{"id":38005,"date":"2004-07-07T00:00:00","date_gmt":"2004-07-07T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/balance-2\/"},"modified":"2004-07-07T00:00:00","modified_gmt":"2004-07-07T00:00:00","slug":"balance-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/balance-2\/","title":{"rendered":"Balance"},"content":{"rendered":"<p class=\"c1\">[An earlier version of this review appeared on<br \/>\nHouseofshred.com in 2001]<\/p>\n<p>Tempest, as a band, is a little hard to describe. They play folk<br \/>\nsongs, but they are not a folk band. They rock out, but they&#8217;re<br \/>\nmuch more than a rock band. Think of them this way; take some<br \/>\nJethro Tull and Kansas, throw in a dash of Led Zeppelin, and have<br \/>\nthem play Celtic and Norwegian folk music flavored with metal and<br \/>\nbluegrass. Sounds like kind of a mess but it really works. Call it<br \/>\nworld music if you like, though it&#8217;s a little strange to put that<br \/>\nhandle on a bunch of guys from Oakland, California. Well, okay, the<br \/>\ndrummer is Cuban and the frontman is Norwegian. In any case, they<br \/>\nare highly talented and imaginative musicians who seamlessly blend<br \/>\na morass of musical genres into a fluid blend of eclectic, exciting<br \/>\nmusic.<\/p>\n<p>Frontman Lief Sorbye leads Tempest with smooth yet passionate<br \/>\nvocals and a sizzling double mandolin. Sorbye is a very capable<br \/>\nsinger with a husky tenor voice, and he has perfected his<br \/>\nparticular style through near-perpetual touring and live<br \/>\nperformances with Tempest (and the Tempest side project Caliban).<br \/>\nThe production on this disc give a natural feel to his vocals, like<br \/>\nsitting in a pub or the market square listening to him, as opposed<br \/>\nto the often over-produced digitally modified vocals that are the<br \/>\nnorm on most recording these days. One gets the impression not of a<br \/>\nrock singer, but of a tavern minstrel who plays for the love of the<br \/>\nmusic (and perhaps a pint of ale), as opposed to riches and fame.<br \/>\nHis natural vocal style helps accentuate the flavor of the<br \/>\nold-world lyrics and melodies that form the core of their<br \/>\nsound.<\/p>\n<p>Guitarist Todd Evans and fiddler Jim Hurley work around Sorbe&#8217;s<br \/>\nmandolin to create energetic swirling patterns that run from soft<br \/>\nlyrical patois on songs like &#8220;Wicked Spring&#8221; and &#8220;Journeyman,&#8221; to<br \/>\nfiery metallic intensity on &#8220;Dance of the Sand Witches&#8221; and the<br \/>\nAppalachian-bluegrass infused &#8220;Battle Mountain Breakdown.&#8221; Bassist<br \/>\nWilliam Maxwell and drummer Adolfo Lazo provide the solid<br \/>\nfoundation required to back up the diverse collection of sounds<br \/>\nthat Tempest explores.<\/p>\n<p>On<br \/>\n<i>Balance<\/i>, Tempest offers up an outstanding set of their<br \/>\nprivate blend of Euro-centric folk music and string-oriented<br \/>\nprog-rock. The way they muddy the boundaries between musical genres<br \/>\nis part of the appeal of this band.<br \/>\n<i>Balance<\/i> is indeed an apt title, as all of their many<br \/>\ninfluences co-exist in equal measure, where the whole is far<br \/>\ngreater than the sum of its parts.<\/p>\n","protected":false},"author":42,"featured_media":26742,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[6086],"rating":[5613],"class_list":["post-38005","review","type-review","status-publish","has-post-thumbnail","artist-tempest","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38005","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38005"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38005\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26742"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38005"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38005"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38005"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38005"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}