{"id":37959,"date":"2004-05-25T00:00:00","date_gmt":"2004-05-25T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mondo-deluxe\/"},"modified":"2004-05-25T00:00:00","modified_gmt":"2004-05-25T00:00:00","slug":"mondo-deluxe","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/mondo-deluxe\/","title":{"rendered":"Mondo Deluxe"},"content":{"rendered":"<p>Public response to<br \/>\n<i>Right About Now<\/i> obviously swayed the folks at Burning Heart<br \/>\nRecords enough to elevate the Peepshows off the company&#8217;s<br \/>\nsubsidiary label with the release of the band&#8217;s first full length<br \/>\neffort,<br \/>\n<i>Mondo Deluxe<\/i>.<\/p>\n<p>Building off the Peepshows&#8217; punk past,<br \/>\n<i>Mondo Deluxe<\/i> interestingly takes the same path into punk n&#8217;<br \/>\nroll that Turbonegro&#8217;s<br \/>\n<i><br \/>\n<a href=\"2003_04_04-ch.html\">Apocalypse Dudes<\/a><br \/>\n<\/i> did just a little over the year before. I bring this up as I<br \/>\nobviously made reference to the fact that there were striking<br \/>\nsimilarities between the two bands&#8217; works in my other review. This<br \/>\nbears significance as the rest of the world would soon be dishing<br \/>\nheaping amounts of praise on Turbonegro for being the forerunners<br \/>\nof not only the late 90&#8217;s rock scene from Scandinavia but for being<br \/>\none of the best underground rock bands to ever crawl into the<br \/>\nmainstream&#8217;s eye.<\/p>\n<p>Additionally, Turbonegro&#8217;s bassist, Happy Tom, was obviously<br \/>\ncool with the Peepshows&#8217; homage to his band&#8217;s sound. He wrote a<br \/>\ntestimonial in the CD jacket that praises the members of the<br \/>\nPeepshows for having the &#8220;flair to punch the clock in the factory<br \/>\nof discontent&#8221; alluding to the fact that<br \/>\n<i>Mondo Deluxe<\/i> was a worthy effort in his estimation.<\/p>\n<p>Well, by definition, punk n&#8217; roll is a neutered version of punk<br \/>\nrock and<br \/>\n<i>Mondo Deluxe<\/i> is, indeed, a neutered version of<br \/>\n<i>Right About Now<\/i>. That&#8217;s not to say this is a bad thing; the<br \/>\nriffing and percussion work are still creative and powerful but the<br \/>\nvocals come across in a sleepier fashion. The tinges of anger<br \/>\npreviously delivered in Adde Wolfbrandt&#8217;s vocals are now centered<br \/>\naround a focus on creating songs that are more melodic. The guitar<br \/>\nsolos on this album are also more defined than the band&#8217;s past<br \/>\neffort which serve to loosen the noose on the album&#8217;s accessibility<br \/>\nto the listening public.<\/p>\n<p>It&#8217;s the vocals, my friends, which kick<br \/>\n<i>Mondo Deluxe<\/i> back into the depths of mediocrity. Truthfully,<br \/>\nI find myself more interested in what the guitars and percussion<br \/>\ndeliver than 90% of the vocals. &#8220;Thy Will (Not Mine) is an example<br \/>\nof a song that becomes a lot more interesting to these ears for the<br \/>\nminute that the song dives into its instrumental jam. Similar<br \/>\nclaims can be found littered throughout the album, occurrences that<br \/>\ndo more good than harm.<\/p>\n<p>&#8220;Goodnight&#8221; is the one song that stands out with the inclusion<br \/>\nof Wolfbrandt&#8217;s vocals as it turns the song into a frantic affair.<br \/>\nIt is also a track that I&#8217;m sure was penned to become the band&#8217;s<br \/>\nshow closer as the chorus pummels the &#8220;Now it&#8217;s time for us to say<br \/>\ngoodbye&#8221; chant in fist clenching fashion. Good stuff as I normally<br \/>\ncouldn&#8217;t imagine getting all stoked for a show only to anticipate<br \/>\nthe closing track with such interest.<\/p>\n<p>In closing, the Peepshows evolve in many ways with the<br \/>\n<i>Mondo Deluxe<\/i> release. Most significant is the advancement in<br \/>\nmusicianship. But, I&#8217;ll say that the overall vibe isn&#8217;t quite as<br \/>\nexciting as it was when I was spinning<br \/>\n<i>Right About Now<\/i>.<\/p>\n","protected":false},"author":27,"featured_media":26702,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7021],"rating":[5615],"class_list":["post-37959","review","type-review","status-publish","has-post-thumbnail","artist-the-peepshows","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/27"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37959"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37959\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26702"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37959"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37959"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}