{"id":38002,"date":"2004-07-05T00:00:00","date_gmt":"2004-07-05T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seventh-key\/"},"modified":"2004-07-05T00:00:00","modified_gmt":"2004-07-05T00:00:00","slug":"seventh-key","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/seventh-key\/","title":{"rendered":"Seventh Key"},"content":{"rendered":"<p class=\"c1\">[An earlier version of this review appeared on<br \/>\nHouseofshred.com in 2001]<\/p>\n<p>As a fan of all kinds of music, and more importantly a fan of<br \/>\nall kinds of musicians, nothing makes me happier than seeing a<br \/>\ntruly talented, yet relatively unrecognized performer step out from<br \/>\ntheir usual role as band member and take the limelight. Such is the<br \/>\ncase with Billy Greer. For 16 years Billy has been the &#8220;Seventh<br \/>\nKey&#8221; to the musical entity known as Kansas. Besides laying down the<br \/>\nbottom line on bass, his searing tenor voice has been the lynchpin<br \/>\nto the awesome vocal harmonies Kansas is known for. Kansas&#8217; fans<br \/>\nhave admired this secret weapon for years and have been clamoring<br \/>\nfor some original Greer material for some time.<\/p>\n<p>\n<i>Seventh Key<\/i> proves what Kansas fans have known for years &#8212;<br \/>\nBilly Greer can sing like nobody&#8217;s business. Teaming with Billy in<br \/>\nSeventh Key is veteran Streets\/Steelhouse Lane guitarist Mike<br \/>\nSlamer, who also produced. Slamer lends his distinctive shredding<br \/>\nand impeccable ear to produce a fresh, lush sound. Also on the disc<br \/>\nare a crew of familiar faces; guitar-god Steve Morse and Billy&#8217;s<br \/>\nfellow Kansas members Steve Walsh, Rich Williams and Phil Ehart are<br \/>\nall on hand (Walsh and Morse also contributed songs to the<br \/>\nproject). The bulk of the disc features Greer on bass and vocals,<br \/>\nSlamer on guitar, drummer Chet Wynd, David Manion on keys and<br \/>\nanother great voice, Terry Brock, providing harmony vocals.<\/p>\n<p>Greer and Slamer unleash a blistering shred-fest right out of<br \/>\nthe gate, with the opening track &#8220;The Kid Could Play,&#8221; a tribute to<br \/>\nBilly&#8217;s departed friend Marty Conn. What follows is a great<br \/>\ncollection of original songs. From balls-to-the wall rockers like<br \/>\n&#8220;Prisoner of Love&#8221; and the anthemic &#8220;Only the Brave,&#8221; and melodic<br \/>\nrockers such as &#8220;Every Time it Rains&#8221; and &#8220;No Man&#8217;s Land,&#8221; to<br \/>\ngut-wrenching power ballads like my fave from the disc,<br \/>\n&#8220;Surrender.&#8221;<\/p>\n<p>The highlight of this disc is the inclusion of four &#8220;lost&#8221; songs<br \/>\nfrom Billy&#8217;s early days with Kansas, including a couple of great<br \/>\ntracks penned by Kansas wailer Steve Walsh. These songs were<br \/>\noriginally written and recorded for Kansas&#8217;<br \/>\n<i>Power<\/i> album, but were never released. The original<br \/>\nrecordings for two of the songs were too damaged to use, but the<br \/>\nother two original demo tapes, &#8220;Every Time it Rains&#8221; and &#8220;No Man&#8217;s<br \/>\nLand&#8221; appear in remastered form on this album.<\/p>\n<p>Sonically, think of the likes of Journey and Whitesnake with<br \/>\nmore up-to-date arrangements. Solid classic rock styling wrapped up<br \/>\nin modern sound and production. I was much more impressed with this<br \/>\ndisc than recent releases from more established classic rock icons.<br \/>\nFans of great melodic rock with eat this up.<\/p>\n","protected":false},"author":42,"featured_media":26739,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[7041],"rating":[5617],"class_list":["post-38002","review","type-review","status-publish","has-post-thumbnail","artist-seventh-key","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38002","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38002"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38002\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26739"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38002"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38002"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38002"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38002"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}