{"id":37901,"date":"2004-03-26T00:00:00","date_gmt":"2004-03-26T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fractions-ep\/"},"modified":"2004-03-26T00:00:00","modified_gmt":"2004-03-26T00:00:00","slug":"fractions-ep","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fractions-ep\/","title":{"rendered":"Fractions EP"},"content":{"rendered":"<p>As a band that wears its influences on its sonic sleeve,<br \/>\nLA-based quartet Cerulean faces a fateful question: where exactly<br \/>\nis the borderline between homage &#8212; musical emulation &#8212; and<br \/>\nfromage &#8212; plain old cheese?<\/p>\n<p>The<br \/>\n<i>Fractions EP<\/i> &#8212; Cerulean&#8217;s latest production after two<br \/>\nprevious indie LPs &#8212; feature big-as-the-sky, echo-laden guitars<br \/>\nrepeating urgent figures over throbbing basslines and crashing<br \/>\ndrums, with dramatic vocals coming over the top. If you loved<br \/>\n<i>Boy<\/i> or<br \/>\n<i>The Unforgettable Fire<\/i>, you&#8217;ll recognize the sound from the<br \/>\nopening notes of kickoff track &#8220;Here Is Hoping.&#8221; Even the spacious<br \/>\nproduction is a dead ringer for mid-&#8217;80s U2.<\/p>\n<p>Alright, there is one X factor. Yes, guitarist Noel Kelly,<br \/>\nbassist Jamie Carroll and drummer Dave Cerwonka often sound like a<br \/>\nreally talented U2 tribute band, but lead voice Rick Bolander does<br \/>\nnot sound much like Bono. No, instead, he is a dead ringer vocally<br \/>\nfor Tears For Fears frontman Roland Orzabal. (It&#8217;s almost like<br \/>\nsomebody hit the wrong button on my local alt-rock station&#8217;s<br \/>\n&#8220;Eighties At Eight&#8221; show and played &#8220;Bad&#8221; and &#8220;Shout&#8221; at the same<br \/>\ntime\u2026.!)<\/p>\n<p>The aforementioned &#8220;Here Is Hoping&#8221; and this five-song EP&#8217;s<br \/>\ncloser &#8220;Flames And Semaphores&#8221; are the strongest tracks on this<br \/>\nbrief disc, with great energy and solid dynamics. The other three<br \/>\n(&#8220;Like Fading Stars,&#8221; &#8220;Stop Running,&#8221; &#8220;Waving In Circles&#8221;) didn&#8217;t<br \/>\nmake as much of an impression on me, despite occasional strong<br \/>\nmoments.<\/p>\n<p>In trying to diagnose the problem, I came to a couple of<br \/>\nconclusions. One is that, while the lyrics have a kind of free-form<br \/>\nsound-painting appeal, they don&#8217;t really connect. They just aren&#8217;t<br \/>\nvery specific or evocative, and therefore didn&#8217;t lead my<br \/>\nimagination anywhere in particular. That, in turn, tends to<br \/>\nundermine the effect of the music. U2&#8217;s big sound achieves a kind<br \/>\nof majesty because Bono&#8217;s lyrics are typically full of meaning and<br \/>\nresonance and urgency. Lacking that emotional core, Cerulean&#8217;s<br \/>\nvibrant, artfully played music can at times sound overcooked.<\/p>\n<p>That said, there is a lot to enjoy here &#8212; Cerulean is obviously<br \/>\na talented bunch, and they&#8217;ve nailed a familiar, dynamic sound that<br \/>\nI and many other rock fans enjoy a lot. I just think they&#8217;d be wise<br \/>\nto work on developing the same level of engagement and emotional<br \/>\nintensity in the lyrics that they&#8217;ve achieved in their music. Of<br \/>\ncourse, as always, your mileage may vary &#8212; if you just can&#8217;t get<br \/>\nenough &#8217;80s-style grab-you-by-the-lapels-and-shake Brit-rock,<br \/>\nCerulean may well sound like the second coming to you. You say<br \/>\ntomato and I say cheese souffl\u00e9&#8230; or something like<br \/>\nthat.<\/p>\n","protected":false},"author":12,"featured_media":26651,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[6995],"rating":[5612],"class_list":["post-37901","review","type-review","status-publish","has-post-thumbnail","artist-cerulean","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37901","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37901"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37901\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26651"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37901"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37901"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37901"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}