{"id":37899,"date":"2004-03-26T00:00:00","date_gmt":"2004-03-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/get-a-grip\/"},"modified":"2004-03-26T00:00:00","modified_gmt":"2004-03-26T00:00:00","slug":"get-a-grip","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/get-a-grip\/","title":{"rendered":"Get A Grip"},"content":{"rendered":"<p>If the success that Aerosmith found with their album<br \/>\n<i>Pump<\/i> taught them anything, it was one dangerous lesson: the<br \/>\nballad can be a powerful, albeit overused, tool.<\/p>\n<p>When it came time for Steven Tyler and company to regroup for a<br \/>\nnew studio effort, 1993&#8217;s<br \/>\n<i>Get A Grip<\/i>, they took the lesson of the ballad to heart,<br \/>\nchalking up three hits in that vein. Too bad, since the bulk of<br \/>\nthis album is a major return to form for Aerosmith after following<br \/>\ndown a safer rock vein with<br \/>\n<i>Pump<\/i>.<\/p>\n<p>Fact is, Tyler and crew hadn&#8217;t rocked this hard since at least<br \/>\n<i>Done With Mirrors<\/i>, and possibly as long as 1976&#8217;s<br \/>\n<i>Rocks<\/i>. The crisp production (thanks to Bruce Fairbairn) and<br \/>\nraw bluesy rock easily qualifies as some of Aerosmith&#8217;s best, even<br \/>\ndaring to feature a Joe Perry lead vocal. In the end, the<br \/>\nover-reliance on ballads tends to weaken the album as a whole, but<br \/>\nit&#8217;s still an admirable effort.<\/p>\n<p>From the lead-off kick of &#8220;Eat The Rich&#8221; and its irreverent look<br \/>\nat high society, Aerosmith announce that they&#8217;re tired of playing<br \/>\nit safe and want more of an edge to their music. They get it in<br \/>\ndroves, and it is a welcome change following Pump&#8217;s almost bending<br \/>\nover backwards for rock radio. Tracks like &#8220;Fever,&#8221; &#8220;Gotta Love It&#8221;<br \/>\nand &#8220;Shut Up And Dance&#8221; demand that the listener take these songs<br \/>\non on their terms, and it turns out to be a remarkable journey.<br \/>\nTyler sounds more filled with life than I&#8217;ve heard in the longest<br \/>\ntime, and the rhythm section of guitarist Brad Whitford, bassist<br \/>\nTom Hamilton and drummer Joey Kramer have rarely sounded<br \/>\nbetter.<\/p>\n<p>Even Perry turns in a surprise as he delivers the vocal on &#8220;Walk<br \/>\nOn Down,&#8221; an absolutely amazing track which makes me wonder why<br \/>\nPerry hasn&#8217;t tried more of this. Granted, the development of the<br \/>\nverses is a little weak, but the overall result is nothing short of<br \/>\nmagical.<\/p>\n<p>So why would Aerosmith include a whopping three ballads on<br \/>\n<i>Get A Grip<\/i> &#8212; &#8220;Cryin&#8217;,&#8221; &#8220;Crazy&#8221; (which is almost the same<br \/>\nfriggin&#8217; song, for God&#8217;s sake) and &#8220;Amazing&#8221;? Well, maybe &#8212; just<br \/>\nmaybe &#8212; Aerosmith wasn&#8217;t ready to jettison all things comfortable.<br \/>\nAfter all, they were getting regular airplay again, and they were<br \/>\ngaining new fans with the ballads. Why they went over so well, I<br \/>\ndon&#8217;t think I&#8217;ll ever understand. So, maybe these three tracks &#8212;<br \/>\nnone of which are really strong efforts &#8212; is Aerosmith&#8217;s way of<br \/>\nkeeping their fingers on the pulses of their newly-gained<br \/>\nfanbase.<\/p>\n<p>\n<i>Get A Grip<\/i> is not really viewed in the same light as albums<br \/>\nlike<br \/>\n<i>Permanent Vacation<\/i> or<br \/>\n<i>Pump<\/i> &#8212; in a sense, this one has kind of been forgotten. Too<br \/>\nbad, &#8217;cause next to<br \/>\n<i>Done With Mirrors<\/i>, this disc is one of Aerosmith&#8217;s best<br \/>\nduring their stay on Geffen. Maybe it&#8217;s time to take another yank<br \/>\nat its udders and get people to rediscover how good this disc<br \/>\nreally was.<\/p>\n","protected":false},"author":2,"featured_media":26649,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5636],"rating":[5617],"class_list":["post-37899","review","type-review","status-publish","has-post-thumbnail","artist-aerosmith","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37899","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37899"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37899\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26649"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37899"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=37899"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37899"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37899"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}