{"id":37911,"date":"2004-04-06T00:00:00","date_gmt":"2004-04-06T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-downward-spiral\/"},"modified":"2004-04-06T00:00:00","modified_gmt":"2004-04-06T00:00:00","slug":"the-downward-spiral","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-downward-spiral\/","title":{"rendered":"The Downward Spiral"},"content":{"rendered":"<p>\n<i>The Downward Spiral<\/i> was released shortly after Kurt Cobain<br \/>\nblew his brains out. As music magazines mark the tenth anniversary<br \/>\nof Kurt&#8217;s death, hopefully the anniversary of this album&#8217;s release<br \/>\nwon&#8217;t go unnoticed. While the album was basically geared to be<br \/>\nReznor&#8217;s breakout album, ten years later, it sounds like the most<br \/>\npolitically charged album for 2004.<\/p>\n<p>Think about it &#8211; in the age where radio giants like Clear<br \/>\nChannel are doing a far more effective job for censorship than the<br \/>\ngovernment ever could and the ridiculous blowup over Janet<br \/>\nJackson&#8217;s halftime antics, it&#8217;s hard to believe that<br \/>\n<i>The Downward Spiral<\/i> could even hit the airwaves in 2004. It<br \/>\nhas everything that is a hot button censorship issue: songs about<br \/>\nviolence, sado-masochism and drug use. It&#8217;s hard to believe that<br \/>\nwhen &#8220;Closer&#8221; was released as a single, the outcry was virtually<br \/>\nnon-existent, even with its memorable chorus: &#8220;I want to f**k you<br \/>\nlike an animal.&#8221; Sure C. Delores Tucker lumped Reznor in with Snoop<br \/>\nDogg, but most radio stations did not ban the tune. To add<br \/>\nrelevance to<br \/>\n<i>The Downward Spiral<\/i>, John McCain (who may be part of a<br \/>\nhistoric bipartisan presidential ticket) is a self-professed Nine<br \/>\nInch Nails fan.<\/p>\n<p>It was unfortunate that it took a Johnny Cash cover of &#8220;Hurt&#8221; to<br \/>\nmake people notice that for all the noise, Trent Reznor is an<br \/>\nincredibly solid songwriter.<br \/>\n<i>Pretty Hate Machine<\/i> and<br \/>\n<i>Broken<\/i> may have stuck with the same mood, but they became<br \/>\nstaples of the new industrial sound. However, much attention was<br \/>\nfocused on Reznor during the emerging alternative music scene, and<br \/>\nReznor knew he would have to incorporate more emotions than just<br \/>\nunadulterated rage.<br \/>\n<i>The Downward Spiral<\/i> had moments of beauty (the introduction<br \/>\nof the title track), vulnerability (&#8220;I Do Not Want This&#8221;) and even<br \/>\nhumor (the over the top &#8220;Big Man With a Gun&#8221;).<\/p>\n<p>In addition to some stronger songwriting, Reznor also includes<br \/>\nmuch more diversity on The Downward Spiral than either of his<br \/>\nprevious albums. The album was fans first exposure to David Bowie&#8217;s<br \/>\ninfluence on Reznor&#8217;s work. He would later take his Bowie fix to a<br \/>\nnew plane with his follow-up album, The Fragile.<\/p>\n<p>Some of the tunes failed to register with me in 1994 and don&#8217;t<br \/>\nregister today. &#8220;I Do Not Want This&#8221; sounds like a 30-year-old<br \/>\nthrowing a teenage-style temper tantrum and &#8220;Heresy&#8221; seems to<br \/>\ndeliberately try to raise the ire of the religious right, but comes<br \/>\noff as a loud whine. It wants to be a masterpiece. It would take<br \/>\nalmost five years and a looser approach to the music before Reznor<br \/>\nreleased an album that would justify that label of masterpiece.<br \/>\nStill, for all its imperfections,<br \/>\n<i>The Downward Spiral<\/i> is a bracing listen, and perhaps more<br \/>\nimportant now than it was in 1994.<\/p>\n","protected":false},"author":7,"featured_media":26659,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5836],"rating":[5617],"class_list":["post-37911","review","type-review","status-publish","has-post-thumbnail","artist-nine-inch-nails","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37911","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37911"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37911\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26659"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37911"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37911"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}