{"id":37895,"date":"2004-03-24T00:00:00","date_gmt":"2004-03-24T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/gems\/"},"modified":"2004-03-24T00:00:00","modified_gmt":"2004-03-24T00:00:00","slug":"gems","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/gems\/","title":{"rendered":"Gems"},"content":{"rendered":"<p>Ah, nothing spells a band&#8217;s comeback success like their old<br \/>\nlabel&#8217;s re-issuing of their material, does it? Just a year after<br \/>\nAerosmith cemented the fact they were back to stay with<br \/>\n<i>Permanent Vacation<\/i>, their then-former label decided to claim<br \/>\nanother stake of the pie with their release of<br \/>\n<i>Gems<\/i>.<\/p>\n<p>In a sense, you could think of this as the sequel to<br \/>\n<i>Aerosmith&#8217;s Greatest Hits<\/i>, but in truth, this disc is much<br \/>\nbetter than its predecessor. Yeah, all of the big hits were on the<br \/>\nfirst best-of collection, but they were remixed and manipulated<br \/>\ninto tracks which barely resembled their original brethren. At<br \/>\nleast<br \/>\n<i>Gems<\/i> leaves the originals alone, and throws in a previously<br \/>\nunreleased track to boot.<\/p>\n<p>This set does many things right. First, it doesn&#8217;t deny the<br \/>\nexistence of sub-par Aerosmith albums. It took some guts to include<br \/>\n&#8220;No Surprize&#8221; (off<br \/>\n<i>Night In The Ruts<\/i>) and &#8220;Jailbait&#8221; (off the abysmal<br \/>\n<i>Rock In A Hard Place<\/i>), but they turn out to be gambles which<br \/>\npay off. Far removed from the full albums, these tracks do sound a<br \/>\nbit better than one would normally give them credit for.<\/p>\n<p>Second, the inclusion of &#8220;Chip Away The Stone&#8221; is a welcome<br \/>\naddition to Aerosmith&#8217;s catalog. Granted, a live version was on<br \/>\n<i>Live Bootleg<\/i> back in 1978, but the studio version absolutely<br \/>\nsmokes with power and intensity. Why this one remained hidden for<br \/>\nso long is anyone&#8217;s guess, but it&#8217;s a great track.<\/p>\n<p>Third, attention is turned back to some Aerosmith tracks which<br \/>\nare just as worthy of people&#8217;s attention as the over-played radio<br \/>\nhits. I&#8217;ve been listening to some of these albums now for about two<br \/>\ndecades, and it&#8217;s still exciting to hear songs like &#8220;Rats In The<br \/>\nCellar,&#8221; &#8220;Lick And A Promise&#8221; and &#8220;Lord Of The Thighs.&#8221;<\/p>\n<p>Ironically, though, it&#8217;s the lack of any of the familiar hits<br \/>\nwhich turns out to be a minor weakness on<br \/>\n<i>Gems<\/i>. Yeah, I recognize that repackaging some or all of them<br \/>\nmight be seen as a desperate attempt to cash in, but maybe the<br \/>\nproducers could have included the original versions of &#8220;Sweet<br \/>\nEmotion&#8221; or &#8220;Same Old Song And Dance&#8221; instead of the edited<br \/>\nversions on<br \/>\n<i>Aerosmith&#8217;s Greatest Hits<\/i>. In reality,<br \/>\n<i>Gems<\/i> is caught in a catch-22 caused by no direct fault of<br \/>\nthe album.<\/p>\n<p>Somehow, this particular release has been forgotten over the<br \/>\npassage of time &#8212; that and the inundation of best-ofs from<br \/>\nAerosmith over the last few years. But<br \/>\n<i>Gems<\/i> is a disc which lives up to its name and is well worth<br \/>\nthe investment, especially for anyone who wants to discover more of<br \/>\nAerosmith than what they can hear played on rock radio.<\/p>\n","protected":false},"author":2,"featured_media":26646,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5636],"rating":[5617],"class_list":["post-37895","review","type-review","status-publish","has-post-thumbnail","artist-aerosmith","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37895"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37895\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26646"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37895"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37895"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}