{"id":37980,"date":"2004-06-16T00:00:00","date_gmt":"2004-06-16T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fair-warning\/"},"modified":"2004-06-16T00:00:00","modified_gmt":"2004-06-16T00:00:00","slug":"fair-warning","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/fair-warning\/","title":{"rendered":"Fair Warning"},"content":{"rendered":"<p>\n<i>Fair Warning<\/i>, the fourth release from Van Halen, comes as a<br \/>\nbit of a relief to my ears as it shows a greater degree of the<br \/>\naggressive, muscular sound I felt was lacking in<br \/>\n<i>Van Halen II<\/i> and<br \/>\n<i>Women And Children First<\/i>. After the hard rocking masterpiece<br \/>\nthat is their debut album, the two follow-ups left me wanting more.<br \/>\nFollowing disappointing slop like &#8220;Dance The Night Away&#8221;<br \/>\nand&#8221;Beautiful Girls,&#8221; this album is a refreshing relief. Why?<br \/>\nBecause they put first things first, as they should be. Eddie&#8217;s<br \/>\nguitar is in the forefront almost every second of this album, right<br \/>\nwhere it belongs. The core of what made VH the success it was is<br \/>\npurely and simply the virtuoso playing of Eddie Van Halen, and this<br \/>\nalbum is a tribute to that talent.<\/p>\n<p>On the subject of the Brothers Van Halen, I want to give props<br \/>\nhere to Eddie&#8217;s big brother Alex, whom I consider an unsung hero<br \/>\namong drummers. He may not be the most technical player, but he is<br \/>\nrock-solid, consistent, and powerful. I like to compare him to John<br \/>\nBonham (Led Zeppelin). Bonzo was never an artiste per se, but he<br \/>\nhad incredible power and was a critical part of the sound of the<br \/>\nZep. Like Bonzo, Alex is top-drawer and will always rank among my<br \/>\nfavorites, and he kicks ass on this album. We now we return to the<br \/>\nalbum review already in progress\u2026<\/p>\n<p>The band seems to have lost a bit of the light-heartedness that<br \/>\nwas present on the first three albums, which may have been the<br \/>\nresult of tension that was growing between frontman David Lee Roth<br \/>\nand Eddie Van Halen. Eddie wanted to branch out musically, and DLR<br \/>\nwas trying to keep the band on the poster-children-for-partying<br \/>\ntrack. In the long run, it seems Eddie won this round, as<br \/>\ndemonstrated the complete lack of cover songs. DLR was a big fan of<br \/>\nthe covers, and was responsible in large part for their inclusion<br \/>\non many VH albums (or so the legend tells). Eddie, on the other<br \/>\nhand, reportedly hated the covers, and agreed to record them partly<br \/>\nto keep the peace, and probably for the commercial potential as<br \/>\nwell. Not a bad idea really; after all, it was their cover of The<br \/>\nKinks&#8217; &#8220;You Really Got Me&#8221; that launched their career in the first<br \/>\nplace. Still, I have always felt that the cover songs were the<br \/>\nleast effective of any of their work. With a few exceptions, the<br \/>\ncover songs tend to leave me flat. So, I was happy to find them<br \/>\nmissing here.<\/p>\n<p>\n<i>Fair Warning<\/i> spawned two absolutely stellar hard rockers,<br \/>\n&#8220;Mean Streets&#8221; and &#8220;Unchained.&#8221; First, the album opener &#8220;Mean<br \/>\nStreets&#8221; showcases what VH always was, and always should be about,<br \/>\nthe badass guitar playing that put them on the map. The song begins<br \/>\nwith a blistering guitar intro, and Eddie lays down a nasty, funky<br \/>\ngroove that sets the standard for the rest of the album. This song<br \/>\nis classic VH and ranks among my favorites. DLR is in his element<br \/>\nas well, as this is the perfect vehicle for his particular style.<br \/>\nRoth never had a great voice, but more than made up for it with<br \/>\ngreat timing, attitude and knowing how to stay within his limited<br \/>\nrange. This song in particular shows Diamond Dave at his best.<\/p>\n<p>&#8220;Unchained&#8221; is another example of a timeless VH tune. A driving<br \/>\nrhythm, another original groove by Eddie, and lyrics that are<br \/>\ncompletely irrelevant. Everything I love in a VH track. DLR goes<br \/>\ninto one of his now classic smarmy voice-overs (&#8220;Hey man! That suit<br \/>\nis you! You&#8217;ll get some leg tonight for sure!&#8221;) that has since<br \/>\nbecome synonymous with the VH legacy. This is a great song, and has<br \/>\nbecome a staple of classic rocks stations, for good reason.<\/p>\n<p>The disc drags a bit when you hit the meandering &#8220;Push Comes to<br \/>\nShove,&#8221; but the boys get right back in the groove and hit it out of<br \/>\nthe park with the next track &#8220;So This Is Love,&#8221; a timeless<br \/>\nfull-tilt boogie. Why they bothered with the lackluster<br \/>\ninstrumental &#8220;Sunday Afternoon In The Park&#8221; is beyond me. It<br \/>\ndoesn&#8217;t even make a good intro for the closer &#8220;One Foot Out The<br \/>\nDoor,&#8221; which closes the album the way it opens, as it should, with<br \/>\nEddie shredding off into the sunset as only he can The other high<br \/>\npoints on this disc, &#8220;Sinners&#8217; Swing&#8221; and &#8220;Dirty Movies,&#8221; are<br \/>\ntextbook VH tunes, hard rockers that are derivative of the VH<br \/>\nstandard template. The album in its entirety is guitar oriented,<br \/>\nhard rocking and showcases all four members at their peak. Probably<br \/>\nthe heaviest of any VH album, and one that bears revisiting. No VH<br \/>\nalbum will ever match their debut in my opinion, but<br \/>\n<i>Fair Warning<\/i> comes close to that level of power and<br \/>\nenergy.<\/p>\n","protected":false},"author":42,"featured_media":26722,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5673],"rating":[5613],"class_list":["post-37980","review","type-review","status-publish","has-post-thumbnail","artist-van-halen","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37980"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37980\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26722"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37980"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37980"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}