{"id":38044,"date":"2004-08-02T00:00:00","date_gmt":"2004-08-02T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-grey-album\/"},"modified":"2004-08-02T00:00:00","modified_gmt":"2004-08-02T00:00:00","slug":"the-grey-album","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/the-grey-album\/","title":{"rendered":"The Grey Album"},"content":{"rendered":"<p>\n<i>The Grey Album<\/i> is already legendary in terms of Internet<br \/>\nlore: a relatively unknown, immensely talented DJ fuses colors of<br \/>\ntwo well-known albums, The Beatles&#8217;<br \/>\n<i>The White Album<\/i> and Jay-Zs 2003 farewell album,<br \/>\n<i>The Black Album<\/i>. Legal action ensues. Downloads are made and<br \/>\nlike it or not,<br \/>\n<i>The Grey Album<\/i>, even if it is essentially illegal, has<br \/>\nalready changed the landscape of music. DJ Danger Mouse (formally<br \/>\nknown as Brian Burton) has created a novelty album that is anything<br \/>\nbut a novelty.<\/p>\n<p>Of course, DJ&#8217;s have been mixing albums for decades. In 1993,<br \/>\ndance-kings The KLF paired up with late country legend Tammy<br \/>\nWynette to record &#8220;Justified and Ancient.&#8221; Many college DJ&#8217;s fuse<br \/>\nso-called &#8216;incompatible&#8217; artists together for the sake of novelty.<br \/>\nBut<br \/>\n<i>The Grey Album<\/i> created a phenomenon that will likely be<br \/>\nreplicated in years to come. Fans of copyright laws have reasonable<br \/>\nright to fear &#8212; some DJs may create a better listening experience<br \/>\nthan the original album.<\/p>\n<p>Put the debate aside, and<br \/>\n<i>The Grey Album<\/i> is an excellent generation gap tool. Any<br \/>\nclassic rock fans who refuse to acknowledge the talents Jay-Z or<br \/>\nrap in general will no doubt brave the posturing of Jay-Z to hear<br \/>\nsnippets of &#8220;While My Guitar Gently Weeps&#8221; in &#8220;What More Can I<br \/>\nSay.&#8221; Jay-Z fans who think classic rock is &#8220;geezer rock&#8221; will<br \/>\ndiscover some of the tightest, most-head-bobbing and flat-out weird<br \/>\nbeats The Beatles generated when the listener hears the guitar line<br \/>\nand &#8220;ohh yeah!&#8221; shout-outs in &#8220;Glass Onion&#8221; in the song,<br \/>\n&#8220;Encore.&#8221;<\/p>\n<p>Some experiments flounder. &#8220;Justify My Thug&#8221; and &#8220;Interlude&#8221;<br \/>\ndon&#8217;t seem to go anywhere and are the two songs where<br \/>\n<i>The Grey Album<\/i> sounds less like an album and more like a<br \/>\nwell-crafted publicity stunt. Still, anyone who tries to make order<br \/>\nout of &#8220;Revolution 9&#8221; deserves some credit.<\/p>\n<p>Time will essentially determine whether<br \/>\n<i>The Grey Album<\/i> will gain in artistic value. If any artist<br \/>\nbenefits (other than DJ Danger Mouse) from<br \/>\n<i>The Grey Album<\/i>, it would likely be Jay-Z. Despite all of the<br \/>\naccolades he has reaped from the hip-hop world, many music critics<br \/>\nremain skeptical in ranking him up with the Bruce Springsteen&#8217;s or<br \/>\nPrince&#8217;s of the world. The fact that Jay-Z&#8217;s music can sound at<br \/>\nhome, and even complement The Beatles seminal<br \/>\n<i>White Album<\/i> will hopefully earn Jay-Z some respect from non<br \/>\nhip-hop critics. As for The Beatles,<br \/>\n<i>The Grey Album<\/i> shows that despite the fact that it is likely<br \/>\nthe most over-analyzed album in rock history, more can still be<br \/>\nlearned from it. And as for DJ Danger Mouse, the road is now<br \/>\nofficially paved for your first full-length LP of original material<br \/>\nfollowing this phenomenon. No pressure\u2026<\/p>\n","protected":false},"author":7,"featured_media":26772,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[7052],"rating":[5615],"class_list":["post-38044","review","type-review","status-publish","has-post-thumbnail","artist-dj-danger-mouse","rating-rating-b"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38044","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38044"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38044\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26772"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38044"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38044"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38044"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}