{"id":38006,"date":"2004-07-08T00:00:00","date_gmt":"2004-07-08T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wanted-dead-or-alive\/"},"modified":"2004-07-08T00:00:00","modified_gmt":"2004-07-08T00:00:00","slug":"wanted-dead-or-alive","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/wanted-dead-or-alive\/","title":{"rendered":"Wanted Dead Or Alive"},"content":{"rendered":"<p>Not even six months after the death of Warren Zevon, it almost<br \/>\nseems like it&#8217;s sacrilege to say anything negative about the late<br \/>\nsinger-songwriter. To dare call any of his work anything short of a<br \/>\nmasterpiece is akin to dancing an Irish jig on his grave.<\/p>\n<p>Yet Zevon himself would have probably welcomed criticism of<br \/>\n<i>Wanted Dead Or Alive<\/i>, his 1970 debut release (which was<br \/>\nremastered and re-issued in 2003). Yet for all the weaknesses on<br \/>\nthis disc, there are moments of sheer magic which even Zevon<br \/>\nhimself would have been hard-pressed to ignore.<\/p>\n<p>Granted, if you go into this disc looking for songs along the<br \/>\nlines of &#8220;Werewolves Of London&#8221; or &#8220;Mr. Bad Example,&#8221; you&#8217;re gonna<br \/>\nwalk away shaking your head in displeasure. There&#8217;s a reason why<br \/>\nZevon took about six years off before the release of his second<br \/>\nalbum &#8212; namely, the need for growth in his songwriting.<\/p>\n<p>So it&#8217;s not terribly surprising that you find songs such as the<br \/>\ntitle track and &#8220;Hitchhikin&#8217; Woman&#8221; which sound like they&#8217;re works<br \/>\nin progress, but desperately needing another coat of paint or two.<br \/>\nThe surprisingly sparse instrumentation doesn&#8217;t really help matters<br \/>\ntoo much, either. And despite its ties to the film<br \/>\n<i>Midnight Cowboy<\/i>, I just can&#8217;t really get into the song &#8220;She<br \/>\nQuit Me&#8221;. Maybe if I had been born in the &#8217;50s and was of the age<br \/>\nof reason in 1969 (rather than still being a glint in the milkman&#8217;s<br \/>\neye), I&#8217;d be able to connect to this original version more.<\/p>\n<p>But to write off Wanted Dead Or Alive as a period piece or even<br \/>\nan album for Zevon fans only is to ignore the successes captured on<br \/>\nthis disc. And, surprisingly, there are many. Despite the liner<br \/>\nnotes all but writing off Zevon&#8217;s version of &#8220;Iko Iko,&#8221; it is<br \/>\nsomewhat enjoyable, quite possibly because Zevon gets in, delivers<br \/>\nthe message and gets out. Without the drawn-out faux-party<br \/>\natmosphere to the song, you get its essence &#8212; and it&#8217;s pretty<br \/>\ngood.<\/p>\n<p>It is when Zevon&#8217;s work takes on the slightly bent edge &#8212;<br \/>\nalbeit in the musical form rather than lyrical &#8211; that this disc<br \/>\nshows its true magic. &#8220;Gorilla&#8221; has a primitive sound that is<br \/>\nabsolutely enchanting, while the closing instrumental &#8220;Fiery<br \/>\nEmblems&#8221; says the most about Zevon&#8217;s musical and songwriting<br \/>\nskills. Likewise, you can&#8217;t help but enjoy the frantic piano solo<br \/>\non &#8220;Calcutta,&#8221; almost sounding like it belongs on another<br \/>\nsong\u2026 but it works.<\/p>\n<p>\n<i>Wanted Dead Or Alive<\/i> is not your typical Zevon album, if<br \/>\nonly because Zevon himself didn&#8217;t know how to make a typical Zevon<br \/>\nalbum. At times, this works to his advantage; at other times, it<br \/>\ndoesn&#8217;t. But it sure makes for an interesting trip, and one which<br \/>\ndoesn&#8217;t fully deserve the bad rap it&#8217;s gotten over the years.<\/p>\n","protected":false},"author":2,"featured_media":26743,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5674],"rating":[5614],"class_list":["post-38006","review","type-review","status-publish","has-post-thumbnail","artist-warren-zevon","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38006","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38006"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38006\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26743"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38006"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38006"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38006"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}