{"id":37972,"date":"2004-06-08T00:00:00","date_gmt":"2004-06-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/moon-safari\/"},"modified":"2004-06-08T00:00:00","modified_gmt":"2004-06-08T00:00:00","slug":"moon-safari","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/moon-safari\/","title":{"rendered":"Moon Safari"},"content":{"rendered":"<p>It&#8217;s been a hard few years for France\/U.S. relations. Even at<br \/>\nthe height of the absurd backlash against the French, I couldn&#8217;t,<br \/>\nwouldn&#8217;t boycott products from our smug, elitist big brother<br \/>\noverseas. In general, they do have the finest wine in the world,<br \/>\nthey have some of the best cooking techniques under their belts and<br \/>\n&#8211; heyah &#8211;<br \/>\n<i>Moon Safari<\/i>.<\/p>\n<p>For those unfamiliar with Air, the French duo has been an<br \/>\ninspiration to director Sofia Coppola, who used Air&#8217;s music to<br \/>\npropel both<br \/>\n<i>The Virgin Suicides<\/i> and<br \/>\n<i>Lost in Translation<\/i>. Released in 1998,<br \/>\n<i>Moon Safari<\/i> is a perplexing listen. It&#8217;s definitely retro,<br \/>\nborrowing heavily from the dance hall\/disco sounds of the late<br \/>\n&#8217;70s. There are parts of the album that would seem perfect<br \/>\nblanketing the dance floor at your coolest dance club. Other parts<br \/>\nof the album conjure images of elbowing up to the bar at a posh<br \/>\nhotel at around 2:30 in the morning and nursing a vodka tonic or<br \/>\nspending five uninterrupted hours sprawled out on a leather couch<br \/>\nat a non-gentrified coffee house, lost in a set of headphones.<\/p>\n<p>That contrast is especially evident in the first four tracks.<br \/>\nThe first track, &#8220;Femme d&#8217;Argent&#8221; takes its time to unfold. The<br \/>\ngroove is stretched over a beautiful, ambient moan. Then, the album<br \/>\ntakes a silly 180-degree turn with &#8220;Sexy Boy&#8221;; a<br \/>\nplatform-boot-sized tongue-in-cheek club number that inexplicably<br \/>\nturned into a minor hit and likely cast Air as club music in many<br \/>\nunsuspecting listeners&#8217; ears. However, one track later and you get<br \/>\na devastating &#8220;All I Need,&#8221; with Beth Hirsh&#8217;s fragile voice<br \/>\ncommanding your full attention to the point that you forget the<br \/>\nlyrics. But just when you think you&#8217;re ready to settle into a posh<br \/>\ncouch and snuggle up with some herbal tea, you get &#8220;Kelly Watch The<br \/>\nStars&#8221; in the next track, with its groove so bouncy, it sends you<br \/>\nback on your feet. If bipolar had a soundtrack in the late-90s,<br \/>\nthis album would definitely fit the bill.<\/p>\n<p>The album does find its groove toward the end, opting for more<br \/>\nchill-out than club-hopping. The last half of the album definitely<br \/>\nloses some steam, especially during &#8220;Talisman,&#8221; a song that despite<br \/>\ndozens of listens, still sounds like it be playing during a &#8216;boss&#8217;<br \/>\nstage in a video game. Still, Beth Hirsh returns to set<br \/>\n<i>Moon Safari<\/i> back on track with the chilling &#8220;You Make it<br \/>\nEasy&#8221; and &#8220;Voyage de Penelope&#8221; finishes off<br \/>\n<i>Moon Safari<\/i> nicely.<\/p>\n<p>\n<i>Moon Safari<\/i> ranks with the Chemical Brother&#8217;s<br \/>\n<i>Dig Your Own Hole<\/i>, Massive Attack&#8217;s<br \/>\n<i>Mezzanine<\/i>, Portishead&#8217;s<br \/>\n<i>Dummy<\/i> and Tricky&#8217;s<br \/>\n<i>Maxinquaye<\/i> as definitive purchases for techno\/electronica in<br \/>\nthe &#8217;90s. The album&#8217;s only major flaw is that its first four songs<br \/>\nare so jaw-droppingly amazing that it inevitably loses momentum.<br \/>\nStill, there are far worse sins an album can commit. A<br \/>\nnear-masterpiece.<\/p>\n","protected":false},"author":7,"featured_media":26715,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7029],"rating":[5613],"class_list":["post-37972","review","type-review","status-publish","has-post-thumbnail","artist-air","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37972"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37972\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26715"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37972"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37972"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}