>If anything, it&#8217;s Tyler&#8217;s performance which is listless; more<br \/>\noften than not, Tyler sounds like he&#8217;s totally detached from the<br \/>\nmusic he had been performing for the better part of a decade. From<br \/>\nsounding out-of-tune on &#8220;Dream On&#8221; to delivering a version of<br \/>\n&#8220;Sweet Emotion&#8221; which sounded like he was half asleep, Tyler seems<br \/>\nto know that he was fronting a band on life support at this stage.<br \/>\nHis performance doesn&#8217;t do anything to help Aerosmith&#8217;s cause.<\/p>\n<p>In fairness, though, the band does sometimes try a little too<br \/>\nhard to drive things home. &#8220;Lord Of The Thighs&#8221; was a decent studio<br \/>\ntrack back in the days, but this live version sometimes feels like<br \/>\nit drags on for about three minutes too long. The extended jam<br \/>\nwhich closes the song (and the actual live material on the album)<br \/>\nis dull and listless.<\/p>\n<p>The inclusion of a rare studio track from 1973 &#8212; &#8220;Major<br \/>\nBarbara&#8221; &#8212; is supposed to be an added bonus for die-hard Aerosmith<br \/>\nfans, I guess, but that&#8217;s only true when the material is worth<br \/>\nwriting home about. There&#8217;s a reason some tracks never make it off<br \/>\nof the cutting-room floor, and &#8220;Major Barbara,&#8221; a half-baked slow<br \/>\nshuffle of a song, is one which should have stayed there.<\/p>\n<p>For all of the criticisms, though, the bulk of the material on<br \/>\n<i>Classics Live!<\/i> is marginally interesting, and despite what<br \/>\nmany have said about the disc, is still worth checking out &#8212; so<br \/>\nlong as you&#8217;re able to check your expectations at the door.<\/p>\n","protected":false},"author":2,"featured_media":26643,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5636],"rating":[5614],"class_list":["post-37891","review","type-review","status-publish","has-post-thumbnail","artist-aerosmith","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37891"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37891\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26643"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37891"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37891"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}