{"id":38012,"date":"2004-07-14T00:00:00","date_gmt":"2004-07-14T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/benefit\/"},"modified":"2004-07-14T00:00:00","modified_gmt":"2004-07-14T00:00:00","slug":"benefit","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/benefit\/","title":{"rendered":"Benefit"},"content":{"rendered":"<p>The early works of British rockers Jethro Tull can be seen as a<br \/>\nseries of progressions. They went from Fleetwood Mac-like blues on<br \/>\n<i>This Was<\/i> to a more jazz-oriented groove with<br \/>\n<i>Stand Up<\/i>. But their third album,<br \/>\n<i>Benefit<\/i>, marked a turn towards a more experimental sound &#8212;<br \/>\none which is pretty difficult to categorize.<\/p>\n<p>More of a rock-oriented disc than the two previous efforts,<br \/>\n<i>Benefit<\/i> shows Ian Anderson and crew striving to take a few<br \/>\nmore chances with the music this time around. For the most part,<br \/>\nthese experiments worked, but it&#8217;s a little off-putting the first<br \/>\ncouple of listens. (I&#8217;m working off of the re-mastered version,<br \/>\nwhich includes four bonus tracks, and makes a minor shuffle of the<br \/>\ntrack listing I grew up knowing on vinyl.)<\/p>\n<p>The opening number &#8220;With You There To Help Me&#8221; is exhibit &#8220;A&#8221; of<br \/>\nwhat is to come from Jethro Tull, both now and in their future.<br \/>\nWith a backbeat that suggests both jazz and a touch of<br \/>\nadult-contemporary, Anderson almost creates a chant-like atmosphere<br \/>\nwith the initial vocals before allowing himself and the band to<br \/>\nrelease some energy in the chorus. It&#8217;s an interesting mix, but one<br \/>\nthat surprisingly holds up well.<\/p>\n<p>The overall sound on<br \/>\n<i>Benefit<\/i> would have to be labeled &#8220;unstructured,&#8221; just<br \/>\nbecause of the jumping from style to style. From the rock-oriented<br \/>\n&#8220;Teacher&#8221; (still an incredible song) to an almost introspective<br \/>\nstyle on &#8220;For Michael Collins, Jeffrey And Me,&#8221; from the friendly<br \/>\nlecture styles of &#8220;Inside&#8221; and &#8220;Son&#8221; to a defiant stance on<br \/>\n&#8220;Nothing To Say,&#8221; the band is literally all over the board with<br \/>\nthis one.<\/p>\n<p>This, in the end, turns out to be the biggest hurdle the<br \/>\nlistener has to jump. It becomes mentally exhausting to try and<br \/>\nkeep up with each stylistic change that Jethro Tull tries to make<br \/>\nwith each song, and while the works in and of themselves are solid,<br \/>\nafter a while the listener almost feels overwhelmed by the whole<br \/>\nprocess.<\/p>\n<p>The four &#8220;bonus&#8221; tracks are &#8212; at least to me &#8212; no surprise,<br \/>\nhaving heard them before on<br \/>\n<i>Living In The Past<\/i>. They do feel like natural additions to<br \/>\nthe disc (even though I list &#8220;Teacher&#8221; as an original track on my<br \/>\nvinyl copy of<br \/>\n<i>Benefit<\/i>, while &#8220;Alive And Well And Living In&#8221; wasn&#8217;t on the<br \/>\nrecord originally), and blend right in with the musical<br \/>\nscenery.<\/p>\n<p>\n<i>Benefit<\/i> sometimes feels like you&#8217;re running a marathon to<br \/>\nget through the disc, but in the end it turns out to be a<br \/>\nworthwhile excursion. Yet another of the &#8220;forgotten&#8221; discs in<br \/>\nJethro Tull&#8217;s career, this is one which calls for people to dig<br \/>\ninto their stacks of vinyl, dust it off and give it a few more<br \/>\nspins.<\/p>\n","protected":false},"author":2,"featured_media":26747,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5643],"rating":[5615],"class_list":["post-38012","review","type-review","status-publish","has-post-thumbnail","artist-jethro-tull","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38012","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38012"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38012\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26747"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38012"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38012"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38012"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}