{"id":37991,"date":"2004-06-22T00:00:00","date_gmt":"2004-06-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-ghost-is-born\/"},"modified":"2004-06-22T00:00:00","modified_gmt":"2004-06-22T00:00:00","slug":"a-ghost-is-born","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/a-ghost-is-born\/","title":{"rendered":"A Ghost Is Born"},"content":{"rendered":"<p>One of the biggest challenges any artist faces is following up<br \/>\nsuccess. Your audience might have been wowed last time, but what<br \/>\nhave you done to impress us lately?<\/p>\n<p>Wilco&#8217;s 2002 disc<br \/>\n<i>Yankee Hotel Foxtrot<\/i> was one of the great albums of the<br \/>\nyoung century, an album of experimentalist alt-country that&#8217;s<br \/>\nbizarre enough to puzzle, grounded enough to move, and clever<br \/>\nenough to delight an audience prepared to accept its quirks. Its<br \/>\nrescue from the major-label dungeon and issuance as an acclaimed<br \/>\nindependent album is one of the great music industry<br \/>\nDavid-and-Goliath stories of recent years.<\/p>\n<p>\n<i>A Ghost Is Born<\/i> is a sequel of sorts, another album of odd<br \/>\nand beautiful Jeff Tweedy compositions that materialize out of the<br \/>\nsonic fog like apparitions to dance in our imaginations and then<br \/>\ndisappear again. The ruling aesthetic is simple; the rules don&#8217;t<br \/>\nexist for Wilco anymore. If a song sounds right played a little<br \/>\nsloppy &#8212; as many of these do &#8212; leave it. If the mood strikes and<br \/>\nthe band feels like tacking a 12-minute droning ambient-feedback<br \/>\nsection onto an otherwise fairly inconsequential three-minute song<br \/>\n(e.g. the ironically-titled &#8220;Less Than You Think&#8221;), go for it. For<br \/>\nbetter or for worse &#8212; and there will inevitably be partisans on<br \/>\nboth sides of that one &#8212; convention is a straightjacket this band<br \/>\nhas left behind<\/p>\n<p>My vote is for &#8220;better.&#8221; Otherwise how could we ever be treated<br \/>\nto endless dreamscapes like the shambling, magnificent &#8220;Spiders<br \/>\n(Kidsmoke),&#8221; the only song I have ever heard that could best be<br \/>\ndescribed as psychedelic progressive Americana. Almost eleven<br \/>\nminutes long, it goes through multiple transformations that include<br \/>\ntrance-y electronica, rumbly\/noodly country-rock chording,<br \/>\nhallucinogenic lyrics (&#8220;Spiders are singing in the salty breeze \/<br \/>\nSpiders are filling out tax returns \/ Spinning out webs of<br \/>\ndeductions and melodies \/ On a private beach in Michigan&#8221;), a<br \/>\ndriving rock and roll chorus that has no words until the very last<br \/>\nrepeat, and a pair of psychotic-break guitar solos that would raise<br \/>\nJimi Hendrix&#8217;s eyebrows. To be honest, I&#8217;m not quite sure how this<br \/>\nwill hold up after 20 listenings, but after four, it sounds pretty<br \/>\ndamned awesome.<\/p>\n<p>Truth be told, Wilco can be a bit frightening to listen to.<br \/>\nThere&#8217;s an aura of lunatic genius about Tweedy, the sense that<br \/>\nyou&#8217;re in the presence of the kind of unhinged musical savant who<br \/>\nis half brilliant and half alarming. There are moments of quiet,<br \/>\nincomparable beauty in tracks like the pastoral ballad &#8220;Muzzle Of<br \/>\nBees,&#8221; the wonderfully textured &#8220;Company In My Back,&#8221; and the sad,<br \/>\nsteady-building, ultimately cathartic opener &#8220;At Least That&#8217;s What<br \/>\nYou Said.&#8221; And then there are moments of swirling, atonal guitar<br \/>\nfeedback that made me grin and cringe and talk to my speakers like<br \/>\na drunk at a bad movie, saying: &#8220;Dude, get a grip!&#8221;<\/p>\n<p>&#8220;Handshake Drugs,&#8221; despite containing one of the aforementioned<br \/>\nfeedback-laden &#8220;solos,&#8221; is one of this album&#8217;s finer constructions,<br \/>\na gently rollicking tune whose sweet sing-song melody line carries<br \/>\na faint echo of<br \/>\n<i>YHF<\/i>&#8216;s charming &#8220;Heavy Metal Drummer.&#8221; An intriguing choice<br \/>\nfor a song that appears to be about Tweedy&#8217;s well-publicized pill<br \/>\naddiction\u2026 three minutes of pretty followed by a two-minute<br \/>\nnervous breakdown.<\/p>\n<p>A word about the writing. Many of these tracks are once again<br \/>\nsomewhat abstract poems that defy deciphering (&#8220;Hide your soft<br \/>\nskin; your sorrow is sunshine; listen to my eyes \/ They are hissing<br \/>\nradiator tunes&#8221; goes one verse). Nonetheless, there are some great<br \/>\nlines here: &#8220;What would we be without wishful thinking?&#8221; &#8220;The sun<br \/>\ngets passed from sea to sea.&#8221; &#8220;When the devil came \/ He was not red<br \/>\n\/ He was chrome and he said \/ Come with me.&#8221; Madness and genius<br \/>\nhave never been far apart, and rarely closer than in the studio<br \/>\nwith Wilco.<\/p>\n<p>A key part of what made<br \/>\n<i>Yankee Hotel Foxtrot<\/i> a great album was its rock and roll<br \/>\nheart. Yes, the album had a distinct alt-country\/Americana tinge,<br \/>\nbut its essential attitude was all rock and roll, as in &#8220;Screw<br \/>\nconvention and screw you &#8211; we&#8217;re doing this our way, and you can<br \/>\neither get it or get off the bus. NOW.&#8221;<br \/>\n<i>A Ghost Is Born<\/i> carries that attitude on with admirable<br \/>\ndetermination. And while the approach isn&#8217;t quite as fresh this<br \/>\ntime &#8212; how could it be? &#8212; it remains compelling in the hands of<br \/>\nan artist as talented and apparently fearless as Jeff Tweedy.<\/p>\n","protected":false},"author":12,"featured_media":26730,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7036],"rating":[5613],"class_list":["post-37991","review","type-review","status-publish","has-post-thumbnail","artist-wilco","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37991","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=37991"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/37991\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26730"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=37991"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=37991"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=37991"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}