{"id":38026,"date":"2004-07-22T00:00:00","date_gmt":"2004-07-22T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/heavy-horses\/"},"modified":"2004-07-22T00:00:00","modified_gmt":"2004-07-22T00:00:00","slug":"heavy-horses","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/heavy-horses\/","title":{"rendered":"Heavy Horses"},"content":{"rendered":"<p>It&#8217;s an unwritten rule in the world of rock and roll: no matter<br \/>\nhow hard you try, the album you release after a blockbuster is<br \/>\nalmost always viewed as a disappointment. This is not always the<br \/>\nartist&#8217;s fault &#8212; after all, they can&#8217;t control the expectations of<br \/>\nthe fans. Worse yet, they can&#8217;t please all of the fans.<\/p>\n<p>For Ian Anderson and crew, they faced this dilemma for the<br \/>\nsecond time in 1978. Coming off of the wonderful disc<br \/>\n<i>Songs From The Wood<\/i>, it was hard to imagine how Jethro Tull<br \/>\ncould top this effort. The answer: they couldn&#8217;t. The follow-up<br \/>\ndisc,<br \/>\n<i>Heavy Horses<\/i>, contains some fantastic material, combining<br \/>\nthe worlds of folk and harder-edged rock (kind of like merging<br \/>\ntheir two previous albums into one), but otherwise falling short of<br \/>\nthe target.<\/p>\n<p>Anderson and his bandmates do try to build on the folk basis<br \/>\nthey created with<br \/>\n<i>Songs From The Wood<\/i>, and they often do well heading in this<br \/>\ndirection. &#8220;One Brown Mouse&#8221; might be a throwaway idea, but it is a<br \/>\ncharming little song and remains a hidden gem in the Tull<br \/>\ndiscography. Likewise, the title track brings back memories of<br \/>\n&#8220;Songs From The Wood,&#8221; mixing gentle, harmonized vocals and<br \/>\ndrifting melodies in with some solid rock (thanks in no small part<br \/>\nto the guitar work of Martin Barre).<\/p>\n<p>Indeed,<br \/>\n<i>Heavy Horses<\/i> starts out strong enough with the one-two punch<br \/>\nof &#8220;And The Mouse Police Never Sleeps&#8221; and &#8220;Acres Wild.&#8221; And while<br \/>\n&#8220;No Lullaby&#8221; sometimes feels like it overstays its welcome, it is a<br \/>\ndecent enough track to keep the listener&#8217;s interest for most of the<br \/>\nsong.<\/p>\n<p>But much of<br \/>\n<i>Heavy Horses<\/i> sounds like Jethro Tull is growing a little<br \/>\nlistless in their musical direction. Tracks like &#8220;Moths,&#8221;<br \/>\n&#8220;Journeyman&#8221; and &#8220;Weathercock&#8221; don&#8217;t seem completely comfortable in<br \/>\ntheir musical skins, even sounding a tad forced. Whereas<br \/>\n<i>Songs From The Wood<\/i> was an organic experience which<br \/>\noverflowed with joy in the performances,<br \/>\n<i>Heavy Horses<\/i> features performances which sound labored at<br \/>\ntimes. And while the strong tracks are well worth the listener&#8217;s<br \/>\ntime, they just aren&#8217;t enough to salvage the entire disc.<\/p>\n<p>Does this mean that<br \/>\n<i>Heavy Horses<\/i> is a bad album? No. But it has become one of<br \/>\nthe &#8220;forgotten&#8221; Jethro Tull albums, most likely because it contains<br \/>\nno hit singles or tracks which get played ad nauseam on classic<br \/>\nrock radio. The disc still has plenty going for it, and does<br \/>\ndeserve some attention. Maybe, had<br \/>\n<i>Songs From The Wood<\/i> not come out, this disc would be seen in<br \/>\na brighter light, since there would be no comparisons drawn. But<br \/>\nwhile<br \/>\n<i>Heavy Horses<\/i> tries to follow in its predecessor&#8217;s footsteps,<br \/>\nit occasionally stumbles.<\/p>\n","protected":false},"author":2,"featured_media":26759,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5643],"rating":[5614],"class_list":["post-38026","review","type-review","status-publish","has-post-thumbnail","artist-jethro-tull","rating-rating-c-plus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38026"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38026\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26759"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38026"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38026"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}