{"id":37945,"date":"2004-05-13T00:00:00","date_gmt":"2004-05-13T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/take-no-prisoners\/"},"modified":"2004-05-13T00:00:00","modified_gmt":"2004-05-13T00:00:00","slug":"take-no-prisoners","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/take-no-prisoners\/","title":{"rendered":"Take No Prisoners"},"content":{"rendered":"<p>By the time of their fourth album,<br \/>\n<i>Take No Prisoners<\/i>, Jacksonville, Florida-based Molly Hatchet<br \/>\nwas undergoing their trial by fire. They had experienced the<br \/>\ndeparture of vocalist Danny Joe Brown after<br \/>\n<i>Flirtin&#8217; With Disaster<\/i>, and new vocalist Jimmy Farrar seemed<br \/>\nto polarize Molly Hatchet&#8217;s fans. Add into this the fact that<br \/>\nSouthern rock was quickly fading in popularity (at least in terms<br \/>\nof being the next big flavor of the month), and you had a band who<br \/>\nneeded to re-position themselves on a course of success.<\/p>\n<p>This is where things are a little confusing, at least for me.<br \/>\n<i>Take No Prisoners<\/i> is a definite improvement over their<br \/>\nprevious disc<br \/>\n<i>Beatin&#8217; The Odds<\/i>, and when Molly Hatchet succeeds, they do<br \/>\nso with flying colors. But their missteps are spectacular failures,<br \/>\nleaving this disc (which is currently out of print) a decidedly<br \/>\nmixed bag.<\/p>\n<p>First things first, though. Farrar has definitely shown that he<br \/>\nwas able to grow in his role in the band, as his vocals show marked<br \/>\nimprovement over<br \/>\n<i>Beatin&#8217; The Odds<\/i>. (Too bad this disc would be his swan song<br \/>\nwith the band.) Listen to tracks like &#8220;Lady Luck,&#8221; &#8220;Power Play&#8221; or<br \/>\neven the all-out rocker &#8220;Bloody Reunion&#8221; which opens this disc, and<br \/>\nyou&#8217;ll know that Farrar feels more at home with this material.<\/p>\n<p>In fact, the material on<br \/>\n<i>Take No Prisoners<\/i> which stands out is truly amazing &#8212;<br \/>\nmaking one wonder why this disc is not available at this particular<br \/>\ntime. Check out songs like &#8220;Dead Giveaway&#8221; or &#8220;Loss Of Control&#8221; and<br \/>\nyou&#8217;ll quickly come to realize that Molly Hatchet was most<br \/>\ndefinitely back on track.<\/p>\n<p>Yet despite all of the advances in the music, there are two<br \/>\ninstances of weakness &#8212; and oh, how weak they are. &#8220;Respect Me In<br \/>\nThe Morning&#8221; starts out promising, but quickly dissolves into a<br \/>\nhe-said-she-said mush of pop tripe, not even worthy of your time.<br \/>\nLikewise, I don&#8217;t know who thought it would be a good idea to start<br \/>\nout &#8220;Long Tall Sally&#8221; as a slow-tempoed plodder, but all interest<br \/>\nis lost by the time the band finally kicks this song into<br \/>\nhigh-gear. In retrospect, this was probably not the best cover<br \/>\nchoice for the band &#8212; in fact, four albums into their career, why<br \/>\ndid they even need to resort to cover versions of songs?<\/p>\n<p>Yes, these two weak songs threaten to derail the whole album,<br \/>\nbut the fact is that<br \/>\n<i>Take No Prisoners<\/i> is a more solid effort than these two<br \/>\nmisfires. If anything, this disc not only cements Molly Hatchet&#8217;s<br \/>\nreputation as a solid rock outfit, but it also should have removed<br \/>\nany misgivings about Farrar&#8217;s position in the band. Regrettably,<br \/>\nthe latter would not prove to be true, as Farrar left following<br \/>\nthis disc &#8212; leaving the door open to Brown&#8217;s return.<\/p>\n","protected":false},"author":2,"featured_media":26690,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5906],"rating":[5612],"class_list":["post-37945","review","type-review","status-publish","has-post-thumbnail","artist-molly-hatchet","rating-rating-b-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37945"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37945\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26690"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37945"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37945"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}