{"id":38059,"date":"2004-08-18T00:00:00","date_gmt":"2004-08-18T00:00:00","guid":{"rendered":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vulture-culture\/"},"modified":"2004-08-18T00:00:00","modified_gmt":"2004-08-18T00:00:00","slug":"vulture-culture","status":"publish","type":"review","link":"https:\/\/dailyvault.adishjain.in\/index.php\/reviews\/vulture-culture\/","title":{"rendered":"Vulture Culture"},"content":{"rendered":"<p>I don&#8217;t know if you remember 1984, but 1984 was a very style<br \/>\nover substance time. Everything seemed to be about image, flash,<br \/>\nand flair. Not a good time to put out a progressive rock CD, but<br \/>\nAlan Parsons and company found a neat way to get around that.<\/p>\n<p>They didn&#8217;t.<\/p>\n<p>Don&#8217;t get me wrong. I have some soft spots in my heart for the<br \/>\n1984 release from the Alan Parsons Project,<br \/>\n<i>Vulture Culture<\/i>, but if the gods came down and threatened me<br \/>\nwith a lightning strike unless I gave up one Project CD, I&#8217;d fling<br \/>\nthis one in the divine dustbin so fast it would leave skidmarks.<br \/>\nVulture Culture is, fundamentally, a flawed work with only a few<br \/>\ngood bits. For the first time, APP takes on a theme they can&#8217;t<br \/>\nmanage to handle; that of the fact that we all feed off one<br \/>\nanother, that all societies are, at their heart, parasitical. Deep<br \/>\n&#8212; so deep, in fact, that the album&#8217;s shallowness leaves the theme<br \/>\nbeached like a whale who left the map at home.<\/p>\n<p>Production and engineering is, as always, crisp, clear, and<br \/>\nflawless. Sad fact is, though, that that flawless production<br \/>\nreveals the flaws in the compositions themselves. Songs like<br \/>\n&#8220;Separate Lives&#8221; and &#8220;Sooner Or Later&#8221; end up sounding like the<br \/>\nunholy mating of Parsons&#8217; immaculate synths with bubblegum pop. The<br \/>\nword I keep coming back to is shallow; I can only assume that<br \/>\ncontinued pressure from Arista Records after the modest chart<br \/>\nsuccesses of<br \/>\n<i>Eye In The Sky<\/i> and<br \/>\n<i>Ammonia Avenue<\/i> resulted in a more pop-oriented sound &#8212; a<br \/>\nsound that just doesn&#8217;t work. Andrew Powell&#8217;s orchestral sound is<br \/>\ncompletely absent on<br \/>\n<i>Vulture Culture<\/i>, and the traditional Project sound goes<br \/>\nright out the window with it.<\/p>\n<p>There are a few good moments. &#8220;Days Are Numbers (The Traveller)&#8221;<br \/>\nis one of the greatest songs the Project ever recorded, a<br \/>\nbrilliant, textured, and complex ballad in the middle of a field of<br \/>\nmostly banal lyrics and uninspired arrangements. &#8220;Let&#8217;s Talk About<br \/>\nMe&#8221; has a few good moments, mostly in the pounding percussion of<br \/>\nStuart Elliot. &#8220;The Same Old Sun&#8221; is a Broadway-style ballad,<br \/>\nsimilar in feel and in quality to &#8220;Shadow Of A Lonely Man&#8221; from<br \/>\n<i>Pyramid<\/i>. Unfortunately, that&#8217;s only three tracks, and even<br \/>\nif you count the instrumental (&#8220;Hawkeye&#8221;, which for being somewhat<br \/>\naverage still has a great saxophone part) that&#8217;s only half a CD.<br \/>\nIt&#8217;s not precisely that<br \/>\n<i>Vulture Culture<\/i> is bad, it&#8217;s just that Parsons could do<br \/>\nmuch, much better. (I do still wonder how much of the CD&#8217;s sound is<br \/>\nrecord company meddling.)<\/p>\n<p>\n<i>Vulture Culture<\/i> can only be recommended to the completist.<br \/>\nIn the end, the record company may have fed off itself, and killed<br \/>\nany chance the Project had of three CDs with American chart<br \/>\nsuccess.<\/p>\n","protected":false},"author":18,"featured_media":26786,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"artist":[5840],"rating":[11204],"class_list":["post-38059","review","type-review","status-publish","has-post-thumbnail","artist-the-alan-parsons-project","rating-rating-c-minus"],"acf":[],"_links":{"self":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review"}],"about":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/types\/review"}],"author":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/comments?post=38059"}],"version-history":[{"count":0,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/review\/38059\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media\/26786"}],"wp:attachment":[{"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/media?parent=38059"}],"wp:term":[{"taxonomy":"artist","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/artist?post=38059"},{"taxonomy":"rating","embeddable":true,"href":"https:\/\/dailyvault.adishjain.in\/index.php\/wp-json\/wp\/v2\/rating?post=38059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}