{"id":38008,"date":"2004-07-12T00:00:00","date_gmt":"2004-07-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-was-2\/"},"modified":"2004-07-12T00:00:00","modified_gmt":"2004-07-12T00:00:00","slug":"this-was-2","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/this-was-2\/","title":{"rendered":"This Was"},"content":{"rendered":"<p>Jethro Tull have definitely been one of the more progressive<br \/>\nacts throughout the decades. Known for their use of the flute,<br \/>\ntheir thought-provoking lyrics, and the stage antics of frontman<br \/>\nIan Anderson, they&#8217;ve become one of the more eccentric bands in the<br \/>\npantheon of rock. But before the 30-plus minute songs, before the<br \/>\nblending of progressive and folk elements, and even before the<br \/>\nfamous guitar licks of Martin Barre, there was this.<\/p>\n<p>It&#8217;s quite obvious that the group was a definitely a blues band<br \/>\nat this point in their career. And in being one, the flute wasn&#8217;t a<br \/>\nvery accepted instrument in the genre, and that&#8217;s why less of it is<br \/>\nheard when compared to other Tull albums (though it&#8217;s still<br \/>\nprominent throughout the album, on songs like &#8220;Beggar&#8217;s Farm&#8221; and<br \/>\nthe mostly all-flute instrumental&#8221;Serenade to a Cuckoo&#8221;).<\/p>\n<p>However, it is compensated by Mick Abrahams&#8217; talent on the<br \/>\nguitar. This man is one of the best blues guitarists around, and<br \/>\nit&#8217;s unfortunate that he was only on this album (not to say that<br \/>\nBarre is a lesser guitarist, but that it would&#8217;ve been interesting<br \/>\nto hear how Abrahams would sound on later albums). His brilliant<br \/>\nriffs in &#8220;Dharma for One&#8221; and &#8220;Cat&#8217;s Squirrel&#8221; are some of the best<br \/>\nguitar lines ever written in rock and roll.<\/p>\n<p>&#8220;A Song for Jeffery&#8221; is the only track that most casual Tull<br \/>\nfans are able to remember from this album. It&#8217;s unfortunate that<br \/>\nother, better tracks are neglected, but the aforementioned song<br \/>\nstill sounds quite good, even after all these years.<\/p>\n<p>The crowning achievement (at least to me) is easily &#8220;Dharma for<br \/>\nOne,&#8221; which starts out with a powerful flute and guitar attack,<br \/>\nwhich then leads into a drum solo that bands like Led Zeppelin and<br \/>\nBlack Sabbath probably drew on for inspiration. It also showcases<br \/>\nClive Bunker&#8217;s talent behind a kit, and has a wicked little<br \/>\nAbrahams solo overlapping Bunker&#8217;s frantic skin-pounding right near<br \/>\nthe end.<\/p>\n<p>One thing that I just never cared for on this album is<br \/>\nAnderson&#8217;s harmonica. I know it was a very common instrument to<br \/>\naccompany the guitar in the blues genre, but after all these years,<br \/>\nit seems a little dated. The only time I can say I enjoy it is in<br \/>\nthe ultra-bluesy &#8220;It&#8217;s Breaking Me Up.&#8221;<\/p>\n<p>When looking at the whole of the Tull discography, this album<br \/>\ncertainly sticks out as being quite different from the rest. Much<br \/>\nmore raw and bluesy, it still however retains most of its desired<br \/>\npower from when it was first released. I still believe it to be one<br \/>\nof the better efforts by Anderson and co., and when one is finished<br \/>\nlistening to the album, it becomes clear that<br \/>\n<i>This Was<\/i> awesome.<\/p>\n","protected":false},"author":41,"featured_media":24594,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5643],"rating":[5613],"class_list":["post-38008","review","type-review","status-publish","has-post-thumbnail","artist-jethro-tull","rating-rating-a-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38008","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/41"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38008"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38008\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/24594"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38008"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38008"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38008"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}