{"id":38009,"date":"2004-07-12T00:00:00","date_gmt":"2004-07-12T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amnesiac\/"},"modified":"2004-07-12T00:00:00","modified_gmt":"2004-07-12T00:00:00","slug":"amnesiac","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/amnesiac\/","title":{"rendered":"Amnesiac"},"content":{"rendered":"<p>Is<br \/>\n<i>Amnesiac<\/i> &#8212; a.k.a.<br \/>\n<i>Kid B<\/i> &#8212; as good as<br \/>\n<i>Kid A<\/i>? One thing is for sure;<br \/>\n<i>Kid B<\/i> would&#8217;ve been disc two had<br \/>\n<i>Kid A<\/i> been a double album.<br \/>\n<i>Amnesiac<\/i> contains the residual tracks which didn&#8217;t make it;<br \/>\nhence, it is just an extension of<br \/>\n<i>Kid A<\/i>. So, how much does<br \/>\n<i>Amnesiac<\/i> weigh against its predecessor? What could&#8217;ve been<br \/>\ndisc two&#8221; couldn&#8217;t be far off from &#8220;disc one,&#8221; could it? Well,<br \/>\n<i>Amnesiac<\/i> is as machine-like, as de-humanized, as alienated,<br \/>\nand as synthetically yours, as<br \/>\n<i>Kid A<\/i>.<\/p>\n<p>This unmoving album starts off with &#8220;Packt Like Sardines In A<br \/>\nCrushed Tin Box&#8221;: a perfect track to admonish the listener of the<br \/>\nhostilities following it; and yes, as usual, singer Thom Yorke does<br \/>\nsound as if he is an alien in some Steven Spielberg movie. As if<br \/>\nexemplifying the parody of our so-called &#8216;civilized&#8217; society, this<br \/>\nsong is followed up by a hauntingly sweet, melodious and very<br \/>\nhuman-like &#8220;Pyramid Song.&#8221; It is probably Radiohead&#8217;s way of<br \/>\ncontradicting the opening track. But, Radiohead couldn&#8217;t carry on<br \/>\nmuch without de-humanizing their songs, could they? From the third<br \/>\nsong (whose crazy beat Missy Elliot would appreciate) onwards, the<br \/>\nalbum drapes itself with deliberate discomfort into a self-spun<br \/>\ncocoon, alienating itself as much as possible from our evil planet<br \/>\nand a couple of others around it.<\/p>\n<p>The album progresses, getting more and more irritatingly<br \/>\nillegible until one eventually gets to know the genius of this<br \/>\nband. Radiohead proves that they can be brilliant musicians,<br \/>\nproducing sounds which seem as un-music-like as possible, giving a<br \/>\nwhole new dimension to musicality.<\/p>\n<p>In the midst of all the disorientation of the album suddenly<br \/>\nblossom &#8220;I Might Be Wrong&#8221; and &#8220;Knives Out&#8221;, assuring that Amnesiac<br \/>\nis an album created by humans of our age, not by the people of the<br \/>\nfuture playing around with their time machines to get a taste of<br \/>\nthe primitive age of 2001. It is unbelievable how the band segues<br \/>\nin a trice to real sound amidst their bombardment of surrealistic<br \/>\nones.<\/p>\n<p>\n<i>Kid A<\/i> was a very brave effort by Radiohead, something which<br \/>\nthey &#8212; or as a matter of fact &#8212; no other band has done before.<br \/>\n<i>Amnesiac<\/i>, the follow-up, doesn&#8217;t conjure up that much of an<br \/>\nelement of surprise, since its offbeat<br \/>\n<i>Kid A<\/i>-ish sound was expected of it. So, even though it<br \/>\ndoesn&#8217;t seem as special as<br \/>\n<i>Kid A<\/i>,<br \/>\n<i>Amnesiac<\/i> is an essential addition to it, surely not to be<br \/>\ndone without. In fact, neither<br \/>\n<i>Amnesiac<\/i> nor<br \/>\n<i>Kid A<\/i> seems complete without the other.<\/p>\n","protected":false},"author":40,"featured_media":26745,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"tags":[],"artist":[5849],"rating":[5617],"class_list":["post-38009","review","type-review","status-publish","has-post-thumbnail","artist-radiohead","rating-rating-b-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38009","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/40"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38009"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38009\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26745"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38009"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/tags?post=38009"},{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38009"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}